Here are 100 books that Lawn Boy fans have personally recommended if you like
Lawn Boy.
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I am a fourth-generation Asian New Zealander who always felt ‘other’ growing up. When I was little, I hated being asked ‘where are you from?’ because I wanted to be seen as ‘just’ a New Zealander. This frustration shaped a lot of my race and identity journey, and I started reading books about other people’s personal experiences because it made me feel seen. These books also helped me recognize the richness and humanity behind my family’s story. I hope this beautiful list of books will resonate with your experiences or give you insight into a new corner of the world.
Ocean Vuong writes in a poetic prose that transforms memories into fragments that linger in your mind. His choice to write this book as fictionalized letters to his mother was deeply beautiful and heart-wrenching. This is a book that took me on a journey through the Vietnam War, my first queer experiences, and the journey of finding out what it means to become American.
Longlisted for the 2019 National Book Award for Fiction, the Carnegie Medal in Fiction, the 2019 Aspen Words Literacy Prize, and the PEN/Hemingway Debut Novel Award
Shortlisted for the 2019 Center for Fiction First Novel Prize
Winner of the 2019 New England Book Award for Fiction!
Named one of the most anticipated books of 2019 by Vulture, Entertainment Weekly, Buzzfeed, Los Angeles Times, Boston Globe, Oprah.com, Huffington Post, The A.V. Club, Nylon, The Week, The Rumpus, The Millions, The Guardian, Publishers Weekly, and more.
"A lyrical work of self-discovery that's shockingly intimate and insistently…
Six months ago, Tom Halliday left his job. Two days after that, his wife left him. Now, with his mother seriously ill, he is forced to return to his childhood home and rejoin the family he has worked to avoid for the past twenty years.
As a retired family therapist, I find that writing and reading stories about emotional journeys no matter our sexual identity, ethnicity, or class has the potential to transform us. A protagonist under threat of persecution who finds healing in the power of love, of family, of community can help us fix ourselves where we are broken. I believe stories can help us sever unhealthy ties to the patterns of past generations. My mother was a closeted lesbian with no family who died when I was nine. Writing how I wished her life could have been helped me heal from childhood trauma. Our ancestors passed the talking stick. We have books.
I love this novel because it is beautifully written and dips into darkness without losing the depth of the human spirit.
The story follows Russian lesbians, Gutke and Chava along with the women they love. It is a story of women’s struggle to survive a hard scrabble daily life, a revolution in the pale, and a Russian pogrom before immigrating to New York City. These are intelligent, aware women who dare to defy the norm at their own peril.
They still live in my heart because of their love and kindness, courage, and resilience to embrace hope in the face of hardship and tragedy.
Winner of the Lambda Literary Award: "A page-turner that brings to life turn-of-the-century New York's Lower East Side." -Library Journal Born in a Russian-Jewish settlement, Gutke Gurvich is a midwife who immigrates to New York's Lower East Side with her partner, a woman passing as a man. Their story crosses with that of Chava Meyer, a girl who was attended by Gutke at her birth and was later orphaned during the Kishinev pogrom of 1903. Chava has come to America with the family of her cousin Rose, and the two girls begin working at fourteen. As they live through the…
As a retired family therapist, I find that writing and reading stories about emotional journeys no matter our sexual identity, ethnicity, or class has the potential to transform us. A protagonist under threat of persecution who finds healing in the power of love, of family, of community can help us fix ourselves where we are broken. I believe stories can help us sever unhealthy ties to the patterns of past generations. My mother was a closeted lesbian with no family who died when I was nine. Writing how I wished her life could have been helped me heal from childhood trauma. Our ancestors passed the talking stick. We have books.
I love that this book takes a hard look at the perils, reality, and consequences of embracing truth.
It doesn’t sugar-coat the different attitudes and reactions of family members when Annie, with 3 adult children and 27 years of marriage, falls in love with Vivica. The aftermath of the seismic family upheaval reveals dark secrets about legacy, abuse, racial discrimination, revenge, class, and forgiveness.
For me reading this book was cutting edge because it was published not long after same-sex marriage was first made legal in the U.S., in Connecticut.
A bonus is that despite the family’s legacy of trauma the story ends on a note of love and hope.
From New York Times bestselling author Wally Lamb, a disquieting and ultimately uplifting novel about a marriage, a family, and human resilience in the face of tragedy.
