Books like Killing Rage — picked by fans

The definitive account so far of the Syrian civil war, and of the insurgency against the dictatorship of Bashar Assad. Sam Dagher combines a literary sensibility, deep knowledge of Syria, and acquaintance with the people on the ground, and an ability for tireless and dogged reporting and truth-seeking. The passages dealing with the Assad regime’s slaughter of arrested civilians in its jails are harrowing and are a reminder of the horrifying nature of this regime and the need for it to remain isolated and under pressure. At the same time, Dagher remains a cool and dispassionate analyst of the progress of the conflict, and of the factors which enabled the regime and its allies to prevail.  

In this book, Javier Cercas, a Spanish journalist and novelist, sets off on a journey to discover the truth about his great-uncle, Manuel Mena, who was killed aged 19 at the Battle of the Ebro, during the Spanish Civil war. Cercas is a man of the center-left, but his relative was killed while fighting on the side of General Franco’s nationalist, anti-Communist and anti-democratic insurgency. This book is about the way that conflict and its memory remains present in families over subsequent generations, shaping subsequent lives in myriad ways, sometimes unseen. It is of particular value I think because of the way in which Cercas manages to examine his opposition to the cause with which his great-uncle served, and his deep sense of linkage to his relative, without ever compromising either.  

Naipaul was one of the greatest English language writers of the last century, in my view. In this novel he traces the fortunes of one Willie Chandran, an Indian resident in the UK, who makes his way to India to join a rural Maoist insurgency against the Indian authorities. The book is a fascinatingly original description of and take on insurgent warfare, fascinating precisely because Naipaul is not a writer especially interested in war, or the usual themes that govern literary treatments of it. As a result, the parts of the book dealing with the insurgency succeed in a masterful and haunting description of the people involved and the conditions they are facing, while entirely avoiding the pitfalls of both sentimentality and cliché.  

Max Hastings here describes the fight between the 10th SS Panzer Division and the French resistance forces, assisted by the British Special Operations Executive, in France in the period following D-Day, 1944. Hastings is in my view a peerless writer on conflict and military history, with a deep understanding of the costs of conflict on individuals, and considerable empathy for those caught up in it. I like that this empathy does not result in excessive romanticization of those engaged here in the irregular warfare against the Nazi German forces. Despite the unambiguous and obvious rights and wrongs of the conflict here described, the author never loses sight of the complexity of human motivations among the combatants, and indeed of the tactical errors and sometimes costly foolishness on the allied side as well as the German.  

This is a master class in investigative journalism and in nonfiction storytelling. Radden Keefe is one of my journalistic role models, and this book about the troubles in Northern Ireland is gripping from page one as it investigates the 1972 murder and abduction of Jean McConville in a way that probably only a foreigner could do, given the sensitivity of the topic. It is a vital historical document, a gripping thriller, and an empathetic social observation all in one.  

With my background, I had to include a book set in N. Ireland during the Troubles. McKinty’s books are a clever blend of fiction and nonfiction. His description and understanding of the absurdities of the Troubles mirror my own beliefs.

His RUC detective is a Catholic in a largely Protestant police force, and McKinty weaves an easily understandable tableau of what it took to live through the Troubles. It is something very difficult to explain to outsiders, though I believe the entire populace still suffers from PTSD.

It was not an easy read as it brought back many painful memories, such as being caught up in the horror of Bloody Friday.

This is the first book in the remarkably excellent series set in Ireland during The Troubles about a Catholic police officer, Sean Duffy, who lives in Belfast. I love the way McKinty writes this character; it’s funny and very Irish and such a pleasure to read.

The mystery in this first book involves a corpse with its hand cut off, and then another person’s hand thrown into a car with them. There’s also some Italian opera mixed in for atmosphere. It’s a juicy murder mystery that I couldn’t put down.

I loved this book because it was equally gripping and thrilling as it was funny. It’s impressive when a book so seamlessly weaves real-world experiences and pop culture references with the sci-fi aspects of a dystopian world.

I loved the main character, Frankie, and how she was relatable yet completely unique. Her humor and love of movies, I also loved how it was thought-provoking without feeling like a soap-box political book.

This book was like a quirky Black Mirror-esque cautionary tale of where our society could easily be heading, with plenty of laugh-out-loud moments. I liked how Bryan Johnston took reality TV and made it extreme.

I really enjoy stories told from multiple points of view. Everyone has a possible motive, and this kept me feeling uncertain who to trust.

The Guest List made me feel like I was in Ireland, experiencing the surface luxuries of a destination wedding while shivering from the eternal cold and bleak weather. It’s fun to feel like you’re there, like you're making new friends and living through the mayhem as the mystery unfolds.

This book resonated deeply with me because it explored the intricate layers of human nature, beautifully encapsulated in the quote, ‘To know what a person has done, and to know who a person is, are very different things.’

The gripping narrative, based on a true story set in 19th-century Iceland, draws me into the life of Agnes Magnúsdóttir, a woman accused of murder, as she awaits her execution. Kent's masterful storytelling skilfully delves into Agnes' complexities, making her a character so vividly real that I fervently hoped for a different outcome despite knowing the inevitable fate that awaited her.

This emotional investment and the stark portrayal of the human condition left a lasting impact. Kent captured both the darkness and light within us all.