Here are 100 books that The Bean Trees fans have personally recommended if you like
The Bean Trees.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
When this astonishing debut novel about a complicated mother-daughter relationship came out, I wondered if the author had met my mother. Because Adele August believes there’s nothing for her in her small Wisconsin town, she sets off for Los Angeles with her twelve-year-old daughter and a dream—Ann will be a child star; Adele will make a wealthy marriage; they’ll live the lives they were meant to. Simpson’s writing is gorgeous: “My mother and I should have both been girls who stayed out on the porch a little longer than the rest… who strained to hear the long-distance trucks on the highway... girls who looked at the sky and wanted to go away… but who finally sighed, and calling the dog with a mixture of reluctance and relief, shut the door and went home.” Reality can’t live up to Adele’s delusions; mother-child roles are often reversed; but love underlies this tangled…
A national bestseller—adapted into a movie starring Natalie Portman and Susan Sarandon—Anywhere But Here is the heart-rending tale of a mother and daughter. A moving, often comic portrait of wise child Ann August and her mother, Adele, a larger-than-life American dreamer, the novel follows the two women as they travel through the landscape of their often conflicting ambitions. A brilliant exploration of the perennial urge to keep moving, even at the risk of profound disorientation, Anywhere But Here is a story about the things we do for love, and a powerful study of familial bonds.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m the tenth kid in my family. I can’t think of a single part of my personality that wasn’t defined by my interactions with my siblings, then later their partners, and then later their children. The thing about family is that, yes, it’s a source of stress and even trauma, but I’ve also found it the truest path to not just meaning in life but something like salvation. I love stories that put us at that tipping point, in part because I think most of us live there, whether we realize it or not.
I love this book because it made me think about myself as a parent. The premise here is crazy simple—a gunman seems about to kill two girls but takes one, leaving the other. I felt horrible for Meredith, crushed by survivor’s guilt, but my real sympathies fell to her mom, Claire.
At that point in my life, my sons were adolescents, and I was viewing their healthy independence as something I was losing. I was totally taken by the heart-rich, wise exploration of what we do when someone we love goes somewhere we can’t follow.
The breakout novel from the critically acclaimed author of the short story collections Who I Was Supposed to Be and Why They Run the Way They Do—when a middle school girl is abducted in broad daylight, a fellow student and witness to the crime copes with the tragedy in unforgettable ways.
What happens to the girl left behind?
A masked man with a gun enters a sandwich shop in broad daylight, and Meredith Oliver finds herself ordered to the filthy floor, where she trembles face to face with her nemesis, Lisa Bellow—the most popular girl in her eighth grade class.…
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
A YA novel must be every bit as well-written—with thoroughly developed characters and an absorbing plot—as an adult novel, and maybe more so, given an adolescent’s interest is often pulled to TikTok, Instagram, and Snapchat, not to books. Sixteen-year-old Jenna Boller’s only had her license for six months when Madeline Gladstone, president of the shoe store chain where Jenna works, taps her to be her driver for the summer. They set out on a cross-country road trip to check on the stores, but both learn unexpected lessons about each other and about themselves in the process. I love the cross-generational relationship that develops, and that gawky, self-conscious, and insecure Jenna comes into her own in a most surprising way: Like Dorothy with the ruby slippers, Jenna finds she’s had the power all along.
Meet Jenna Boller, star employee at Gladstone's Shoe Store in Chicago. Standing a gawky 5'11'' at 16 years old, Jenna is the kind of girl most likely to stand out in the crowd for all the wrong reasons. But that doesn't stop Madeline Gladstone, the president of Gladstone's Shoes 176 outlets in 37 states, from hiring Jenna to drive her cross country in a last ditch effort to stop Elden Gladstone from taking over his mother's company and turning a quality business into a shop-and-schlock empire. Now Jenna Boller shoe salesperson is about to become a shoe-store spy as she…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
In second grade my teacher told me I should be a writer—I haven’t wavered in my path since. I was a voracious reader as a child and regularly snatched books off my mom’s night table. My love for flawed characters grew with each book I devoured. I felt a connection with these characters, which fueled my dream to become a writer. When I was twenty-one years old and studying writing, I wrote in my journal, “I want to write books that make people cry.” I love to explore the gray areas in life, and I’m honored that readers have told me my books do make them cry (and laugh).
I love this book because I love imperfect, flawed heroines…and as a fifty-something woman, Nan spoke to me.
