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As a child, I held conflicting beliefs. I knew my Jewish grandfather had been murdered by Germans in occupied Yugoslavia, yet I somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes my father passed down, a blend of his early memories and what my grandmother told him, didnât match what I had heard about Germany, Poland, and Anne Frank in Holland during World War II. That started me on a lifelong journey to learn everything I can about the Holocaust, especially in parts of Europe that have received less attention, and to understand the long-reaching effects of genocide on the survivorâs children and grandchildren.
Wildmanâs obsession made me keep turning the pages long past when I should have been sleeping. She is a journalist, so when she discovers the mystery of a secret folder of letters from her grandfatherâs old girlfriend, she sets out to discover why they were separated and what happened to his first love.Â
One womanâs journey to find the lost love her grandfather left behind when he fled pre-World War II Europe, and an exploration into family identity, myth, and memory.
Years after her grandfatherâs death, journalist Sarah Wildman stumbled upon a cache of his letters in a file labeled âCorrespondence: Patients AâG.â What she found inside werenât dry medical histories; instead what was written opened a path into the destroyed world that was her familyâs prewar Vienna. One womanâs letters stood out: those from ValyâValerie Scheftelâher grandfatherâs lover, who had remained behind when he fled Europe six months after the Nazis annexedâŠ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
As a child, I held conflicting beliefs. I knew my Jewish grandfather had been murdered by Germans in occupied Yugoslavia, yet I somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes my father passed down, a blend of his early memories and what my grandmother told him, didnât match what I had heard about Germany, Poland, and Anne Frank in Holland during World War II. That started me on a lifelong journey to learn everything I can about the Holocaust, especially in parts of Europe that have received less attention, and to understand the long-reaching effects of genocide on the survivorâs children and grandchildren.
From the minute Glenn Kurtz found a decaying tape of his parentsâ trip to Poland in 1938, I was hooked. Iâve imagined being able to glimpse the world my grandparents inhabited in âthe Old Country.â And here it was for Kurtz: some of the only film footage of a Jewish world erased by the Holocaust in the last months before it was gone forever.
I was fascinated to follow along with Kurtz as he becomes a detective working to discover who is in the recorded three minutes, where they are, and what they are doing. But thatâs just the beginning; as he discovers the past, he makes connections in the present and changes lives in the process.
Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome colour film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community, an entire culture that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four year journey to identify the people in his grandfather's haunting images. His search takes him across theâŠ
I am a member of a generation that wasnât supposed to be born. My parents were Hungarian Holocaust survivors and I was born amidst the fragments of European Jewry that remained. As a psychotherapist, I have specialized in helping people navigate the multigenerational reverberations of the Holocaust. Having a witness to your own experience, in therapy and through books, provides comfort, understanding, and hope.
I found this book decades ago symbolically languishing on a remainders table in the back of Moeâs Bookstore in Berkeley. I nearly fainted when I read the title. Could this book be about me and others like me, members of a generation that wasnât supposed to be born? This groundbreaking book, considered the Bible of children of Holocaust survivors, gives voice to the multigenerational impact of the Holocaust which we, the second generation, inherited directly from our parents who were the lucky few to survive while two-thirds of European Jewry was wiped out. As a psychotherapist, I have recommended this book to clients and their partners to better understand family dynamics, grief, trauma, resiliency, and determination to create a better world.
"I set out to find a group of people who, like me, were possessed by a history they had never lived."
The daughter of Holocaust survivors, Helen Epstein traveled from America to Europe to Israel, searching for one vital thin in common: their parent's persecution by the Nazis. She found:
* Gabriela Korda, who was raised by her parents as a German Protestant in South America; * Albert Singerman, who fought in the jungles of Vietnam to prove that he, too, could survive a grueling ordeal; * Deborah Schwartz, a Southern beauty queen who-at the Miss America pageant, played theâŠ
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,âŠ
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told usâthe Queen Mary troopship, his radar unitâs landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
To learn about the Holocaust, I read personal remembrances, eyewitness accounts, and detailed descriptions of ghettos, camps, and transports, but this graphic novel based on Spiegelmanâs father captured me like none of the others. Its words tell its terrible story masterfully and its drawings fill in what words canât say, both as his father lived it and as his son learns about it. Banning it from U.S. schools would be completely wrongheaded. It should be required reading.
The first and only graphic novel to win the Pulitzer Prize, MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him
'The first masterpiece in comic book history' The New Yorker
Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father.
World War 2 has always interested me and my curiosity was strengthened a few years ago when my mother told me I was born illegitimate and my father had been the civil engineer building a nearby bomber airfield and a lodger with her parents. She was ashamed of what happened and lost contact with my father before I was born. Consequently, I wrote my first novel Unplanned. I then met the daughter of the Berlin mother in Abandoned in Berlin, and found itnatural to pursue this story, given what I had discovered about my own upbringing. The effort has taught me to seek to forgive but never to forget.
