Here are 100 books that Lady of Ch'iao Kuo fans have personally recommended if you like
Lady of Ch'iao Kuo.
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I’ve been a history nerd all my life. Historical fiction chap books were my entrance to reading, and my copy of Little Womenfell apart from excessive re-reads. (It also taught me the word “abridged.” I was very upset to find out I hadn’t been given the full book!) I love how novels can pull you into a time on such a personal level. That immersion is part of what made me so interested in books set in lesser-known eras. I mean, I love a good Tudor court drama or WWII novel as much as the next reader. There is just something extra special about learning about a brand-new time.
N. L. Holmes is my absolute favorite “under the radar” historical fiction author writing today. She has a number of wonderful books out there, but if I had to suggest one to new readers, I would pick Bird in a Snare, the first book of the Lord Hani Mystery series. Set in Ancient Egypt under the reign of Akhenaten, the series is an amazing insight into a tumultuous part of ancient history I knew next to nothing about when I first picked up the book and a great mystery series. Throw in awesome prose and a wonderful cast of characters, and I recommend this one whenever I get the chance.
When Hani, an Egyptian diplomat under Akhenaten, is sent to investigate the murder of a useful bandit leader in Syria, he encounters corruption, tangled relationships, and yet more murder. His investigation is complicated by the new king’s religious reforms, which have struck Hani’s own family to the core. Hani’s mission is to amass enough evidence for his superiors to prosecute the wrongdoers despite the king’s protection—but not just every superior can be trusted. And maybe not even the king!
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As a queer/bi girl labeled as a tomboy from early on, I ached for a sense of belonging in my life that I only found in books. The adventurous women and girls that I looked for in the pages of books that were like friends to me spanned from Anne of Green Gables to Harriet the Spy. As I got older, I realized that important and awesome adventurous women had been left out of my history books, and only now are we starting to find out who they were, and how many women like myself were erased, and are now being redeemed through these wonderful stories.
Nur Jahan was one of the great queens of India, but I had never learned about her even in my studies at university.
I felt absolutely transported into her life, ambitions, and loves through this riveting novel that is so poetic you’ll want to read it in your bath with the door locked and a candle lit. This book feels like a window into the life of a woman you wish was your mother, your sister, your best friend.
It’s the first of the trilogy, and a magnificent journey into ancient India and the history of the Taj Mahal.
An enchanting seventeenth-century epic of grand passion and adventure, this debut novel tells the captivating story of one of India's most legendary and controversial empresses -- a woman whose brilliance and determination trumped myriad obstacles, and whose love shaped the course of the Mughal empire. She came into the world in the year 1577, to the howling accompaniment of a ferocious winter storm. As the daughter of starving refugees fleeing violent persecution in Persia, her fateful birth in a roadside tent sparked a miraculous reversal of family fortune, culminating in her father's introduction to the court of Emperor Akbar. She…
I’ve been a history nerd all my life. Historical fiction chap books were my entrance to reading, and my copy of Little Womenfell apart from excessive re-reads. (It also taught me the word “abridged.” I was very upset to find out I hadn’t been given the full book!) I love how novels can pull you into a time on such a personal level. That immersion is part of what made me so interested in books set in lesser-known eras. I mean, I love a good Tudor court drama or WWII novel as much as the next reader. There is just something extra special about learning about a brand-new time.
Set in the US in the late 70s, this book was one I went back and forth on if it fit my criteria of being a lesser-known locale (or possibly even historical fiction, since the 60s and 70s are just now starting to hit that cut-off). The world it presents—life in a traveling carnival during the tail end of the freakshow era—was so interesting, though, I felt I had to slip it in. On the run from a terrible secret, the protagonist joins the carnival as their “fat lady” act in the freakshow… and things are just as crazy (and yet somehow so emotionally grounded?) as that premise makes it sound. I’d definitely suggest giving it a read.
Trapped and isolated in small-town Wisconsin, Sarah wants nothing more than to blend in and lead a normal life away from her abusive brother. Weighing five hundred pounds and having no job or formal education, however, makes this almost impossible.
When Sarah commits an unthinkable act, she seizes the only opportunity available to escape the consequences of her actions. She contacts the carnival man who previously offered her a job as a sideshow act. Burying her guilt, Sarah leaves home and begins performing under the stage name Lola Rolls.
Traveling from town to town, Lola wonders if it's possible to…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I’ve been a history nerd all my life. Historical fiction chap books were my entrance to reading, and my copy of Little Womenfell apart from excessive re-reads. (It also taught me the word “abridged.” I was very upset to find out I hadn’t been given the full book!) I love how novels can pull you into a time on such a personal level. That immersion is part of what made me so interested in books set in lesser-known eras. I mean, I love a good Tudor court drama or WWII novel as much as the next reader. There is just something extra special about learning about a brand-new time.