As Annie Oh's wedding day approaches, she finds herself at the mercy of hopes and fears about the momentous change ahead. She has just emerged from a twenty-five year marriage to Orion Oh, which produced three children, but is about to marry a woman named Viveca, a successful art dealer, who specializes in outsider art.
Trying to reach her ex-husband, she keeps assuring everyone that he is fine. Except she has…
Six months ago, Tom Halliday left his job. Two days after that, his wife left him. Now, with his mother seriously ill, he is forced to return to his childhood home and rejoin the family he has worked to avoid for the past twenty years.
As a retired family therapist, I find that writing and reading stories about emotional journeys no matter our sexual identity, ethnicity, or class has the potential to transform us. A protagonist under threat of persecution who finds healing in the power of love, of family, of community can help us fix ourselves where we are broken. I believe stories can help us sever unhealthy ties to the patterns of past generations. My mother was a closeted lesbian with no family who died when I was nine. Writing how I wished her life could have been helped me heal from childhood trauma. Our ancestors passed the talking stick. We have books.
I chose this book for its honest look at the fragility of love when the push and pull of church doctrine clashes in a family with twins.
One twin at 17 knows she is lesbian, and the other is a member of BOCK (Brides of Christ’s Kingdom). The story weaves lessons about the effects of homophobia and heartbreak with loss and love, forgiveness and acceptance in a small bible-belt town in Minnesota. It’s a serious subject told with wit, humor, and honesty.
A baby born helps to heal family rifts, but it’s the pull of loss and the power of love from everyone that brings a homophobic mother to acceptance that allows a young woman to follow her heart.
Lorraine Tyler is the only queer person in Bend, Minnesota. Or at least that’s what it feels like when the local church preaches so sternly against homosexuality. Which is why she’s fighting so hard to win the McGerber scholarship—her ticket out of Bend—even though her biggest competition is her twin sister, Becky. And even though she’s got no real hope—not with the scholarship’s morality clause and that one time she kissed the preacher’s daughter.
Everything changes when a new girl comes to town. Charity is mysterious, passionate, and—to Lorraine’s delighted surprise—queer too. Now Lorraine may have a chance at freedom…
I grew up in Brooklyn, NY, and am the middle daughter of three. My sisters and I were close in age, and, of course, our home was girl-centered. The three of us attended the same all-girls Catholic high school, though we each had our own friends. Because of my childhood, I love books that explore how women make friends and keep them, how we let them go, and why. The genesis of friendships interests me, whether childhood, high school, college or motherhood. I love to read books by women where girlfriendships are not an afterthought or window dressing but central to the characters’ inner lives and the story being told.
I recommend The Last of Her Kind by Sigrid Nunez because I found it an absorbing portrait of a friendship in which I wasn’t sure if the two people in it even liked each other. Georgette, called George, is from a working-class family, and Ann is her wealthy college roommate. It is the late 1960s. For me, the book had a fresh angle on the protest movements. George’s focus in college is trying to pull herself up.
To me, George and Ann’s friendship is like a house on a cliff–dangerous, depending on what door you open. This book has stayed with me because it explores why people remain friends, even if the relationship is difficult to the point of pain.
It is Columbia University, 1968. Ann Drayton and Georgette George meet as roommates on the first night. Ann is rich and radical; Georgette, the narrator of "The Last Of Her Kind", is leery and introverted, a child of the very poverty and strife her new friend finds so noble. The two are drawn together intensely by their differences; two years later, after a violent fight, they part ways. When, in 1976, Ann is convicted of killing a New York cop, Georgette comes back to their shared history in search of an explanation. She finds a riddle of a life, shaped…
I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.
This is the debut novel by Ely Percy, and tells the story of Kirsty Campbell, an ordinary Scottish girl as she navigates her way through high school in Renfrewshire.
An extremely relatable novel, it is told in short, buzzy chapters, and I love it for relating the best of what a Scottish working-class childhood can give you – resilience, humour, and the will to succeed. The book covers issues like teen pregnancy, drugs, and violence, but it does so without lecturing; rather, it celebrates what it means to be brought up in contemporary, working-class Scotland.
Duck Feet is a coming-of-age novel, set in the mid-noughties in Renfrew and Paisley, Scotland.