Here is a story of persistence and justice that inspired the movie Woman in Gold. By taking on the Austrian government, the portrait painted by Gustav Klint is eventually returned to its rightful owner. Once more we witness the reluctance of authorities to acknowledge what was perpetrated during Nazi times.
Taking place in Vienna, the events coincide with the experiences of the protagonist in my own book. The mother fled Germany in late 1937 and lived in Vienna until early 1941. She met her husband there, married him while he was in prison, heard that the Jewish children in her orphanage were killed, and witnessed her motherâs death. âIt was the worst experience in my life,â she says.
I wish that the perseverance and outcome shown in this story could be mirrored in my own book, but rules introduced by West Germany in the 1950s make this impossible.âŠ
The true story that inspired the movie Woman in Gold starring Helen Mirren and Ryan Reynolds. The Award-Winning Nazi Art Theft Saga Winner of the Marfield National Award for Arts Writing  Winner of a California Book Award  Library Journal Top 10 Book of 2012  Christian Science Monitor Top 15 Nonfiction of 2012  Best Huffington Post Art Book 2012  Top 12 Nonfiction 2012 of Examiner.com
The spellbinding story, part fairy tale, part suspense, of Gustav Klimt's Portrait of Adele Bloch-Bauer, one of the most emblematic portraits of its time; of the beautiful, seductive Viennese Jewish salon hostess who sat for it;âŠ
World War 2 has always interested me and my curiosity was strengthened a few years ago when my mother told me I was born illegitimate and my father had been the civil engineer building a nearby bomber airfield and a lodger with her parents. She was ashamed of what happened and lost contact with my father before I was born. Consequently, I wrote my first novel Unplanned. I then met the daughter of the Berlin mother in Abandoned in Berlin, and found itnatural to pursue this story, given what I had discovered about my own upbringing. The effort has taught me to seek to forgive but never to forget.
The plundering of books by the Nazis, especially literature belonging to the Jewish community, is the topic of this novel. Many books are untraceable today and their legitimate owners are long since dead. Nazis confiscated literature for various reasons, some involving original manuscripts, others used to seek out the enemies of the Reich, and quantities were gathered as status indicators. Once the war was over, there were book collections taken for a second time and justified as âliberatedâ rather than âplundered!â
I enjoyed the novel because it covers an aspect of the Holocaust that is rarely addressed and offers insights into what happened to many books that disappeared from Jewish collections during Nazi times. We know there was a book store on the ground floor of the apartment block in my story and that the family belonged to a publishing dynasty. But no one survives today to tell us whatâŠ
"A most valuable book." âChristian Science Monitor
For readers of The Monuments Men and The Hare with Amber Eyes, the story of the Nazis' systematic pillaging of Europe's libraries, and the small team of heroic librarians now working to return the stolen books to their rightful owners.
While the Nazi party was being condemned by much of the world for burning books, they were already hard at work perpetrating an even greater literary crime. Through extensive new research that included records saved by the Monuments Men themselvesâAnders Rydell tells the untold story of Nazi book theft, as he himself joinsâŠ
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlifeâmostly mammals, from mountain lions to pocket miceânear her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marksâŠ
World War 2 has always interested me and my curiosity was strengthened a few years ago when my mother told me I was born illegitimate and my father had been the civil engineer building a nearby bomber airfield and a lodger with her parents. She was ashamed of what happened and lost contact with my father before I was born. Consequently, I wrote my first novel Unplanned. I then met the daughter of the Berlin mother in Abandoned in Berlin, and found itnatural to pursue this story, given what I had discovered about my own upbringing. The effort has taught me to seek to forgive but never to forget.
This is a story of retrieving fine art from Prague and returning it to its rightful owners in Canada. Four paintings were left in the care of a friend when the Reeser family fled Czechoslovakia as Hitlerâs army arrived on March 15, 1939. For 50 years, the family was denied access to their property. Here is an account of determination and love that combines accurate descriptions of history with fictional speculation on how the paintings were retrieved. The Reeser family was fortunate to know what they had and where it was.
I enjoyed the plot in this book and the persistence of the protagonists. It is gratifying to read a story where a family who lost everything at the start of the War, persevered to become reunited with the family treasures once Communism fell in Eastern Europe. The story blends accurate history with imaginative fiction, making it a delight toâŠ
The story of the Reesers, a Jewish family who emigrated to Canada from Czechoslovakia on the eve of WWII. They fled the Nazis and left behind four valuable oil paintings. It would take years for the Reeser family, led by matriarch Mari Reeser, and then her son Karl, to retrieve them. Along the way they had help from two unlikely sources - a mid-level diplomat at the Canadian embassy in Prague, and a daring Dutch-Canadian art smuggler.