I admit, Baltasar and Blimundais not the type of historical fiction I generally pick up (a more distanced narrative voice plus magical realism doesn’t tend to be my normal pick for pleasure reading) but I felt I needed to read at least one novel set in 18th century Portugal before trying to write my own set there. Something by a Portuguese author as well seemed entirely the way to go. So, I picked this up, and am really glad I did.
In eighteenth-century Portugal, fifty thousand laborers carry stones on their backs across mountains to build the king's convent, a heretical priest devises a magic flying machine--the Passarola--and two lovers' dream of flight sets them apart.
I’m an Australian USA Today bestselling romance author who writes contemporary romance and uses the pen name Alyssa James to write medieval romance. I think the makeover trope resonates with me because although I’m no beauty queen now, I was definitely an ugly duckling in my teens. For reasons best known to him, my father insisted on close-cropped hair, and financial circumstances dictated out-of-style hand-me-down clothing. After university, I found my own style, but it wasn’t until I was accepted as an international flight attendant that I believed that I couldn’t be all that ugly if Qantas employed me!
Cinderella was probably the first romance I ever encountered where a makeover took place, but the second most memorable from my youth was definitely this story.
Mia’s journey to the throne in Genovia is such a roller coaster. Resistant to the initial plan, I love Mia’s growth, and I adore her personality. A bit of a misfit with geeky looks (prior to the makeover, of course!), I love how engaging her character is, and I love the uplifting laugh-out-loud moments that leave me with a light, feel-good vibe.
I also love that she ends up falling for someone who’s been a constant support in her life and who knows and loves Mia for herself rather than her royal title.
'You're not Mia Thermopolis any more, honey,' Dad said. 'You're Amelia Mignonette Grimaldi Thermopolis Renaldo. Princess of Genovia.'
A PRINCESS?? ME??? Yeah. Right.
One minute Mia's a totally normal Manhattan fourteen-year-old. Next minute she's heir to the throne of Genovia, being trailed by a bodyguard, taking princess lessons with her uncontrollable old grandmere, and having a makeover with someone called Paolo. Well, her dad can lecture her till he's royal blue in the face, but no way is Mia going to turn herself into a style-queen. And they think she's moving to Genovia? Er, hello?
Am I an expert on transportation? No. But I’m fascinated by movement. Physical movement (how do bike gears actually work?) and metaphorical (how does life actually work?) I did enjoy a brief moment as the kind of unofficial bike traffic reporter when I was on CBC Radio here in Canada. I’d report on my 4 am commute to work. But as a writer and illustrator for kids, I know the freedom transportation represents. We all want to fly. In MINRS I write about spaceships. We all want to see the world. In The Fabulous Zed Watson! I write (with my kid Basil) about epic road trips.
One of my kid-lit heroes, and clearly a writer/illustrator who grew up (like me) with a love for the vehicles we saw in science fiction. He has Eva Nine and her pals (and enemies) flying around in ships that are clearly inspired by pod-racers, x-wing fighters, the Millennium Falcon, and Flash Gordon. (Then, as the series goes on, we even get airships!)
But the thing that anchors the series is the wonderfully drawn characters. Eva Nine is all of us as kids… eager to break away but also tied to the adults around us. That tension between knowing when to hold on and knowing when it’s time to say goodbye is what really kept me with her on her journey.
Eva Nine was raised by the robot Muthr. But when a marauder destroys the underground sanctuary she called home, twelve-year-old Eva is forced to flee aboveground. Eva Nine is searching for anyone else like her. She knows that other humans exist because of a very special item she treasures ~ a scrap of cardboard on which is depicted a young girl, an adult, and a robot along with the strange word "WondLa".
Tony DiTerlizzi honours traditional children's literature in this totally original space age adventure: one that is as complex as an alien planet, but as simple as a child's…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I absolutely love reading representations of strong, powerful women. And while it’s always fun if they’re kick-ass warriors who can take down an army all on their own, strength doesn’t always have to be in combat. Depictions of emotional strength, resilience, and/or compassion can be wonderful elements of strength too. But don’t discount the ‘grey’ women protagonists, either, the mercenary, callous, and/or ruthless characters with only a touch of softness. All these nuances make female characters strong and I love to see any and all of them in my fantasy protagonists. It's why I write so many of them!
I have an absolute favourite book character and her name is Manon Blackbeak.
No, she’s not the main protagonist in this book (although Aelin Galathynius is awesome), and that’s why I’m recommending the fourth book in this series rather than the first, because it’s really where we start to Manon come into her own. She is vicious, unapologetic, fiercely loyal, and just so cool. Yet for someone so hard and tough, her bond with her wyvern, Abraxos, gives you all the feels. I loved how Manon’s plotline developed further in Queen of Shadows and her showdown fight with Aelin at the end was one of the best I’ve ever read.
