Here are 100 books that Lars Porsena fans have personally recommended if you like
Lars Porsena.
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I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
Paul Fussell was a soldier in World War II, and he was also a professor of literature. His great book examines the way the experience of war changed a generation. It also changed literature (and art). After the experience of war, poets could no longer write about the world in idealized and romantic ways. They had to find forms to express the experience of being alive in ways that were new and shocking.
I love how Fussell uses his own experience of both war and scholarship to explain why Western art took such a turn in the 20th century. It helped me to understand modernist literature and myself.
Winner of both the National Book Award and the National Book Critics Circle Award and named by the Modern Library one of the twentieth century's 100 Best Non-Fiction Books, Paul Fussell's The Great War and Modern Memory was universally acclaimed on publication in 1970. Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the modern era, and revolutionized how we see the world.
This brilliant work illuminates the trauma and tragedy of modern warfare in fresh, revelatory ways. Exploring the…
We know the Greek gods from mythology, and assume their stories ended there. They did not. This is a compelling new story about the Olympic gods in our century. True to form, they continue to challenge our modern morality. Now they appear to prevent humans from discovering immortality.
Joy Porter is an Irish writer who grew up in war (The Troubles). She is intrigued by how we relate to one another culturally and by what makes peace and conflict happen. She researches Indigenous, environmental, and diplomatic themes in an interdisciplinary context and co-leads the Treatied Spaces Research Group at The University of Hull. U.K. Fascinated by the mind, by what makes us love, persevere, transcend and escape the legacies of conflict, her work exposes how culture impacts the world.
Philipp Blom has an exceptional mind. This book looks at the fourteen years prior to the outbreak of the First World War with a depth and breadth you won’t find anywhere else. It somehow captures the broad, transdisciplinary rush to knowledge, to comprehend the new, that at a deep level characterized this period. You learn something or get a fresh perspective on almost every page and you begin to understand the pre-war years for what they were - a powderkeg of change ready to burst across almost every established boundary.
Europe, 1900-1914: a world adrift, a pulsating era of creativity and contradictions. The major topics of the day: terrorism, globalization, immigration, consumerism, the collapse of moral values, and the rivalry of superpowers. The twentieth century was not born in the trenches of the Somme or Passchendaele,but rather in the fifteen vertiginous years preceding World War I. In this short span of time, a new world order was emerging in ultimately tragic contradiction to the old. These were the years in which the political and personal repercussions of the Industrial Revolution were felt worldwide: Cities grew like never before as people…
I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
My life is divided between before reading this book and after. Nothing has changed the way that I understand the world or altered how I experience art and reality like this book.
Eksteins is a historian with the gifts of an artist. He intertwines World War I with Njinsky’s inelegant movements and Stravinsky’s discordant sounds and somehow creates an interpretation, an understanding of the past that can only come through artful means. I’ve had to buy three copies of this book because I wore out the first two. I expect I’ll soon be needing a fourth copy.
Named "One of the 100 best books ever published in Canada" (Literary Review of Canada), Rites of Spring is a brilliant and captivating work of cultural history from the internationally acclaimed scholar and writer Modris Eksteins.
A rare and remarkable cultural history of World War I that unearths the roots of modernism.
Dazzling in its originality, Rites of Spring probes the origins, impact, and aftermath of World War I, from the premiere of Stravinsky's ballet The Rite of Spring in 1913 to the death of Hitler in 1945.
Recognizing that “[t]he Great War was the psychological turning point . .…
Joy Porter is an Irish writer who grew up in war (The Troubles). She is intrigued by how we relate to one another culturally and by what makes peace and conflict happen. She researches Indigenous, environmental, and diplomatic themes in an interdisciplinary context and co-leads the Treatied Spaces Research Group at The University of Hull. U.K. Fascinated by the mind, by what makes us love, persevere, transcend and escape the legacies of conflict, her work exposes how culture impacts the world.
Miranda Seymour sits at the head of critical and biographical writing on the literary elite at the time of the war. This book about an outrageously flamboyant aristocrat who knew intimately the cream of literary and political society in Britain is a must. Ottoline was rumoured to have had a long-term dalliance with H. H. Asquith, the Prime Minister who took the empire into war. She cultivated (and was said to have had affairs with) almost all the great minds of the era. Miranda Seymour’s elegant writing gives us an unforgettable window on the world at a point of profound change- sexually, creatively, and perhaps most importantly, across boundaries of class and race. A delight!
