Here are 100 books that Losing the Moon fans have personally recommended if you like
Losing the Moon.
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I am drawn to books in which family history is never as simple as it first appears. I have always loved fiction about memory, silence, and the choices people make when they discover that something they believed about their past was not entirely true. As a novelist, I keep returning to these themes because I am fascinated by the way family stories shape who we become. I am especially interested in women who have to rebuild their sense of themselves when old explanations stop making sense. The books on this list stay with me because they do more than reveal secrets; they show what happens after the truth is known.
I love this book because it made me think about how far someone can go to leave one version of their life behind.
I kept thinking about the choices the characters make and the way those choices continue to affect people long after they were made. I was especially drawn to the family relationships and to the tension between who we believe ourselves to be and who other people think we are.
I also loved that Brit Bennett never makes her characters easy to judge. I sometimes understood a decision even when I disliked it. That stayed with me. The novel made me think about family, identity, and whether we can ever completely separate ourselves from where we came from.
THE SUNDAY TIMES TOP BESTSELLER #1 NEW YORK TIMES BESTSELLER
SHORTLISTED FOR THE WOMEN'S PRIZE LONGLISTED FOR THE ORWELL PRIZE
'An utterly mesmerising novel..I absolutely loved this book' Bernardine Evaristo, winner of the Booker Prize 2019
'Epic' Kiley Reid, O, The Oprah Magazine
'Favourite book [of the] year' Issa Rae
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years…
Not So Little Things by Kyle Ann Robertson unravels the meticulously crafted life of Tina, an artist engrossed in the intricate world of historically accurate miniatures. As she dutifully honors her deceased father's desire for her to follow in his artistic and historical footsteps, Tina's controlled existence is shaken by…
I spent my childhood treading the Aravalli jungles with my naturalist father, catching snakes and spinning yarns and I learnt early that the most dangerous creatures are rarely the ones with fangs. My father, Raza Tehsin, raised me with the rational approach of solving any mysteries that I came across—whether in nature or otherwise. I grew up to become a writer. Across my twenty-odd published books, from nature writing to my historical mystery novel The Witch in the Peepul Tree, I have experimented with form and genre across age groups and remained fascinated by mysteries. My latest, The Fourth Girl, is a psychological thriller about three friends and the girl who vanished from their lives.
A reader friend recommended this book strongly, but I approached it a bit tentatively at first. Then the marsh swallowed me whole.
What dragged me in wasn't the murder trial, gripping as it was, it was Kya herself, this abandoned girl learning gulls and shells and loneliness the way other children learn arithmetic. I've grown up visiting forests with my naturalist father and still live in wild places so I was quite taken by the natural world written with such tenderness or a woman's solitude given such dignity.
OVER 12 MILLION COPIES SOLD WORLDWIDE NOW A MAJOR MOTION PICTURE A NUMBER ONE NEW YORK TIMES BESTSELLER
For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be…
I am a descendant of William Bradford and Myles Standish, of Pilgrim fame. I was raised in a Massachusetts farmhouse where the commission of James Churchill as a Captain in the militia still hangs, signed by John Hancock. I have lived and breathed this stuff since first opening my eyes. My wife, MaryLu, is a retired elementary teacher who helps bring life to the young characters. Together, through the medium of novels they would actually enjoy reading, we seek to inspire American youth with the principles of our founding, so that they may be more effective in preserving and defending them.
Many an idealistic young law student like me felt that jolt in our spine early on when we saw up in the balcony of that courthouse a sleepy Scout being told, “Stand up, Jean Louise. Your father’s passin’.”
The movie is as faithful to the novel as the medium would allow. The novel is told entirely from Scout’s POV and not only focuses upon the racism of the time and place, but also upon her coming of age as a tomboy and being told to act “As a little girl should.”
The book offers more to those of us for whom the rule of law and not of men is a passion, especially in Finch’s closing: “There is one human institution that makes a pauper the equal of Rockefeller, a stupid man the equal of Einstein… That institution, gentlemen, is a court.”
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
Lucy never wanted the life that's been thrust upon her—the wedding band or the baby in the crib. A woman of ambition, she longs to pursue her dreams on stage, but her husband insists on locking her in a gilded cage under his control. And in 1922, alternatives are almost…
As a product of a Methodist preacher and a public school teacher, I learned about community early on. Church basements and living rooms were where I first saw what it means to show up for one another. My grandmother's faith steadied our family in uncertain times, and those lessons shaped me. In my career, I've had the privilege of working in South Africa, organizing in communities across the country, and serving in the White House. Each experience deepened my understanding of how fragile—and how powerful—our institutions can be. I’m drawn to books that wrestle with how we hold community together because I’ve learned that communities don’t hold themselves. We choose whether they endure.