This is a fantastic series by Maas, with a trove of great characters. My experience was that book three – Heir of Fire – was where the story really began to find its footing. By halfway through …
Sarah J. Maas's New York Times bestselling Throne of Glass series reaches new heights in this sweeping fourth volume. Everyone Celaena Sardothien loves has been taken from her. But she's at last returned to the empire-for vengeance, to rescue her once-glorious kingdom, and to confront the shadows of her past... She has embraced her identity as Aelin Galathynius, Queen of Terrasen. But before she can reclaim her throne, she must fight. She will fight for her cousin, a warrior prepared to die just to see her again. She will fight for her friend, a young man trapped in an unspeakable…
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Now that I’ve raised the issue of whiteness—ways in which American structures and institutions reflect the agendas and interests of white people, and the role those structures play in shaping opportunity and life experiences—here I want to bring it front and center.
Many white people don’t recognize how they benefit from having white skin (called “white privilege”), and many white ethnic groups, including many white Jews in the U.S., deny their white privilege altogether, insisting that they too have been the victim of white discrimination, and that anti-Black racism is no different.
Brodkin offers a powerful counter-narrative, pointing out the many important ways that American Jews of European descent did indeed benefit from their white skin even when they did not realize it.
The fashion identities in the context of a wider conversation about American nationhood, to whom it belongs and what belonging means. Race and ethnicity, class, gender, and sexuality are all staple ingredients in this conversation. They are salient aspects of social being from which economic practices, political policies, and popular discourses create ""Americans."" Because all of these facets of social being have such significant meaning on a national scale, they also have major consequences for both individuals and groups in terms of their success and well-being, as well as how they perceive themselves socially and politically.
Horses have helped me negotiate the world since early childhood. I’ve worked as a horse trainer, show competitor, catch rider, barn grunt, and riding instructor. As a UCLA-trained brain scientist and full professor, I also taught human perception, language, memory, and thought for almost 25 years.
Combining these interests produced an “aha” moment, leading to my development of brain-based horsemanship. Successful horse-and-human teams require an understanding of how prey and predator brains interact. With that understanding, both species learn to communicate mutually via body language. We humans cooperate in this fashion and degree with no other species of prey animal—it’s a rare and special bond!
A collection of stories written by respected authors explaining how horses help their everyday lives. Jane Smiley, Maggie Shipstead, and Carmen Maria Machado are all here, along with many other excellent women writers. I feel deep appreciation and respect for all the horses I have known—especially those who taught me the most painful lessons, and even the few who taught in a painful or frightening way. Every horse is unique, and every horse offers something you can’t get anywhere else. It was magical to read what some of the world’s best writers have to say about the bonds they created with their own mounts.
“A wild, rollicking ride into the heart of horse country—these essays get at what it means to love horses, in all that love's complexity.” —Anton DiSclafani, author of The Yonahlossee Riding Camp for Girls
A compelling and provocative essay collection that smashes stereotypes and redefines the meaning of the term “horse girl,” broadening it for women of all cultural backgrounds.
As a child, horses consumed Halimah Marcus’ imagination. When she wasn’t around horses she was pretending to be one, cantering on two legs, hands poised to hold invisible reins. To her classmates, girls like Halimah were known as “horse girls,”…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I’m a BIG reader of mysteries and thrillers, but I hate it when you read a thriller and guess who did it on page 20, or it turns out it’s a character so obscure you could never have guessed it! But it’s easy to criticize! I’ve wanted to write a young adult thriller since I was young, and over the last few years, I found myself more able to try. For me, writing my book was like running a marathon…I wasn’t sure if I could do it, but now I’m really happy that I did!
Caroline B. Cooney instantly drew me in with her book's gripping premise: Janie Johnson, your typical high school girl, spots her three-year-old self on a missing child alert on a milk carton during lunch. Suddenly, she's swept into a deep, psychological journey filled with doubt and fear about her own family. Could the parents she loves actually have kidnapped her? I was hooked by the exploration of identity and belonging, as Janie's turmoil—her fear, confusion, and anger—felt really real and relatable.
I found it impossible to put down because you're desperate to uncover the truth alongside Janie. Each revelation about her past tests her relationships and challenges her understanding of love and family. This novel is so unforgettable for me because it blends intense personal drama with the thrill of a mystery. It's not just a story about a potential kidnapping; it's a journey into what defines a family and…
In the vein of psychological thrillers like We Were Liars and One of Us Is Lying, bestselling and Edgar Award nominated author Caroline Cooney’s JANIE series seamlessly blends mystery and suspense with issues of family, friendship and love to offer an emotionally evocative thrill ride of a read.
No one ever really paid close attention to the faces of the missing children on the milk cartons. But as Janie Johnson glanced at the face of the ordinary little girl with her hair in tight pigtails, wearing a dress with a narrow white collar—a three-year-old who had been kidnapped twelve years…