Ottoline Morrell: Life on the Grand Scale by Miranda Seymour.
'A seductive model of elegant scholarship.' Sue Gaisford, Independent
'A kind of blissography, teeming with bon mots.' Jilly Cooper, Sunday Times (Books of the Year)
'A sympathetic and surely definitive account, adding greatly to our knowledge of the people and the period.' Claire Tomalin, Independent on Sunday
This biography reveals Ottoline Morrell, London's leading literary hostess during the first three decades of the 20th century. Augustus John, T.S. Eliot, D.H. Lawrence, Lytton Strachey, Virginia Woolf and W.B. Yeats enjoyed her hospitality and she was Bertrand Russell's mistress for many years.…
While I was child growing up in London, the war was a powerful presence in my life. It was there in the films we watched, in the comics my brothers read, and in my vague understanding of what it meant to be British. It was not a subject we ever studied at school and as an adult I’ve always felt frustrated by my inadequate knowledge of this world-changing conflict. When I first had the idea of writing about the six remarkable women who pioneered the way for female war journalists, it wasn’t just their personal stories that drew me in but the chance to learn more about WW2 itself.
When Iris Carpenter was reporting on the war she, like all journalists, was subject to the rules of the military censors. But once the conflict was over she was free to publish the truth of all that she’d seen, and her 1946 memoir is an extraordinarily candid, occasionally harrowing read. As her title suggests, Carpenter’s principal objective was to expose the prejudice and stupidity against which she and her female colleagues had to battle, simply to get to the front—her account was one of the primary sources for my book. But she was also a fearless eyewitness and her memoir provides rare insights into the conditions of war, both its camaraderie and its horror.
The list reflects my interest in history and my own recollections of the days before the current era of mass tourism and online globalisation. I confess to a feeling of painful nostalgia for a time when we all had a very different worldview, and these books are all of that period. They feature temporal grief for an age that has passed. They are all highly readable books by writers at the top of their game.
The best novel ever about WWI. I was there with them in the trenches and finally understood how the generals came to have the mentality that allowed the slaughter to continue.
Forester is a superb writer and grossly underrated. He is a model for any aspiring writer. I must have read it four times at least, and each time found some new aspect to enjoy.
The book John Kelly reads every time he gets a promotion to remind him of 'the perils of hubris, the pitfalls of patriotism and duty unaccompanied by critical thinking'
The most vivid, moving - and devastating - word-portrait of a World War One British commander ever written, here re-introduced by Max Hastings.
C.S. Forester's 1936 masterpiece follows Lt General Herbert Curzon, who fumbled a fortuitous early step on the path to glory in the Boer War. 1914 finds him an honourable, decent, brave and wholly unimaginative colonel. Survival through the early slaughters in which so many fellow-officers perished then…
Upon the Corner of the Moon begins the story of real people who’ve been rewritten into emblems of evil. Macbeth is raised in the royal court, immersed in Christian teachings and guided toward leadership alongside his foster-brother and rival, Duncan. Gruach is raised in the traditions of a Goddess religion…
Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.
I came upon this title quite early in my academic career while working in an Accountancy and Finance Department and struggling to convince myself, and I suspect my then boss, that there was a lot of mileage in the business of sport as an area of research activity.
Wray Vamplew’s book – a systematic economic analysis of the emergence of mass spectator sports in the UK in the years leading up to the First World War based on primary financial and other records – played a major part in convincing me, at least, that there was indeed a future as well as a past in this type of study!
If you want to understand where many of football’s current developments arose from, this is a great place to begin.
