Books like Like a Girl — picked by fans

Celebrate girls who love to tinker and build! It begins with an idea for something big or small. Materials found, tools gathered, and building begins! If a creation wobbles or collapses, “failure isn’t final,” the book reassures.

I am grateful that my parents recognized my early love of woodworking and bought me a tool kit at a young age. This is the perfect picture book to pair with a set of tools for small hands!

This book captured my heart from the first time I read it. As a toddler, the main character is praised for being “a big girl,” but as she continues to grow, she discovers that being a “big girl” soon becomes a negative thing that prevents her from doing what she wishes.

The illustrations are amazing, and fold-out pages can barely contain the growing main character and the empathy you’ll have for her. 

A book you will hug when you’re done reading it, then immediately read it again.

Cars and trucks and things that go are not exclusively the realm of boys. In this rhythmic read-aloud, a dozen girls hit the road and sky with a rumble, vroom, and roar.

Kids will love the sound words and the repetitive “Go, Girls, Go!” The bold illustrations are a joy. And an invitation near the end (“What about you?”) encourages little imaginations to race away with possibilities.

I can’t resist adding this book about being a writer since it’s my job and my passion. As a child, I don’t recall ever reading a picture book about writing. There were spelling books and penmanship books, but nothing about turning an idea into a story.

If you know a budding writer, this book is the perfect place to begin. Written in simple steps, it offers encouragement to keep going and even gives tips on revising. The journey of a future author could start with this book!

Athletes, Activists, Achievers. Rad Girls Can is chock-o-block with engaging biographical sketches of girls and young women who have taken the world by storm in nearly every discipline. Whether they’re succeeding in traditionally male-dominated sports, fighting for climate action, or for education for girls, or accomplishing great things as scientists and inventors, each story is compelling and awe-inspiring. I wish this existed when I was young – it literally gives concrete examples of real girls doing just about anything they put their minds to. The wide-ranging topics and diverse women enhance the engagement factor. I loved how readers are free to browse and focus on the stories that most appeal to them (chances are good, that will be most, if not all of them). Comprehensive, engaging, inspiring. What more can you ask for?

As a writer of feminist myths, Kartika Nair’s exquisite poetic retelling of the Mahabharata from the women’s perspective felt like it was written for me. The title is from the African writer Chinua Achebe’s words, "Until the lions have their own historians, the history of the hunt will always glorify the hunter." Using formal poetry, free verse, and prose, Nair has created a palimpsest of the great Indian epic of kingship and warring dynasties which is several times the length of The Iliad and The Odyssey combined. Here the mothers, wives, sisters, and lovers of the protagonists tell their stories, providing a counterpoint to the much-quoted verse from the epic: "All that is found here can be found elsewhere, but what is not here can be found nowhere."

Even though this is a work of anthropology, it also provides unique insights into rural history. In the late 1950s and early 1960s, Margery Wolf did fieldwork in a poor village in rural Taiwan. At that time, modernization was just beginning to affect the countryside, so most aspects of village life were still traditional. Although Taiwanese society differed from the mainland in certain ways, in most aspects of life there carried on the traditions of Chinese village life. This book looks at rural society from a female perspective. Due to poverty, both women and men had few options. They did whatever it took to survive. Many of the people the author interviewed seem very discontent with their lives, but they usually had no other choice.

This book kicked off my obsession with stories about young women who are trying to make sense of all the versions of themselves they have inside and weighing up which one to present to the world at any given time. The protagonist, Ruth, is an American living in London who works at a department store, spritzing perfume during the day, watching all the people go past, and trying to understand how the other young women who work there seem so self-assured. This is not a plot-driven book so much as a character study of a character who doesn’t know who she is yet.

Kate Zambreno’s writing is absolutely gorgeous. She creates a distance between Ruth—the ‘green girl’—and the world, like she’s looking through a window and can see people inside talking but not understand what they’re saying. At the same time, I recognized myself in Ruth,… show more.

Wanderers is not a memoir. Andrews, who is a professor of literature in the UK, presents ten chapters on ten famous women writers who also walked.

I found it interesting to learn how some of the women left town before dawn to walk so that they would not be seen. Society at that time felt it was not safe for a woman to walk by herself. I was amazed at some of the distances that they walked; for example, in the early 1800s Ellen Weeton walked 35 miles in a day. 

I found the interconnection of walking to help writing and writing about walking fascinating. I will return to read this again and again. 

I read The End of Men recently during the pandemic. Without giving the plot away, this book is about a pandemic written before the actual pandemic. The thing I love about this book is the deep feelings it invoked. It is written from many viewpoints and I really cared about the characters – if a book can resonate so deeply that it makes you wonder how your life would be in the same circumstances, the author has succeeded. The women in the book face an almost unimaginable struggle and I rooted for them all the way.