It follows the lives of 12-year-old Kirsty Campbell and her friends as they navigate life from first to sixth year at Renfrew Grammar school. This book is a celebration of youth in an ever-changing world. It uses humour to tackle hard-hitting subjects such as drugs, bullying, sexuality, and teenage pregnancy. But moreover, it is a relatable and accessible portrait of figuring out who you are, plunging into the currents of life, and most of all, finding hope.
I’m from North East England, an area of the UK under-represented in contemporary fiction. I love reading books from authors who grew up in the same area as me, and I enjoy stories that deal with issues relevant to our communities and capture the unique spirit of the people here. My writing is infused with social and political issues. I’m passionate about stories that explore the world around us and how it impacts people, and all these books do that in very different ways.
I love literary fiction and stunning prose, and this book is full of gorgeous sentences that shine off the page. It deals with class issues and finding your own place in the world.
I’m from a working-class, deprived town close to the one featured in this novel. I related to some of the character’s concerns and struggles, particularly regarding the lack of opportunity in North East England.
"Andrews’s writing is transportingly voluptuous, conjuring tastes and smells and sounds like her literary godmother, Edna O’Brien . . . What makes her novel sing is its universal themes: how a young woman tries to make sense of her world, and how she grows up." –Penelope Green, The New York Times Book Review
This “luminous” (The Observer) feminist coming-of-age novel captures in sensuous, blistering prose the richness and imperfection of the bond between a daughter and her mother
It begins with our bodies . . . Safe together in the violet dark…
I am a lecturer in the School of Media and Communication at the University of Westminster. I write regularly on popular music and culture in scholarly form and as a critic in various publications. I am convinced that popular music can gesture at utopia despite its emergence from within a capitalist market society.
Sometimes, the analytical frame of a book completely changes one’s understanding of a phenomenon, and that was the case with this history of work song.
By showing that singing and music-making at work were silenced in the latter half of the 19th century by the noise of machines and the discipline of factory bosses, Korczynski et. al. provided me with a wholly new way to understand the function of music in an industrialized capitalist society: in terms of the segregation of labor and leisure.
Whether for weavers at the handloom, labourers at the plough or factory workers on the assembly line, music has often been a key texture in people's working lives. This book is the first to explore the rich history of music at work in Britain and charts the journey from the singing cultures of pre-industrial occupations, to the impact and uses of the factory radio, via the silencing effect of industrialisation. The first part of the book discusses how widespread cultures of singing at work were in pre-industrial manual occupations. The second and third parts of the book show how musical…
As a longtime lover of Gothic literature, I wrote my doctoral dissertation on it, which became my book The Gothic Wanderer: From Transgression to Redemption. My second book on the Gothic, Vampire Groomsand Spectre Brides, explored how French and British Gothic authors influenced each other. The City Mysteries novels were part of that influence, as evidenced by how British author Reynolds borrowed the idea to write The Mysteries of London from French author Sue’s The Mysteries of Paris. After reading so many City Mysteriesnovels, I decided to write my own, complete with crossdressers, prostitutes, criminals, innocents, and the genre’s many other signature elements.
This book began the entire City Mysteries genre. When French novelist Eugène Sue published it serially in 1842-1843, it took the world by storm and became an instant bestseller. I love the intrigue in the novel. The main character, Prince Rodolphe, is in disguise as a working man in Paris among criminals and the poor with the intent to help them.
I love how the novel shows the complex personalities of the different characters and their backstories, explaining how many became criminals. The novel is full of Gothic atmosphere and helped to change the Gothic from being set in crumbling castles and the past to the present-day and the modern city. This Gothic cityscape reflected the trauma and displacement many felt living in crime-ridden metropolises.
The first new translation in over a century of the the brilliant epic novel that inspired Les Miserables
From July 1842 through October 1843, Parisians rushed to the newspaper each week for the latest installment of Eugene Sue's The Mysteries of Paris, one of France's first serial novels. The suspenseful story of Rodolphe, a magnetic hero of noble heart and shadowy origins, played out over ninety issues, garnering wild popularity and leading many to call it the most widely read novel of the 19th century. Sue's novel created the city mystery genre and inspired a raft of successors, including Les…
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
While admittedly not a “war” book, Jack London’s masterful novel illustrates notions associated with war and society in an artful way. And he does it within two characters… a truth seeker and a believer in the establishment. From the rich and powerful to the impoverished with no voice, he clearly understood what is behind the masks we don in society. Fantastic read.
The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels…