Based on a vast range of club and association records, Pay Up and Play the Game, first published in 1988, presents a systematic economic analysis of the emergence of mass spectator sport during the years prior to World War I. It explores the tensions behind an increasingly commercialised activity that was nonetheless suffused with 'gentlemanly' values at many levels, and highlights the retreat of the latter as working-class consumption and participation became predominant, symbolised most dramatically by the celebrated victory of proletarian Blackburn Olympic over the Old Etonians in the FA Cup final of 1883. Wray Vamplew examines the linkages…
As children, my brother and I were constant playmates. He was an early riser and often woke me up so our day of play could begin as soon as possible. I have sight, and my brother is blind. Play for us was an all-senses experience. We felt the rumble of our bikes on the street, listened to the screech of the metal swing set, and guessed spices by their smell. We also devoured stories. We listened to audiobooks, he read to me in Braille, and I read to him. All of these experiences, and more, prepared me to be an author of numerous children’s books with sensory details to make stories come alive.
Pat the Bunny is designed for the youngest children learning to read, yet I remember this book on our shelf throughout my whole childhood.
Each page is interactive as children are invited to pat the soft bunny, smell the flowers, touch Dad’s scratchy face, and more. Besides learning to read, children learn to notice sensory details in the world around them.
The timeless children's classic full of interactive fun—a perfect gift for new babies and first birthdays.
For generations, Pat the Bunny has been creating special first-time moments between parents and their children. One of the best-selling children’s books of all time, this classic touch-and-feel book offers babies a playful and engaging experience, all the while creating cherished memories that will last a lifetime.
I always wanted to be a spy, but as I scare easily and can’t keep a secret, it was never going to happen. My respect and fascination with the intelligence community has never abated however, and I will never pass up an opportunity to engage with spy-related content. From going to spy museums across the globe to attending lectures to watching the latest entertaining (and totally unrealistic) spy flick, I love it all. I channel that love into writing humorous spy novels that feature fun, fearless females and ripped-from-the-headlines scenarios.
Do I judge a book by its cover? Why yes, yes I do! And the moment I saw this gorgeous cover I put it right into my shopping cart, paid full price, and never looked back.
Luckily for me, Women in Intelligence happens to be an excellent book where the content more than matched the expectations I had from the fabulous artwork. Although there are a few familiar faces that appear, most of the women were completely new to me. Not the femme fatales of popular culture; these were patriotic women who often went unseen in the background.
I love that Fry truly delves into uncovering the unsung heroines of WWI and WWII, giving these quiet, determined women a chance to be recognized and to shine.
A groundbreaking history of women in British intelligence, revealing their pivotal role across the first half of the twentieth century
From the twentieth century onward, women took on an extraordinary range of roles in intelligence, defying the conventions of their time. Across both world wars, far from being a small part of covert operations, women ran spy networks and escape lines, parachuted behind enemy lines, and interrogated prisoners. And, back in Bletchley and Whitehall, women's vital administrative work in MI offices kept the British war engine running.
In this major, panoramic history, Helen Fry looks at the rich…
I’m a historian, and while I have a great deal of experience producing straight ‘nonfiction’ work, the idea of reading something ‘non-fictional;’ within a fictional world has always excited me because it allows many opportunities to talk about us while framing it as them. They also play into what I call the ‘Rutger Hauer Effect,’ where his character in Blade Runner mentions the wonderous things he’s seen in passing. I want to see those things too! Fictional nonfiction books provide a fantastic opportunity to tease the readers with things that their author knows and has seen but exist just beyond the reach of our own imaginations.
Much of my background as a historian focuses on the First World War, and, as a result, I have a particular interest in the ‘invasion literature’ of the late 19th and early 20th centuries. This is a particularly fun and interesting example in that it creates newspaper and press reports to help grant a level of tactile reality to the unfolding invasion of England.
Books like this had a significant impact on British popular culture and mindset before 1914, and Le Queux’s decision to make his fictional work appear to be nonfiction where possible works incredibly well and, as it was serialized in the Daily Mail newspaper, he adapted the text to include many locations readers either lived or would recognize!
...No fewer than two hundred thousand Germans were already upon English soil! The outlook grew blacker every hour.
Eight years before the outbreak of the First World War, when national hysteria over the supposed presence of German spies in England gripped the country, the journalist and novelist William Le Queux imagined a catastrophic scenario in which the German army invaded Britain in a shock attack on the east coast. His novel, first published as The Invasion of 1910 and serialised in the Daily Mail, was intended as a warning to military strategists and the government of the time that England…
