100 Books Like Lord of All the Dead

I'm a writer and journalist. I grew up in London’s Jewish community, and lived in Israel and Jerusalem for most of my life. I'm fascinated by the Mid-East region, its history, religions, music, cultures, and colors, and by Jewish history. As a result of my experiences as a soldier in the Second Lebanon War of 2006, and the Second Intifada of 2000-4, my focus on conflict became central to my work. After the 2006 war, I became a conflict reporter, and I've covered war and insurgency in Syria, Turkey, Iraq, Ukraine, Lebanon, and Israel/West Bank/Gaza for a variety of publications. I also like to focus on the ways war and conflict impact human lives.   

I'm a writer and journalist. I grew up in London’s Jewish community, and lived in Israel and Jerusalem for most of my life. I'm fascinated by the Mid-East region, its history, religions, music, cultures, and colors, and by Jewish history. As a result of my experiences as a soldier in the Second Lebanon War of 2006, and the Second Intifada of 2000-4, my focus on conflict became central to my work. After the 2006 war, I became a conflict reporter, and I've covered war and insurgency in Syria, Turkey, Iraq, Ukraine, Lebanon, and Israel/West Bank/Gaza for a variety of publications. I also like to focus on the ways war and conflict impact human lives.   

I'm a writer and journalist. I grew up in London’s Jewish community, and lived in Israel and Jerusalem for most of my life. I'm fascinated by the Mid-East region, its history, religions, music, cultures, and colors, and by Jewish history. As a result of my experiences as a soldier in the Second Lebanon War of 2006, and the Second Intifada of 2000-4, my focus on conflict became central to my work. After the 2006 war, I became a conflict reporter, and I've covered war and insurgency in Syria, Turkey, Iraq, Ukraine, Lebanon, and Israel/West Bank/Gaza for a variety of publications. I also like to focus on the ways war and conflict impact human lives.   

I'm a writer and journalist. I grew up in London’s Jewish community, and lived in Israel and Jerusalem for most of my life. I'm fascinated by the Mid-East region, its history, religions, music, cultures, and colors, and by Jewish history. As a result of my experiences as a soldier in the Second Lebanon War of 2006, and the Second Intifada of 2000-4, my focus on conflict became central to my work. After the 2006 war, I became a conflict reporter, and I've covered war and insurgency in Syria, Turkey, Iraq, Ukraine, Lebanon, and Israel/West Bank/Gaza for a variety of publications. I also like to focus on the ways war and conflict impact human lives.   

I am a French writer of Spanish origin. My two grandfathers shared history with Spain’s darkest hours. My maternal grandfather was born in Barcelona and he was a teenager at the time of the war; just like Salvayre’s parents, he had to flee Spain as the bombs were hitting his city. My paternal grandfather, who was in his twenties at the time of the civil war, decided to fight for the “International Brigades” to defend Spain’s freedom. It is to honour their memory and one of the millions of men and women who suffered from those almost four decades of dictatorship that I wrote Blood Song, a historical thriller, the third installment in the Roy and Castell series.

I have been studying and writing about, anarchism, gender, and the Spanish Civil War for almost 4 decades. I first explored what it would mean to organize a society without formal institutions of authority; and, as part of that research, I looked at how anarcho-syndicalist organizations related to governmental institutions and the struggle against fascism in Spain. I then engaged in a multi-year investigation of the social revolution that occurred in the midst of the ensuing Civil War and, in particular, the activities of the anarchist women’s organization, Mujeres Libres. Through the research for my book, Free Women of Spain: Anarchism and the Struggle for the Emancipation of Women, I was captivated by the extraordinary strength and enthusiasm of those women, and committed myself to telling their stories in ways that would be relevant to contemporary readers.

James McGrath Morris is the author of The Ambulance Drivers: Hemingway, Dos Passos, and a Friendship Made and Lost in War, which the Economist said was “as readable as a novel.” His previous work, Eye on the Struggle: Ethel Payne, The First Lady of the Black Press was a New York Times bestseller. His next book is Tony Hillerman: A Life.

A lifetime of an obsession with Spain since a childhood spent on Miro’s farm in Montroig del Camp and just a short walk away from where Gaudi was born I have cooked, researched, battled, and fallen in love with this extraordinary country. Almost 40 years ago I bought a farmhouse in Arevalillo de Cega in the central mountains in Spain from where I have crisscrossed the country in the footsteps of Goya, the culinary genius Ferran Adria and in search of information for my biography on Gaudi – the God of Catalan architecture. Spain is an open book with a million pages, endlessly fascinating, contrary, unique, and 100% absorbing. I fell in deep.

I’ve always been fascinated by the 1930s. In Britain, the decade was haunted by troubling memories of the Great War and growing fears of a more terrible conflict to come. In other words, it was a decade dominated by geopolitics. After more than 30 years as a journalist for the Reuters news agency, I’ve learned that geopolitics will never leave us alone. My novel is the first in a series of stories examining what geopolitics does to ordinary people caught in its grip. This selection of fiction and nonfiction titles is a fascinating introduction to what the poet WH Auden called ‘a low dishonest decade’.

I am an award-winning author and illustrator who works in a variety of genres, including Historical Fiction. When historical fiction is well done it conveys times and events as they were lived and breathed by real people. Historical fiction by diverse women tells the stories of those consistently left out of the “historical record.” Human life is rich and diverse, and the stories belong to all of us, not just those who have historically had the power to control the cultural narratives. As a writer and student of history, it has been my pleasure to explore characters that are not often represented, characters that are ordinary for their times, and extraordinary as well.