100 Books Like Love, Sex and Tragedy

This book has the best illustrations of the two main cities of antiquity that l have ever seen. Besides superb photographs (all in colour) of the ruins today, they include Peter Connolly’s brilliant reconstructions of buildings of all sorts: houses, palaces, baths, temples, forums, hippodromes, theatres, amphitheaters, insulae (blocks of flats), bars and aqueducts, plus styles in furniture, clothing, and hair. All are shown in colourful detail, many with cutaway illustrations that recreate city life of 2000 years ago with wonderful vividness. They are complemented by Dr. Hazel Dodge’s lucid, informative text. The first part covers Athens at its democratic peak under Pericles around 434BC, the second Rome at its imperial zenith some 500 years later, when it was the greatest city on earth.

Named for the river that Julius Caesar crossed when he invaded Italy and began the civil war which brought the Roman Republic to its knees, this book offers a sweeping account of the Republic’s fall and has been rightly described as narrative history at its best. All the major characters are vividly presented, from Marius and Sulla to Pompey, Cicero and Caesar, in prose that manages to remain readable and fast-paced while spanning almost 400 pages. Tragedy is arguably more apparent than triumph, understandably in a book devoted to the collapse of the Republican order. But the glory of the Republic does also shine through, and the story is told on a larger scale than my book would have allowed.

Robin Lane Fox, best known for his books on Alexander the Great, has produced a superb overview of ancient history, from the emergence of Greece c.776BC to the Roman empire’s zenith under the emperor Hadrian (reigned  AD117-138).  He takes a firmly narrative approach, which makes for a thrilling read. His focus is on the lives of great men such as Pericles, Alexander, and Julius Caesar and on key political and military events rather than on cultural and social factors. While his epic approach may not impress all academics, it will probably still be read with enthusiasm long after more specialist works have been forgotten. Lots of illustrations, some in colour. Ideal for the general reader.

Dictionaries are not usually meant to be fun but this fact-packed book is so well-written that it is a joy to read. Wonder who on earth was Cicero? What the Punic wars were all about? How the Greeks defeated the Persians at the Battle of Salamis? What was so special about Greek theatre? And why  Rome conquered Britain? You will find all the answers here. Besides military and political events, it covers literature, philosophy, art, religion, sport, and society, all the way from 776BC and the first Olympic Games to the end of the Roman Empire in the west in AD476.

So, just how bad was Nero? After 2000 years, it’s a question that we’ll probably never be able to answer with any certainty.

This non-fiction book makes a fantastic effort at trying to dig through a lot of the biases against Nero to find a more balanced view. While there’s no question that Nero was a monster in his later reign (certainly by our modern standards), it’s often forgotten that he started off incredibly popular with the common people, while his disregard for established traditions made him a lot of enemies amongst the patricians.

And, of course, it’s those patricians who got the final say when it came to writing down his history. It's a really fascinating read!  

I never miss an opportunity to recommend this book for its broad scope and human courage.

It’s such an immersive and very human story full of adventure, challenge, will, and passion. Auriane is brought to such exquisite life as a woman born to a destiny meant to free the people she loves.

This book lands on my list for a call to destiny answered by love because Auriane’s life is an example of how we can’t see ourselves, or how we often don’t know where to fit, whom to challenge, and where to connect—but we find our way by being relentlessly devoted to doing what feels right to us, guided by that internal flame until we unite with the force that gives us a purpose, place, meaning.

Often, if not always, that destiny is deeply anchored in love. 

For Auriane, that love is her tribe, and her community, family, friends,… show more.

I discovered Bernhard—miraculously—in a provincial train station in southern Italy, where the bar had a selection of books on sale.

This was when Bernhard translations into English were hard to find, so my early experience of the writer, in my opinion one of the most extraordinary of his generation, was in Italian. His final novel, Extinction, is set in Rome and it’s a classic of Bernhardian nihilism, scratching at the itch of the absurdity that is life in the face of death.

Bernhard’s Rome is the yin of intellectual freedom to the suffocating and hypocritical yang of Austria. In the end, what I love most about this book is probably its exhilarating contempt for mediocrity and its capacity, I’ll admit it, to make me laugh out loud at just how awful life really is.

Richards’ book broadens the perspective advanced here with a concise overview of American and British films and some American-European co-productions about ancient Greek, Roman, biblical, and other cultures.

Its main focus is on the 1950s and 1960s, when epic filmmaking reached its height with color and widescreen cinematography, giant sets, huge casts, stereophonic sound, extreme lengths, and ruinous costs.

Richards rides to the rescue of several less-than-stellar films but can be severe as well, e.g. about 300: “probably the most Fascistic film to come out in cinemas since the fall of the Third Reich.” (No argument here.)

A few inaccuracies concerning antiquity and cinematic details detract from the book’s value, but they are instructive, since errors can create new fictions from the fictions that films invariably create from history.

I’ve always seen Muriel Spark as a kindred spirit, and her experience of Rome as mirroring my own, albeit on a more luxurious scale (although I did once live round the corner from her flat near Piazza Farnese).

Of the novels she set in Italy, my favourite is probably The Public Image, a story of revenge and dissimulation that captures the dark heart of the city at a time when it was known as Hollywood on the Tiber. It’s a wonderful portrait of what lay beneath the dolce vita and also, presciently, has a lot to say about celebrity culture and its manufacture. Listen up, influencers!

Caracalla was described by Gibbon in his Decline and Fall of the Roman Empire as the “Common Enemy of Mankind.”

But much of what is known about this third-century Emperor was written by Cassius Dio, a Senator who served under him, and hated him. Caracalla certainly committed his fair share of evil deeds, but arguably not to any greater extent than some Emperors who are lauded today such as Augustus, Marcus Aurelius, and Constantine.

Ilkka Syvanne, a Finnish history professor, attempts to rehabilitate Caracalla’s reputation, with mixed success. You may not agree with all his arguments and conclusions, but you will learn a lot about a fascinating Emperor.

My own copy is covered with notes and highlights as a vital source for my Imperial Assassin series.