This novel made a small community come alive for me.
The rhythms, the friendships, the generational passing down of story—it all resonated. What moves me most is how the past and present sit beside each other, shaping one another quietly. It showed me that belonging is built in ordinary spaces: kitchens, churches, front porches.
As I reflected on my grandmother and the community that shaped my family, I thought about this same inheritance. The power of memory, story, and place.
Folksy and fresh, endearing and affecting, Fried Green Tomatoes at the Whistle Stop Cafe is a now-classic novel about two women: Evelyn, who’s in the sad slump of middle age, and gray-headed Mrs. Threadgoode, who’s telling her life story. Her tale includes two more women—the irrepressibly daredevilish tomboy Idgie and her friend Ruth—who back in the thirties ran a little place in Whistle Stop, Alabama, offering good coffee, southern barbecue, and all kinds of love and laughter—even an occasional murder. And as the past unfolds, the present will never be quite the same again.
I grew up in a family that avoided expressing any emotion. A happy house was one where anger and frustration were unheard of. Even laughter was suspect. Books allowed me to experience joy and sorrow. Books allowed me to express my feelings, even though it was behind my closed bedroom door, clutching a handful of sodden tissues, exhausted from the novelty of letting my emotions out. These books are not the books of my childhood. Instead, they are the books of the grown-up me who no longer has to hide behind her bedroom door. I think you will love them just as much as I do.
I adore books with emotionally flawed characters because they represent all of us.
They represent me. A tragedy in my own life led me to My Name is Anton. The growth of Anton, learning to live with his own heartbreak, deflecting his mother’s harsh parenting and his father’s apathy, was rewarding to me.
The ending was particularly gratifying, honest, yet heartbreaking, just like life.
New York Times bestselling author Catherine Ryan Hyde returns with a hopeful novel of sacrifice, two lost souls, and enduring love.
It's 1965, and life has taken a turn for eighteen-year-old Anton Addison-Rice. Nearly a year after his brother died in a tragic accident, Anton is still wounded-physically and emotionally. Alone for the holidays, he catches a glimpse of his neighbor Edith across the street one evening and realizes that she's in danger.
Anton is determined to help Edith leave her abusive marriage. Frightened and fifteen years Anton's senior, Edith is slow to trust. But when she needs a safe…
I love to make people laugh and cry and I love to read novels like this too, as I find they reflect life’s ups and downs so well. I like to read books that take me by the hand into a character’s world and leave me with more compassion and understanding towards the human race. As well as my novel called Are My Roots Showing?, I have done lots of stand up comedy and have some funny films on my YouTube channel (search Karola Woods) that I hope you can enjoy too. I studied physical theatre, mask and clown at Jacques Lecoq Theatre School in Paris.
This is a chatty and intimate fly-on-the-wall book look at everyday things through the lens of aging and mortality.
Nora Ephron makes the bittersweet mix of chattiness and philosophy seem so easy. The engrossing, snippet-write-ups of her friends, family, and career in New York give you a vivid snapshot into her heart and soul.
NATIONAL BESTSELLER • Here is the beloved, bestselling author of I Feel Bad About My Neck at her funniest, wisest, and best, taking a hilarious look at the past and bemoaning the vicissitudes of modern life—and recalling with her signature clarity and wisdom everything she hasn’t (yet) forgotten.
In these pages she takes us from her first job in the mailroom at Newsweek to the six stages of email, from memories of her parents’ whirlwind dinner parties to her own life now full of Senior Moments (or, as she calls them, Google moments), from her greatest career flops to her…
Winner of the 2027 Bronze Medal for Southern Fiction by the Independent Book Publishers Awards
A haunting and magical story of a family with hidden gifts and secrets. A young woman begins having memories that are not her own and must find her place in a lineage of women healers…
I started my motherhood journey when I was barely out of my teens. For the next two decades, I only knew myself as a wife and mother. As my brood of five children grew into adults, I found myself poorly equipped to parent independent Gen X and Z’ers. Then, at 46 years of age, when perimenopause hit me like a hurricane, I found myself evolving into another woman altogether. The good news was – I really liked her! I hope you enjoy these books about mid-life women parenting adult children and rediscovering themselves in the never-ever-done-aftermath of motherhood.
Newman delicately explores the tumultuous journey of mothers going through the rigors of menopause and how this affects the way they deal with their adult children.
I thought she handled that awful sense of “what is happening to me?” while at the same time her main character needs to be the same woman she’s always been to keep her family together.
