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From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
Tracing the thread of mystery and meaning through our lives can be so hard! Here’s a trick of the memoir trade: The world has a tendency to give us the metaphors we most need.
When I first read Terry Tempest Williams’ book, I was amazed by the parallels she drew between threats to her beloved Bear River Migratory Bird Refuge, her family history of breast cancer, and her soul’s experiences in the Mormon church. Now, I know the perfect images to illustrate our inner world are always in plain sight. This is beautiful and enduring.
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.
As Roderick Nash is the scholarly historian of the term “wilderness” in the American mind, Gary Snyder is the sagacious philosopher of the term for contemporary America. I admire Snyder’s poetic style as much as his evocation of the meaning of “place”; i.e., how one can develop both a physical and a spiritual awareness of the wild around us and then transfer that awareness to a sense of one’s place in the larger country and then the planet itself.
From chapters such as “The Place, The Region, and the Commons” and “Survival and Sacrament,” I have gleaned what I can only term Snyder’s mystical appreciation of wilderness and its importance for the future of the human race. Snyder is truly the “High Priest” of how to “practice” the wild in one’s own life.
"This is an important book for anyone interested in the ethical interrelationships of things, places, and people, and it is a book that is not just read but taken in." ―Library Journal
Featuring a new introduction by Robert Hass, the nine captivatingly meditative essays in The Practice of the Wild display the deep understanding and wide erudition of Gary Snyder in the ways of Buddhist belief, wildness, wildlife, and the world. These essays, first published in 1990, stand as the mature centerpiece of Snyder’s work and thought, and this profound collection is widely accepted as one of the central texts…
Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.
In John McPhee’s classic defense of environmental sanity and wilderness protection, the archdruid is David Brower, in his day among the planet’s most fervent environmentalists and defenders of nature.
Charles Fraser, a resort developer, labeled Brower a “druid”: i.e., “ a religious figure who sacrifices people and worships trees,” and I know of no other book that so starkly contrasts the urge to develop everything—even the Grand Canyon!—with the counter urge to preserve as much as possible of the wild before it is all gone.
I deeply appreciate McPhee’s format: a series of dialogues in which Brower and his three opponents extol their arguments fully and then engage in rigorous debate about their wildly contrasting values.
The narratives in this book are of journeys made in three wildernesses - on a coastal island, in a Western mountain range, and on the Colorado River in the Grand Canyon. The four men portrayed here have different relationships to their environment, and they encounter each other on mountain trails, in forests and rapids, sometimes with reserve, sometimes with friendliness, sometimes fighting hard across a philosophical divide.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
As I read M. Wylie Blanchet’s book, I myself was transported through time to one of the most magical and beautiful places in North America—the islands, bays, fjords, and estuaries of British Columbia.
In addition to being right on the water and immersed in the great forests, I was also, like her young children, at school, constantly learning new things about history, culture, ecology, philosophy, and even seamanship! The lively dialogue also made me feel like one of the family, conversing easily as we explored a land that was at that time, very sparsely populated by humanity.
Throughout the book, I noticed and enjoyed a theme of a rich cultural history that portrayed both the First People cultures as well as the fiercely independent and tough early Europeans who settled in select places along the coast.
After her husband died in 1927, leaving her with five small children, everyone expected the struggles of single motherhood on a remote island to overcome M. Wylie Blanchet. Instead, this courageous woman became one of the pioneers of "family travel," acting as both mother and captain of the twenty-five-foot boat that became her family's home during the long Northwest summers. Blanchet's lyrically written account reads like fantastic fiction, but her adventures are all very real. There are dangersrough water, bad weather, wild animalsbut there are also the quiet respect and deep peace of a woman teaching her children the wonder…
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
A sense of light-hearted serendipity in Fulghum’s book made me smile during every single essay in this book.
Naturally, the theme of children learning ran through the book, but I particularly enjoyed the more subtle theme of adults learning from children and childlike innocence, which was delightful and insightful. The short, concise essays were quite diverse as well and encompassed much more than just teaching stories.
I could pick the book up any time and enjoy any chapter all by itself. I loved that so many of the stories were focused on extraordinary insights about ordinary people that Fulghum encountered over time. I really enjoyed taking moments out of an often stressful life to laugh and smile with Fulghum’s essays!
Essays on life that will resonate deeply as readers discover how universal insights can be found in ordinary events.
More than thirty years ago, Robert Fulghum published a simple credo—a credo that became the phenomenal #1 New York Times bestseller All I Really Need to Know I Learned in Kindergarten. Today, after being embraced around the world and selling more than seven million copies, Fulghum’s book retains the potency of a common though no less relevant piece of wisdom: that the most basic aspects of life bear its most important opportunities.
Here Fulghum engages us with musings on life, death,…
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
I felt like I was actually in the Alaskan wilds, ocean kayaking, hiking, camping, and exploring while reading Kim Heacox’s book. His descriptions, sensory imagery, and recounting of adventure and experiences both on and off the water made me feel like I was on the trip with him.
His interaction with wild animals was amazing and often was so exciting that it gave me chills. In addition, I enjoyed learning much about the amazing cultural and natural history of Alaska. The places, the people, and even the ancient past all came to life as I lost myself in this wonderful compilation of essays.
Throughout the book ran the poignant thread of human impact and change, which made me more aware and ready to vote for and write for change.