World War 2 has always interested me and my curiosity was strengthened a few years ago when my mother told me I was born illegitimate and my father had been the civil engineer building a nearby bomber airfield and a lodger with her parents. She was ashamed of what happened and lost contact with my father before I was born. Consequently, I wrote my first novel Unplanned. I then met the daughter of the Berlin mother in Abandoned in Berlin, and found itnatural to pursue this story, given what I had discovered about my own upbringing. The effort has taught me to seek to forgive but never to forget.
This is a story about the best-selling Viennese cookbook that was stolen by the Nazis and republished under someone elseâs name during the War. The text and color photographs are identical, but the names of the authors are different. The original author, Alice Urbach, who was Jewish, had her book âAryanizedâ for over 80 years, even though her hands are still featured in the illustrations. It shows how respectable businesses and individuals can continue to profit from the persecution of Jews long after the Holocaust ended.Â
I found this a quite remarkable story that has only recently been published in English. It demonstrates the extremes to which the Nazis went to stamp out anything that was Jewish. Only in 2021 were the rights returned to the original author posthumously.
"Unputdownable . . . Urbach has also retold the tragic Holocaust story in quite unforgettable lines" A.N. Wilson
"This fascinating book, by Alice's granddaughter Karina Urbach, shines a spotlight on this lesser-known aspect of Nazi looting" The Times
"A gripping piece of 20th-century family history but also something much more original: a rare insight into the 'Aryanisation' of Jewish-authored books during the Nazi regime" Financial Times
What happened to the books that were too valuable to burn?
Alice Urbach had her own cooking school in Vienna, but in 1938 she was forced to flee to England, like so many others.âŠ
When I learned, at seventeen, of my fatherâs Jewish heritage, I flung myself headlong into reading about Judaism. Naturally, this led me to the Holocaust and World War II, and my novels are inspired by family stories from this harrowing time. While doing research, I traveled to Germany and London, interviewed WWII veterans, and read countless memoirs, academic nonfiction tomes, and historical fiction books about this era. I now speak at libraries and to community organizations about the Ritchie Boys, Secret Heros of WWII. People sometimes tell me concentration camp stories are too disturbing, so I recommend books about Jewish survival, heroism, and everyday life during the Third Reich.
For me, this was a bonanza. Drawn to time-travel stories, I also enjoy magical realism and alternating viewpoints. This book has all these elements. A bookshop owner and a talented Jewish violinist fall in love in Berlin in 1933. This alone would have grabbed my attention. But the bookstore owner has a secretâa time-tunnel âwormholeâ that enables him to visit the future.
The pre-war German story told by Max is interwoven with the postwar story recounted by his love, Hanna, who survives the Holocaust with no memory of events after her 1936 arrest. As a writer who knows the period well, I appreciated the historical details of time and place, and I was swept away by the haunting prose, the passionate love story, and the inherent suspense.Â
âJillian Cantor's In Another Time is a love song to the most powerful of all human emotions: hope. It is the story of Max and Hanna, two star-crossed lovers fighting to stay together during an impossible moment in history. It is gripping, mysterious, romantic, and altogether unique. I was enchanted by this beautiful, heartbreaking novel.â â Ariel Lawhon, author of I Was Anastasia
A sweeping historical novel that spans Germany, England, and the United States and follows a young couple torn apart by circumstance leading up to World War IIâand the family secret that may prove to be the meansâŠ
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circularâŠ
I worked as a journalist for the BBC for nearly thirty years: my writing of espionage novels set in Europe during the Second World War goes back to 1994 when I was covering the 50th anniversary of D-Day for the BBC. I became fascinated with the human stories behind big military events and especially the British deception operation that was so crucial to the Alliesâ success. This led to my first novel, The Best of Our Spies. To ensure my novels feel as authentic as possible my research means I travel around Europe and Iâve also amassed a collection of maps and guidebooks from that period.
This is another book that manages to paint a picture of what life was like in Berlin during the war. Roger Moorhouse tells some fascinating stories, such as that of Paul Ogorzow, the so-called S-Bahn Murderer. The fact that a serial killer was operating around Berlinâs railway system was a dilemma for the authorities who tried and failed to lay the blame on either Jews or Poles. Ogorzow was eventually captured convicted of the murder of eight women and of attacking thirty-seven more during 1940 and 1941. The fact he was a Nazi Party member was a deep embarrassment and didnât help him: he was executed just days after his conviction.
Berlin was the nerve-centre of Hitler's Germany - the backdrop for the most lavish ceremonies, it was also the venue for Albert Speer's plans to forge a new 'world metropolis' and the scene of the final climactic bid to defeat Nazism. Yet while our understanding of the Holocaust is well developed, we know little about everyday life in Nazi Germany.
In this vivid and important study Roger Moorhouse portrays the German experience of the Second World War, not through an examination of grand politics, but from the viewpoint of the capital's streets and homes.He gives a flavour of life inâŠ