How many times do we think of running away—even if just for a bit—but responsibilities and maybe even fear keep us from acting? Not Nan—she takes off, simply leaving an abrupt note for her husband, Martin (which takes place before the book opens). The narrative alternates between letters to Martin and journal entries (Nan spills her thoughts into a turquoise leather tooled journal with a black string fastener and a silver button—I love that detail).
The lyrical descriptions of each place Nan visits are so vivid I felt like I was riding shotgun. And I loved taking that journey with Nan and living in her head, because honestly…being in her head felt a lot like being in my own head, flaws and all.
“This is not a novel about a woman leaving home but rather about a human being finding her way back.”—Chicago Tribune
In the middle of her life, Nan decides to leave her husband at home and begin an impromptu trek across the country, carrying with her a turquoise leather journal she intends to fill. The Pull of the Moon is a novel about a woman coming to terms with issues of importance to all women. In her journal, Nan addresses the thorniness—and the allure—of marriage, the sweet ties to children, and the gifts and lessons that come from random encounters…
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
The author had me at the first line: “Boop loved her daughter to the moon and back, but Justine had a way of sucking the joy out of a room faster than a vampire bat.” This road trip story about three generations of women (Boop, her daughter, Justine—who’s not in the car, but her presence is—and Justine’s daughter, Eve) set against a background of family secrets, has a decidedly Southern tone. One imagines a narrator relating the story from a rocker on the front porch, a glass of sweet tea in her hand. Although there are lighthearted moments, this is a serious story, about familial expectations, mental illness, family secrets, estrangement, and three women trying to find their way back to themselves and to each other. Travelling with this unforgettable grandmother/granddaughter duo is a gift.
Eve Prince is done-with college, with her mom, with guys, and with her dream of fashion design. But when her best friend goes MIA, Eve must gather together the broken threads of her life in order to search for her.
When Eve's grandmother, Boop, a retiree dripping with Southern charm, finds out about the trip, she-desperate to see her sister, and also hoping to alleviate Eve's growing depression-hijacks her granddaughter's road trip. Boop knows from experience that healing Eve will require more than flirting lessons and a Garlic Festival makeover. Nevertheless, Boop is frustrated when her feeble efforts yield the…
I’m the tenth kid in my family. I can’t think of a single part of my personality that wasn’t defined by my interactions with my siblings, then later their partners, and then later their children. The thing about family is that, yes, it’s a source of stress and even trauma, but I’ve also found it the truest path to not just meaning in life but something like salvation. I love stories that put us at that tipping point, in part because I think most of us live there, whether we realize it or not.
I love this book because it nearly made me miss my flight. I bought it after hearing the author at a conference in Baton Rouge and started it at the airport. My mistake. I was sucked in by the story, told in sumptuous, gorgeous prose, about a boy looking for the father he never knew.
But I found its true radiance in the unexpected discoveries he makes about the man who sired him and, of course, himself. (I finished it on a connecting flight late that night out of Houston. Totally worth it).
Harlow tells the story of eighteen-year-old Leslie Somers, who trudges his way through the dark Louisiana backwoods one winter in search of his father. As he walks through the woods, Leslie thinks of the other male role models in his life: the men who took him hunting and fishing, the men who mistreated him.
Since Leslie has been forsaken by his mother, he can only imagine a life with this man he has never met: his father, Harlow Cagwin. But when Leslie finally finds Harlow, the man is not what the boy had expected.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m the tenth kid in my family. I can’t think of a single part of my personality that wasn’t defined by my interactions with my siblings, then later their partners, and then later their children. The thing about family is that, yes, it’s a source of stress and even trauma, but I’ve also found it the truest path to not just meaning in life but something like salvation. I love stories that put us at that tipping point, in part because I think most of us live there, whether we realize it or not.
I love this book because it shouldn’t work. On paper, the notion that an introverted boy’s quasi-imaginary friend is what holds together a dysfunctional family is a lost cause. I wouldn’t encourage anyone to try writing it. But that’s just what Elizabeth Genovise did.
It’s a saga of broken kids clinging to one another in the shadow of broken parents, all hoping against hope for the most unlikely of saviors. I found it sometimes weird and whacky but always profoundly insightful.