In this coming-of-middle-age memoir, Kim Heacox, writing in the tradition of Abbey, McPhee, and Thoreau, discovers an Alaska reborn from beneath a massive glacier, where flowers emerge from boulders, moose swim fjords, and bears cross crevasses with Homeric resolve. In such a place Heacox finds that people are reborn too, and their lives begin anew with incredible journeys, epiphanies, and successes. All in an America free of crass commercialism and overdevelopment.
Braided through the larger story are tales of gold prospectors and the cabin they built sixty years ago; John Muir and his intrepid terrier, Stickeen; and a dynamic geology…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.
Roderick Nash’s brilliantly argued and thoroughly researched book was the bedrock of a course I designed on American Environmental Literature while teaching humanities at a community college. As a published scholar, I deeply appreciate the logic of Nash’s arguments and the historical sweep of his narrative.
Nash chronicles the prevailing opinions of early “settlers” as they encountered and then began fulfilling the biblical injunction to “tame” the “new Eden” they had discovered: their reactions to the Native people, whom they readily labeled “savages” (i.e., not European civilized); the amazing and dangerous wildlife, especially in the American West; and the huge battles beginning in the 1960s to preserve what was then still untamed on the North American continent.
Roderick Nash's classic study of America's changing attitudes toward wilderness has received wide acclaim since its initial publication in 1967. The Los Angeles Times has listed it among the one hundred most influential books published in the last quarter century, Outside Magazine has included it in a survey of "books that changed our world", and it has been called the "Book of Genesis for environmentalists". Now a fourth edition of this highly regarded work is available, with a new preface and epilogue in which Nash explores the future of wilderness and reflects on its ethical and biocentric relevance.
Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.
I strongly believe that anyone who wishes to appreciate wilderness for its own sake—for the sheer beauty of what the natural world has created—should begin with this collection of Muir’s essays.
Written during his travels in the High Sierra, Yellowstone National Park, Yosemite, Utah’s red-rock wilderness, the old-growth forests of Oregon, and Alaska’s Glacier Bay, Muir revels in the awesome forces of nature that have created the astonishing landscapes that he has visited.
Part of John Muir's appeal to modern readers is that he not only explored the American West and wrote about its beauties but also fought for their preservation. His successes dot the landscape and are evident in all the natural features that bear his name: forests, lakes, trails, and glaciers. Here collected are some of Muir's finest wilderness essays, ranging in subject matter from Alaska to Yellowstone, from Oregon to the High Sierra.
This book is part of a series that celebrates the tradition of literary naturalists―writers who embrace the natural world as the setting for some of our most…
I’ve always been fascinated by history, and when I dreamed of being an author, imagined I’d write historical fiction. However, it took many writing detours to arrive there. (Nim’s Island, by the way, has no basis in historical fact!). When I first imagined the story that led to the Minoan Wings trilogy, I fell in love with researching this era, which is particularly intriguing because there are virtually no written records. Visiting the ruins of a four-thousand-year-old town on Crete under the guidance of an archaeologist who had not only excavated there but had become passionately involved with my imaginary characters, was an absolute highlight of my life.
I still smile when I think of all the Little House on the Prairie books, though this was my favorite. The dramas may be small, but they feel real, and the wealth of small, skillfully woven details brings the characters and their world to life so that we can still relate to them, no matter how different our present-day world may be.
Classic tales by Laura Ingalls Wilder about life on the frontier and America's best-loved pioneer family.
After all their travelling, from the Big Woods and the Prairie, the Ingalls family have found a place to settle Plum Creek. Now Mary and Laura can go to school as there's a town close by. But how will they settle in such a busy place after the wild lands in which they've grown up?
The timeless stories that inspired a TV series can now be read by a new generation of children. Readers who loved Anne of Green Gables, Little Women, and Heidi…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I so love thrillers because they delve into that area of ourselves that can be ‘safely’ afraid and give you that adrenaline rush that nature taught us is fight or flight. Thrillers teach us lessons, too, about people and the psychology of the most dangerous ones in our society. Through reading into this genre, I learned a lot about life before I even lived it, and I learned to recognize the less wholesome traits that humanity can have. What’s fascinating to me most is exploring those dark sides of the human psyche in order to make comparisons on what is right or wrong with some people’s behavior.
This book is one of many Mary Higgins Clark books I read in my early teens, but this particular one has stayed with me. It is a domestic noir, somewhat a tale of how never to rush into a marriage with someone you hardly know. Added to this is the peril of involving small children.
I really liked this book–it terrified me beyond belief, but I think this is why it has stayed with me. That first look perhaps at the psychopath hiding in plain sight, appearing to all the world like a safe, kind person, but inside, totally damaged and deadly. Superb.
Mary Higgins Clark, the New York Times bestselling Queen of Suspense shares another story filled with intrigue and mystery.
When Jenny MacPartland meets the man of her dreams while working in a New York art gallery, she’s ecstatic. Painter Erich Krueger—whose exquisite landscapes are making him a huge success—is handsome, sensitive...and utterly in love with her. They marry quickly and Jenny plans a loving home on Erich’s vast Minnesota farm. But lonely days and eerie nights strain her nerves to the breaking point and test her sanity. Caught in a whirlpool of shattering events, Jenny soon unearths a past more…