76 Books Like Lies We Sing to the Sea

I’ve been reading romance since before dirt was old—(okay, I’m not actually that old, but some days I feel like it)—and I have a deep belief that romances can be our shining light in a sometimes very dark world. Which is why when I wrote my own stories, my very first editorial letter started out with, “Wow, you really like to torture your characters.” I wanted to create genuine characters that make mistakes, mess up, and sometimes are their own worst enemy but you still want to root for them. My list of books on Heroines That Won’t Get Nominated For Sainthood will take you on a journey far more interesting than sainthood—the human experience.

I developed an interest in classical literature while at university, folklore in particular. It’s fascinating how fairy tales originated in oral form before being written and rewritten all over the world for generations, and as such, many of them don’t have a single founding author. But each adaption generally maintains the basic plot points of the original tale, and it’s interesting to see how time, culture, and perspective affect a retelling. There’s always room for interpretation, especially when the traditional narratives often involve exhausted themes and stereotypes, and so with my latest novel, I didn’t hold back when it came to the creative possibilities of more than one fairy tale. 

I’ve been writing fantasy since I was a very young child. My need to escape a world that I viewed with fear was satiated by writing worlds that gave me control over how I could create and master them. I would read books that I adored but wanted to implement changes to better fit my own personal feelings and perception. For example, unicorns were terrifying creatures in my head, so I gave them fire-covered horns and eyes of flames. Nothing in the world felt pure or safe to me, so I write in a way that gives a dark twist to any and all mythological creatures and magical realms.

I am Sonora Reyes, author of The Lesbiana's Guide to Catholic School. As a queer Mexican-American, I’ve only ever written (and probably only ever will) write stories about queer characters of color like myself. Growing up, I never had access to books that represented people like me, and it fills me with so much joy to see all the representation that exists today. I write for the queer kids of color who desperately need to see themselves in fiction. I write for my teenage self. For the kids who think they’re alone. For the kids who want to see joy in their own stories. And, most importantly, for myself, as I am today.

I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.”  When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.

Before I could start writing Into the Lion’s Mouth, I spent a lot of time researching the medieval and renaissance Venice. I was astounded to see how relevant that history is to today. Not only are there many parallels that can be drawn between the past and today there is so much to learn about the consistency of human nature. I find myself currently gravitating towards books that mix history and fiction and these are some of my favorites.

I have loved gothic and ghostly tales ever since my grandmother showed me a haunted house and told me stories about fairies and changelings. You can often find me browsing in vintage markets and bookshops searching for the perfect find. I have published two gothic middle-grade novels. Welcome To Dead Town is about 12-year-old Raven McKay, who is put into foster care in the town of Grave’s Pass when her parents disappear. But Grave’s Pass isn’t an ordinary town. It’s a town where the living and the dead live side by side. Read below to find out about the next book in the series.

I’ve been in love with cozy, low-stakes fantasy ever since my mother first handed me a copy of The Hobbit—so for most of my life. I love the focus on place and small comforts, the humble (and often unwilling!) heroes, the slower pace that builds to an emotional crescendo (as well as an action-packed one!), and the way these stories always leave me feeling warm, like I’ve just shared a coffee with a loved one. It should come as no surprise, then, that these are the kinds of stories I love writing best.  

I have loved fairy tales since I was a little girl and watched my first Disney movie. Over the years, I’ve read many fairy tale retellings, as well as the original versions. I love how writers can see a story like Beauty and the Beast and find ways to make an almost completely new story, but still hold true to the original concepts of the fairy tale. Fairy tales connect us to our childhood and when we read these new versions, it lets us relive a part of our childhood. Not many books can do that! 

I’m a devourer of Golden Age Detective Fiction, and a writer of locked-room mysteries inspired by the classics. When it comes to old-school mystery writers, my favourites are John Dickson Carr, Ellery Queen, and of course Agatha Christie. What I love about that era is the brilliance of the puzzles, and the way those writers really engaged with the reader and (in some cases) addressed them directly, challenging them to solve the crime along with the detective. Additionally, I’m fascinated by stage illusions (though I’m terrible at performing them myself), and this has also had a major influence on my writing.