Books like Lore — picked by fans

The Scottish author Muriel Spark’s specialty was short, mordant, corrosive novels, the best known being, of course, The Prime of Miss Jean Brodie. This one, published in 1970, was among her most striking.

A repressed woman’s vacation during the free-loving sixties turns out to be a date with death she may have initiated: the question lingers after you finish.

It became a flawed yet fascinating 1974 film with Elizabeth Taylor at her most—literally and figuratively—exposed.

One of my favorite novels of any length, Nathanael West’s short 1939 classic is at the very least the most disturbing portrait of Golden Age Hollywood and its hangers-on ever written—hideous, poignant, horribly funny.

West himself wrote scripts for B-movies in the thirties. His death at thirty-three in a car crash was perhaps, in its awful and infuriating ridiculousness, fitting. And it was the day after F. Scott Fitzgerald died.

Mariette Navarro’s 2025 work is part of an interesting recent sub-genre of austere European novellas set in an unspecified, unnerving near-future.

Coping with her father’s dementia, a female ship’s captain allows her male crew an unusual naked night swim. Afterwards, she realizes there’s a new, unregistered man aboard.

Ultramarine is absorbing, entranced, and psychologically rich; refreshing among current fiction, its ambiguity requires as much dream analysis as literary interpretation. It’s been superbly translated by Eve Hill-Agnus.

Speaking of psychoanalysis, like much of Stefan Zweig’s work, Fear was written at the dawn of the Freudian era, in 1913 (though it wasn’t published until 1920).

A married upper-class woman is blackmailed by the working-class girlfriend of her lover, and while the tale of her panic is sometimes just an illustration of the then-new concept of the subconscious, it’s riveting anyway.

In the fifties, it became the closest Roberto Rossellini ever came to making a film noir, with Ingrid Bergman.

Out of Shelter, David Lodge's first novel, is a lighter take on the Occupation in its later years. This autobiographical coming-of-age story, which he had trouble getting published, is a tale of a young British boy’s summer-long visit to his sister who’s working for the Americans in Germany. His awakening from a cossetted English childhood of rigid rules and postwar scarcity to a wider world of less certain moralities and astonishing American abundance is at once touching, funny, and written with Lodge’s usual grace and wit.

A true account of how the Nazis confiscated a Berlin business property belonging to a Jewish family and the actions taken to secure restitution. The story has a twist in that the claim for restitution could not be made until after 1989 because the building is located in the Soviet sector of the city.

The property was the business headquarters for a fur company and parts of it were leased. In 1937, the Victoria Insurance Company forecloses on the mortgage and transferred ownership of the building to Hitler’s railway system. The granddaughter investigates her ancestry and the way the building was lost, and then takes up the fight to obtain restitution. After several disappointments, she is successful.

I enjoyed the storyline because it is remarkably similar to what happens in my book. It provides another perspective of how the Nazis confiscated Jewish property, and only by reading books like this… show more.

This crucial book was originally published by Putnam’s, New York, in 1941. 

Riess admitted in his autobiography (which exists only in German) that the book was largely a compilation of material from various sources, much of it handed to him personally by Robert Vansittart, the head of British Intelligence at the time. Large portions of the book were in fact written by Heinrich Pfeifer, and supplied to British Intelligence, part of it on Pfeifer’s two trips to London, and part passed across via Vansittart’s agent Walker in Lucerne.

Riess was a Jewish refugee from Germany who was trusted by Vansittart to aid him in helping to persuade the American public to enter the War against Germany. The book is one of the most astonishing books of its kind ever written, full of breathtaking revelations. It deserves to be widely known and to be a classic text for historical studies.

Its… show more.

I must admit I wasn’t expecting to enjoy this book; it was too dry, too academic, and too detail-obsessed. To be honest, I found it to be all those things, and yet it was absorbing!

I came to the conclusion that I really liked it because I was either a) a geek or b) quite sad, and both are true. Anyway, what I discovered was that I liked this book exactly because it was dry and detailed.

It told me a story I hadn’t heard before and one that opened my eyes and my thinking to a hugely important aspect of the air war–the world of guns and those who crewed them, who, increasingly as the war went on, were schoolchildren. 

This is based on the true story of Sophie Scholl, who courageously rebelled against the restrictions and horrors of the Nazi regime. White Rose was a more recent read and it saddened me to think that we've learned so little from the lessons of the past. Though it is a story with a tragic ending, White Rose reminded me how important it is to speak out against injustice before injustice becomes the norm. 

Joseph Goebbels was the Minister for Propaganda in Hitler’s Nazi Germany, and is one of the central characters in my latest novel. I recommend Longerich’s biography of this complex man in its own right, and not just because I plundered it for information when writing my novel.

Scholarly but written in a lively style, the book will appeal to anyone interested in what made the ‘master of the dark arts of propaganda’ tick. Drawing heavily on Goebbels’ own diaries (which run to an astonishing twenty-nine volumes), Longerich has written the definitive history of this complex and fascinating man, who was so attracted to Nazi ideology that he ultimately lost his soul to evil.