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Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Abbott Awaits follows the spectacularly ordinary life of a father with a two-year-old; husband to an insomniac, pregnant wife; and university teacher. Bachelder evokes beauty in the mundane, dazzling splendor in domestic tedium, and in the middle of cleaning up his daughter’s vomited-up raspberries, a revelation that gets to the heart of Abbot’s heart-crushing yet devastatingly funny tour of his wildly imaginative inner life: “The following propositions are both true: A) Abbott would not, given the opportunity, change one significant element of his life, but B) Abbot cannot stand his life.”
A quiet tour de force, Chris Bachelder's Abbott Awaits transforms the ordinary into the extraordinary, startlingly depicting the intense and poignant challenges of a vulnerable, imaginative father as he lives his everyday American existence.
In Abbott we see a modern-day Sisyphus: he is the exhausted father of a lively two-year old, the ruminative husband of a pregnant insomniac, and the confused owner of a terrified dog. Confronted by a flooded basement, a broken refrigerator, a urine-soaked carpet, and a literal snake in the woodpile, Abbott endures the beauty and hopelessness of each moment, often while contemplating evolutionary history, altruism, or…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Oreo (originally published in 1974, then out of print, and finally repopularized by Harriette Mullen and republished in 2000), a satirical novel by Fran Ross, a journalist and, briefly, a comedy writer for Richard Pryor, is widely considered to be “before its time.” This aching and hilarious, experimentally structured story is about a girl, Oreo, with a Jewish father and a Black mother, who ventures to New York City to find her father only to discover there are hundreds of Sam Schwartzes in the phonebook, and then goes on a quest to find him.
Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
In the pages of The Interrogative Mood, Powell pulls off a seemingly impossible feat: he writes an entire novel structured as a series of questions (no answers!), all asked by the same unnamed and never described narrator. The questions range from “In your view, do children smell good?” to “Could you lie down and a take a rest on the sidewalk?” to “Are your emotions pure?” The questions force the reader to do some serious—and often deeply funny—introspection, mostly about hypothetical situations; and as they accumulate, so too does the psyche—the character, to use the word loosely—from which this riveting, rapid-fire interrogation originates.
“If Duchamp or maybe Magritte wrote a novel (and maybe they did. Did they?) it might look something like this remarkable little book of Padgett Powell’s.”
—Richard Ford
The Interrogative Mood is a wildly inventive, jazzy meditation on life and language by the novelist that Ian Frazier hails as “one of the best writers in America, and one of the funniest, too.” A novel composed entirely of questions, it is perhaps the most audacious literary high-wire act since Nicholson Baker’s The Mezzanine or David Foster Wallace’s stories;a playful and profound book that, as Jonathan Safran Foer says, “will sear the…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Alice, Corvus, and Annabel, children without mothers, traverse air-conditioned buildings and desert landscapes, strewn with symbols and signs of mortality—from the preservation of those teetering on the brink of death at a nursing home to a wildlife museum full of taxidermies; and these teenagers are orbited by agitated, confused adults who seem wholly unaware of the strangeness—and messages—defining their lives. Joy Williams is a master at dark humor in literary fiction, and The Quick and the Dead is one of her finest achievements.
PULITZER PRIZE FINALIST • From one of our most heralded writers comes the “poetic, disturbing, yet very funny” (The Washington Post Book World) life-and-death adventures of three misfit teenagers in the American desert.
Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults.
I’ve been an avid reader and a professional writer my entire life—from writing for newspapers, magazines, and television to developing, producing, and writing award-winning projects for TV and film and writing best-selling fiction and nonfiction. My experience as a journalist, author, screenwriter, and producer has always interested me in headline news, historical subjects, and modern-day topics and issues that resonate with humanity. In doing so, I’ve consciously decided to create projects and share stories that entertain, inspire, educate, and uplift with themes that revolve around faith, family, hope, healing, forgiveness, timeless friendships, enduring romances, and the wondrous mysteries of life.