Forty-one-year-old Abra, the narrator of Third Class Relics, gathers with her brother and cousins for an uncomfortable dinner the night after her father's wake. No one speaks of the one missing family member-Jeffrey, the youngest cousin-nor of his doppelganger, Rupert, whose name Abra's father cried out just before his death. When the evening comes to a close, Abra finds herself prowling her family's history against her will. As she journeys through their darkest chapters, she is forced to confront the complex role Jeffrey/Rupert played in both healing and destroying them all, as well as the significance of her relationship with…
I’m the tenth kid in my family. I can’t think of a single part of my personality that wasn’t defined by my interactions with my siblings, then later their partners, and then later their children. The thing about family is that, yes, it’s a source of stress and even trauma, but I’ve also found it the truest path to not just meaning in life but something like salvation. I love stories that put us at that tipping point, in part because I think most of us live there, whether we realize it or not.
I love this book because I think of it every time I go up on a ladder. That’s where Doug Merritt, the father of the family on the precipice here, goes when he needs to clear his mind.
I laughed out loud reading it, and more than once I found myself thinking about my own parenting, how the size and scope of that obligation is totally out of whack with your ability to influence kids at a certain point. Like I did with my sons, Merritt does his best to hold things together, and if he doesn’t entirely succeed, he sure as hell doesn’t fail. Maybe that’s enough.
Doug Merit's middle name is damage control. Working in public relations for GE, he's ready for any challenge: a teenaged son who still plays with trains, a thirteen-year-old daughter who hasn't spoken to him in six months, a first-grader who is a little too devoted to animal rights, and a wife who just might have whispered a month or two ago she didn't love him. No problem! He's got it covered.
But the events set in motion on a snowy night will put Doug's carefully constructed version of reality to the test.
As an author of experimental and genre-bending books, I evangelize people not only to read more books but to read books outside of their comfort zone. And while it doesn’t take much work to get adult readers to consider Young Adult titles, getting them to read Middle-Grade books has been a much greater challenge, which is a shame because middle school has a lot to offer. Some of the best and most life-changing books exist within the Middle-Grade category. My own Middle-Grade books were written with readers of many age ranges in mind.
This book may have been written for children, but specifically for children who have the mind of an adult.
I loved every word of this book, and as an adult, I appreciate it far more than I could have if I had read it as a child. The humor is classic Dave-Barry-style dad humor dialed up to eleven, except delivered in the form of a universally appreciable fairy tale.
I also find it to be the most compelling retelling of Peter Pan (and there have been many others). It gives a coherent origin to Peter, Tinkerbell, Captain Hook, and even Neverland itself, breathing new life into an old story. Little wonder it was adapted into a Broadway stage show.
The New York Times bestselling prequel to J. M. Barrie's beloved classic Peter Pan.
Discover the origins of Peter Pan in this swashbuckling tale! When Peter, along with his fellow orphans, boards the Never Land, it is only the start of his adventures. Befriending Molly, he discovers a treasure chest of starstuff - the most magical substance ever known to man. Peter and Molly must stop it falling into the hands of a dastardly (but eerily familiar) pirate and his murderous crew. Shipwrecked, helped by mermaids, captured by savages and attacked by a giant crocodile - will they ever succeed?
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I was born and brought up in the north of England. I have a degree in English and taught English Literature to older teenagers for many years. The period between 14 and 19 is an age group that has always fascinated me. It’s a time when people are accumulating experience and trying to understand themselves and their lives. The books I’ve chosen all put young people in challenging situations and excel at showing how they respond, handling, in sensitive and insightful ways, the moods and tensions of growing up. Most of my own novels have young heroes and heroines, although they’re read by people of all ages.
I love this book, a beautiful celebration of young love set in the summer 1997.
It’s easy to identify with Charlie Lewis, his failed school career and his shambolic home life. He meets the rich and privileged Fran Fisher, whose background is totally different from his. The contrast between them is beautifully drawn and I felt for Charlie as he tentatively moved towards a girl he feels is out of his reach. His insecurity is moving.
The Romeo & Juliet link which is obvious from the title is well handled, enriching without being intrusive. There’s a heart-rending sense of nostalgia that reminds you of what it’s like to be trying to find your feet as a teenager.
“A tale of first love that hits all the right notes . . . [it] just might be the sweetest book to brighten your late summer.” —The Washington Post
"Dazzles with wit.”—People
From the bestselling author of One Day comes a bittersweet and brilliantly funny coming-of-age tale about the heart-stopping thrill of first love—and how one summer can forever change a life.
Now: On the verge of marriage and a fresh start, thirty-eight year old Charlie Lewis finds that he can’t stop thinking about the past, and the events of one particular summer.
