Books like Light at the Seam — picked by fans

This is the novel I can only wish I had written. Pancake’s expansive story of a family in a desperate struggle to save their homes and hollows from the ravages of mountaintop removal mining gives voice to modern-day Appalachians in the same way The Grapes of Wrath spoke for the displaced farmers of the Dustbowl era. (As one who loves Steinbeck’s epic, I don’t make this connection lightly!) Another heartrending masterwork that I couldn’t stop thinking about as I read this book is Barbara Kingsolver’s The Poisonwood Bible because of its centering on motherhood, its similar structure, and its ability to pull the reader into the lives of the characters. This is storytelling at its best. I couldn’t put it down. 

I loved reading this novel first and foremost for its exquisite craftswomanship; van Eerden just writes beautiful sentences. Her descriptions are palpable, delivering the reader to a hollow and its people—all characters who remain intricately bound to their homeplaces no matter how far away they travel. Like my own novel, this story revolves around women and also includes an LGBTQ character. And themes of grieving and motherhood, love and loss, and compromise, are naturally woven into the fabric of the story. 

This is not a work of fiction but a memoir by a novelist, an unflinching portrait of generations of a family ever at the brink. It reads almost as vignettes, exquisitely crafted and somehow soothing even in their brutal honesty. Poignantly rendered pieces of the author’s life reflect aspects of Appalachian culture that can often come across as stereotyping, but the personal nature of this work combined with Dodd White’s skilled pen makes it an authentic view into struggles endemic to the region. He bravely writes of suicides in his family, most heartbreakingly that of his son. Until I read this book, Joan Didion’s A Year of Magical Thinking was secure in its position at the top of my “best memoirs” list.

This book may seem an aberration, but it makes my list because it touches on my own research life, my own literary journey, and my heart: it connects Appalachia and Ireland. This is a book of poetry—simple, lovely pieces written in both places—accompanied by gorgeous photographs of nature and landmarks. As one who travels to Ireland whenever I can, and pines for it when I can’t, this book transports me from my mountain home to those shores across the Atlantic. I am a visual writer, in that I see my stories play out, and especially the stories I imagine for my Irish immigrant ancestors. So a picture book of poems that connects my two homelands strikes the right note with me, lets my mind relax and create.

I remember talking with Laura-Gray Street when they were planning this book, and I love how it turned out! A beautiful mixture of natural history, poetry, and artwork featuring species of the Southern Appalachians. If you live in or care about Southern Appalachia, I’d especially recommend this to you (and it makes a great gift for anyone you know who lives there). 

This collection teaches me as well, by taking me into the experience of growing up in the Black, rural Appalachian South.

The poems are part memoir, as in writing about the experience of her mother visiting her where she lived with her grandparents, “(We) held hands like we thought/mothers & daughters should/but neither of us knew for sure.” 

They are also part love song to home-cooking, “Every morning of my childhood, my grandmother, who stood a little/ under five feet tall, donned an apron and cooked breakfast. Slow. Precise./ Deliberate. She equated food with love, and she cooked with both a fury/ and a quiet joy.” 

And finally, they are part Black feminist manifesto, “My black body is a boulder, a stop sign. Sometimes i think my body is/ graceful, a song of freedom. Sometimes i think it is something that every/ eye casts away. I must concentrate if i… show more.

McKay had great respect and love for Frost’s artistry and his contribution to American culture. He composed choral music related to Frost’s poetry, along with other works related to Whitman, Poe, Sandburg, and others.

These works still exist in libraries worldwide and are recorded in some cases. McKay specifically put to music Frost's poem A Prayer in Spring, published by J. Fischer, New York 1950.

Several other Frost poems are utilized in McKay's compositions, which exist in manuscript form and have had live performances in various parts of the US over several decades.

To me, this book feels like a walk along the beach. I pick up each poem, sink into the swirls and splashes of color, and let my mind wander. Books that encourage such meandering strolls near the ocean have a special place in my heart: the idea for my horseshoe crab book started on just such a walk. Water Sings Blue is a great reminder that you never know what wonders you will discover when you go outside and let your curiosity guide you. 

Yrsa-Daley Ward is a complete sentence. Her work is everything and even Beyonce took note, bringing her on to write for Black Is King. Her debut poetry collection, Bone, introduced me to a perspective that I had not explored: that of a first-generation black British queer woman. Yet and still, her experience and words resonated so deeply, highlighting the interconnectivity of the African diaspora, and particularly, Black women. It shined a light on issues of sexual assault, religion, and society’s expectations of women, which are some of the same issues that I write about. And despite the trauma captured in the poems, it has an overarching inspirational message for all of us:

“You will come away bruised. 

You will come away bruised 

but this will give you poetry.” 

Susan Wooldridge’s Poemcrazy is a vibrant collage in which she shares her poetry-writing journey in rich detail. From evocative chapter titles, quotes by poets, and poems from a variety of lesser-known voices, each element plays a part in setting up and illustrating an approach or addressing the topic at hand. My favorite part of this book is the “Practice” opportunities Wooldridge crafts for us. Get out your pencil! This book, informed by Wooldridge’s expressive arts practice, is one in which we, the readers, are invited to play. You’ll be surprised and delighted by what Poemcrazy will inspire you to write.