After her husband's death, thirty-six-year-old Sophie Stanton tries to hold it together, attempting to be a graceful widow à la Jackie Kennedy. However, Sophie is a mess, and in a funny and heartwarming fashion, the book chronicles Sophie’s rise from the ashes as she struggles to pull herself out of depression and forge a new life.
Anyone who has ever lost a loved one, partner, or spouse will relate to this book and Sophie’s grappling with keeping her sanity while facing a crushing loss.
A brilliantly funny and heartwarming debut about a young woman who stumbles, then fights to build a new life after the death of her husband. The perfect book for anyone who has ever been heartbroken, lost someone they loved, or eaten too many Oreos.
Thirty-six-year-old Sophie Stanton wants to be a good widow—a graceful, composed, Jackie Kennedy kind of widow. Alas, she's been drowning her sorrows in ice cream and showing up to work in her bunny slippers and bathrobe. Determined to start over, she moves to Ashland, Oregon, where she finds herself in the middle of a darkly madcap…
My passion for mythic stories began as early as the age of five, when my father had me tested and found I was reading over two hundred words a minute. He quickly saw the need to feed my thirsty young mind and placed epic fantasy books (most beyond my comprehension) in my tiny hands. As for my absorption with stories that impact the soul, I'd have to say my strongest interest came from my need for it. That need has shaped me and shaped my writing, much more than any list of qualifications, which include being a licensed minister, a professional pianist and cinematic composer, and now a published author.
There were so many things I loved about Son of the Shadows when I stumbled upon it in a second-hand book store decades ago.
The story was immersive and intense. But the quality I loved most had to be that, buried beneath its movie-like adventures, its poetic blend of fantasy and history, and its spiritually rich thoughts, was a story of redemption.
I found so few authors allow for the kind of redemption that tempestuous Bran was given. My whispering hope that he would come out at the end of the novel no longer broken blossomed into full-blown wonder as his damaged soul took its first steps towards daylight… and he started living again. I thought to myself, “I'm gonna write just like that when I grow up.”
Son of the Shadows is the sequel to Juliet Marillier's evocative first novel Daughter of the Forest.
It continues the saga of beautiful Sorcha, the courageous young woman who risked all to save her family from a wicked curse and whose love shattered generations of hate and bridged two cultures.
It is from her sacrifice that her brothers were brought home to Sevenwaters and her life has known much joy. But not all the brothers were able to escape the spell that transformed them into swans, and those who did were all more--and less--than they were before the change.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I love books that take the reader to another country. Travel (even vicariously in a book) takes us out of our comfort zones and inspires us to open our minds to other cultures, ways of life and thought. These books constantly challenge us, not only to understand different surroundings, but also to understand unique people, to embrace adventures, glamour and romance and to share these new and meaningful thoughts and ideas with others.
A Theatre for Dreamers captures the halcyon days of the 60s artistic community on the Greek Island of Hydra. It focuses on the international bohemian set, including the authors Charmian Clift and George Johnston. Among the artists, poets and hangers-on are a Norwegian couple—Axel Jensen and Marianne Ihlen—and a young, charismatic Canadian by the name of Leonard Cohen. It is narrated by the likable ingenue Erica, a novitiate novelist in her late teens whose mother’s dying wish was for her daughter to go off on an adventure. Erica is like Nick Carraway, mainly on the periphery of events, observing and learning from the more experienced, glamorous people she has fallen in with. Interesting fact: author, Polly Samson, is married to David Gilmour of Pink Floyd.
'Delicious' Nigella Lawson 'Clever and beguiling' Guardian 'Sublime and immersive' Jojo Moyes
Erica is eighteen and ready for freedom. It's the summer of 1960 when she lands on the sun-baked Greek island of Hydra where she is swept up in a circle of bohemian poets, painters, musicians, writers and artists, living tangled lives. Life on their island paradise is heady, dream-like, a string of seemingly endless summer days. But nothing can last forever.