Discover the joyful summer read from the bestselling author of WE ALL WANT IMPOSSIBLE THINGS, perfect for fans of Marian Keyes and Nora Ephron
'Sandwich is joy in book form. I laughed continuously, except for the parts that made me cry. Catherine Newman does a miraculous job reminding us of all the wonder there is to be found in life.' ANN PATCHETT, New York Times bestselling author of Tom Lake
'A holiday reading gem for summer' STYLIST
'Funny, wise, poignant and beautifully written' NINA STIBBE, author of Love, Nina
I grew up fascinated by and terrified of Hollywood in equal measure, fascinated because my mother was once married to a movie star and terrified because she refused to talk about that time in her life, saying she preferred to “pretend it never happened.” Accordingly, I’ve always been drawn to stories that involve characters who live in the orbit of stage and screen stars, people whose lives are touched, and in many cases forever changed by fame even if their face is not the one people recognize. These novels all offer glimpses into the heady rush of fame and its many foibles.
I was immediately drawn into this story’s premise: former best friends who haven’t seen each other in forty years reuniting in Los Angeles for one night of conversation, a night that will leave each woman changed forever.
Lacey and Edith met and bonded as young girls on the East Coast, but it is Hollywood that tore them apart. I am always interested in stories of female friendship, when ties are strongest, and when they are severed. And, of course, the introduction of a movie star love interest is bound to test even the tightest bond.
This story is especially poignant because it is told by two older women, looking back, who understand the consequences of their decisions and know what they would do over again and what they regret most.
A Gentleman in Moscow meets My Brilliant Friend in this novel of two estranged friends who reunite to confront each other and the devastating betrayal that tore them apart
Downtown Los Angeles, 1990. Alone in her luxury hotel suite, the reclusive Lacey Crane receives a message: Edith is waiting for her in the lobby. Former best friends, Lacey and Edith haven’t spoken to one another in over four decades.
As young adults meeting at summer camp in Maine, and later making their way in the glitzy spotlight of postwar Hollywood, Edith and Lacey share a deep-rooted bond that once saved…
Both my books have a survival theme. Whether it’s foraging for mushrooms, wild camping, or trying to survive lockdown, I’ve always been interested in the relationship between endurance and creativity; what happens when humans are pushed to their limits. After teaching English in a secondary school for 25 years, I decided that I wanted to write a book of my own. I hid away in my caravan in West Wales, living off tomato soup and marshmallows, to write The Island. The books on this list represent the full gamut of survival: stripping yourself raw, learning nature’s lore, healing, falling, getting back up again. Ultimately, to read is to escape into story. To read is to survive.
I just love this book. Again, it’s set against such an evocative landscape – this time in Western Australia. It tells the story of a tentative love affair between a reckless poacher and the wife of a wealthy landowner – and the inevitable fall-out. There’s even a soundtrack to go with it – Winton’s a musician too.
The writing’s so pitch-perfect that I had to keep stopping to scribble phrases down. It’s that good. Why is it about survival? As well as Luther Fox, the poacher, struggling to get over the tragedy of his past, the last third of the book focuses on his walkabout up north to Coronation Island, where he deliberately shipwrecks himself. Cue the wilderness: scavenging, hunting, sheltering. True, haunting, survival in its rawest sense as he battles to redemption.
Georgie Jutland is a mess. At forty, with her career in ruins, she finds herself stranded in White Point with a fisherman she doesn't love and two kids whose dead mother she can never replace. Her days have fallen into domestic tedium and social isolation. Her nights are a blur of vodka and pointless loitering in cyberspace. Leached of all confidence, Georgie has lost her way; she barely recognises herself.
One morning, in the boozy pre-dawn gloom, she looks up from the computer screen to see a shadow lurking on the beach below, and a dangerous new element enters her…
Paris 1886. Two restless souls move toward the same horizon—unaware that their meeting will ignite a love as luminous and fleeting as the stars themselves.
Vincent van Gogh arrives in Paris with little more than paint-stained hands and an aching determination to create something worthy of the world. Across the…
I started my motherhood journey when I was barely out of my teens. For the next two decades, I only knew myself as a wife and mother. As my brood of five children grew into adults, I found myself poorly equipped to parent independent Gen X and Z’ers. Then, at 46 years of age, when perimenopause hit me like a hurricane, I found myself evolving into another woman altogether. The good news was – I really liked her! I hope you enjoy these books about mid-life women parenting adult children and rediscovering themselves in the never-ever-done-aftermath of motherhood.
'Exceptionally brilliant and powerful' Marina Hyde
'This book is a hilarious memoir, a passionate polemic, and a moving manifesto on how to be a decent person and try, in the face of countless stresses, to live a full open-hearted, joyous life' Sunday Times
A decade ago, Caitlin Moran thought she had it all figured out. Her instant bestseller How to Be a Woman was a game-changing take on feminism, the patriarchy, and the general 'hoo-ha' of becoming a woman. Back then, she firmly believed 'the difficult bit' was over, and her forties were going…