'A surefire summer hit ... At once a blissful piece of escapism and a powerful meditation on art and sexuality' Observer 'Heady armchair…
I’m a Black woman who writes stories that will give readers an insight into areas of corporate and governmental politics, with a touch of reality, suspense, humor, and romance. Oh, let me add…a touch of fantasy. At times, I will mix the genres simply because that is where the story takes me. Writing is a passion; messaging is a responsibility (I aim to intrigue you!), and humor is my way of balancing the intense topic. I have a degree in Organizational Management, 30 years of working in state agencies, and a vivid imagination to share. I'm enjoying the second chapter of my life by doing what I love…writing stories that entice your mind.
It would be criminal not to recommend the follow-up toThe Parable of the Sower. The Parable of Talenttakes place years after the hard fraught ideal community is formed. You are going to want to know what happens in this perceived utopia. The unrest on the survival of Christian values is happening all around them. The effect uncovers elements that existed beneath the surface of the somewhat pleasant surroundings of the community. Therein lies the reality that a change is going to come.
The stunning sequel to Parable of the Sower, the NEW YORK TIMES-bestselling novel.
'In the ongoing contest over which dystopian classic is most applicable to our time... for sheer peculiar prescience, Butler's novel may be unmatched' NEW YORKER
'Octavia Butler was playing out our very real possibilities as humans. I think she can help each of us to do the same' GLORIA STEINEM
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In order for me to understand who I am, I must begin to understand who she was.
Asha was born into a broken world. There are many things she needs to know: how her country could…
As both a professor of graphic design and creative director of Fast Company, I’m dedicated to helping others be more creative. At Fast Company, my job is to ensure the visuals for the world’s leading business media brand are consistently innovative. (Yea…no pressure.) Honestly, sometimes it’s tough to be innovative when I’m faced with a squeezed schedule, a towering to-do list, and a bargain basement budget. But, as a marathoner, I’ve learned that if you want to be successful, you need to push through sub-optimal circumstances. That’s where these five books come into play: they all provide relatable stories and insights into achieving success, despite tough odds. Let’s do this.
I dig Lorrie Moore’s sense of humor in this book. Before I began my journey as a writer, I read the chapter “How to Become a Writer.” (Ironic, I know.) While this chapter pokes fun at the torture of being a writer, it also taught me that humor can help us feel like our obstacles aren’t so insurmountable.
From the national bestselling author of A Gate at the Stairs—and a master of contemporary American fiction—comes “a funny, cohesive, and moving collection of stories" (The New York Times Book Review).
In these tales of loss and pleasure, lovers and family, a woman learns to conduct an affair, a child of divorce dances with her mother, and a woman with a terminal illness contemplates her exit. Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I love the art of writing romance fiction. I’m a character-driven author. My stories are contemporary romance with steam, humor, and diversity. I run my business from my living room. When I'm not writing and telling people about my books, I run another online business. Read lots. Watch tons of series. Drink coffee and wine. Listen to music. Cook comforting vegetarian meals. Say prayers, meditate, and light candles. Text with my girlfriends. And try to squeeze in a walk and a shower. My sexy little stories are my attempt at keeping someone up all night. May you always feel loved, seen, and heard. The Smart Girl Mafia Series books 1-4 are currently available.
A steamy billionaire romance novel, this book kept me sitting at a hotel bar late into the night. It was one of the first indie romance novels I read and made me consider a world where writing romance could be my reality. A secretary and her boss decide on a marriage of convenience in exchange for two million dollars. It is an easy read that features everything we love about contemporary love stories.
This book is a standalone followup to the Top 100 Kindle Store bestseller I Married a Billionaire and I Married a Billionaire: Lost & Found. Writing billionaire tech mogul Daniel Thorne's official biography is no small task. His wife Maddy isn't quite sure how it fell on her shoulders - but she's not exactly complaining. It's given her a rare opportunity to learn about the details of Daniel's life that he's never shared with her before. After a rocky beginning, their relationship has finally settled into something comforting and secure. After a while, Maddy begins to reconsider her once-staunch decision…
