Here are 100 books that American Estrangement fans have personally recommended if you like
American Estrangement.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am an academic in rebellion. I have interviewed hundreds of urban leaders and professionals in nine divided urban areas throughout the world. I have written much on this subject, replete with footnotes and sophisticated writing. I am weary of writing more about this important topic—how people do or do not get along in urban settings—from an academic distance. I find the scholarly posture sterilized and insufficiently provocative. I entered into the fictional genre in order to reach a broader audience. I think that fictional futurist writing has the unique ability to portray extraordinary new worlds while at the same time addressing fundamental issues that we face now.
What could be more fun than Gods getting involved in city planning? Spy story wrapped inside a grand and mysterious history of once-supreme Gods now dormant (or not). Memorable characters. Don’t mess with the giant grunt Sigrud. Divine power with 6 Gods (light bearer, judge, warrior, seed-sower, trickster, and builder). Imagine holding a committee meeting with this group. Magical portals that enable back-and-forth between current gritty and past majestic city. A thought-provoking conclusion that speaks to worldwide conflict in real life today.
'Robert Jackson Bennett deserves a huge audience' - Brent Weeks, New York Times bestselling author of The Black Prism
In the city of stairs, nothing is as it seems.
You've got to be careful when you're chasing a murderer through Bulikov, for the world is not as it should be in that city. When the gods were destroyed and all worship of them banned by the Polis, reality folded; now stairs lead to nowhere, alleyways have become portals to the past, and criminals disappear into thin air.
The murder of Dr Efrem Pangyui, the Polis diplomat researching the Continent's past,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I think there are two great mysteries in our lives: the mystery of the world and the mystery of how we live in it. The branches of literature that explore these conundrums magnificently are science fiction for the world and murder mysteries for how we live. So, it is no wonder that the subgenre that most excites me has to be the science fiction murder mystery, in which, as a reader, I get to explore a strange new world and find out how people live (and die!) in it. This is why I read and, it turns out, what I write.
In my view, a great murder mystery should have a lot of possibilities, and science fiction just adds deeper layers of intrigue, and this is what The City and The City has in spades – literal layers and intrigue.
Here, two cities exist in the same place, yet the citizens of each one must ignore the citizens of the other. It is a crime to notice the citizens of the other city. When a murder occurs and our detective investigates, he only has jurisdiction in one city.
But what really blew my mind about this book was that, though it is science fiction, there is no physical or scientific reason that the cities are separate and occupy the same place. The division is only in the minds of the inhabitants!
With shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, the multi-award winning The City & The City by China Mieville is a murder mystery taken to dazzling metaphysical and artistic heights.
'You can't talk about Mieville without using the word "brilliant".' - Ursula Le Guin, author of the Earthsea series.
When the body of a murdered woman is found in the extraordinary, decaying city of Beszel, somewhere at the edge of Europe, it looks like a routine case for Inspector Tyador Borlu of the Extreme Crime Squad. But as he probes, the evidence begins to point to…
I wear many hats: veteran, PTSD-survivor, gardener, national security and law enforcement worker, certified beer judge, gardener, husband, and father. These last two are the most important by far. So, for my list, I wanted to pick my top five reads that your dad absolutely won’t be able to put down if you were to gift him one of these for Father’s Day! There are all kinds of reading dads out there, from History Dads to Thriller Dads to Fantasy Dads. This list has wonderful, unput-downable, slightly under-the-radar books for all the reading dads you know!
I love books with lots of twists and turns, I love realistic, near-future science fiction, and I love books with a beating, emotional heart at the center of even the wildest and action-packed storyline.
This book is a twisty-turny, mind-bending look at time travel where the science actually makes sense but doesn’t take a back seat to the propulsive narrative. Blake Crouch is a master of the modern thriller with a tech-heavy edge, while keeping a truly beating heart at the center of each story.
NEW YORK TIMES BESTSELLER • From the bestselling author of Dark Matter and the Wayward Pines trilogy comes a relentless thriller about time, identity, and memory—his most mind-boggling, irresistible work to date, and the inspiration for Shondaland’s upcoming Netflix film.
“Gloriously twisting . . . a heady campfire tale of a novel.”—The New York Times Book Review
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Time • NPR • BookRiot
Reality is broken.
At first, it looks like a disease. An epidemic that spreads through no known means, driving its victims mad with memories of a life they…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
This castaway story, about a man trapped on a concrete island under and between converging freeways on the outskirts of London, still stands the test of time.
I found it especially resonant during the imposed isolation of the global pandemic; all of us each marooned in our living rooms. The protagonist, architect Robert Maitland, has to learn to survive and thrive in reduced and restricted circumstances, and he can’t buy or build his way out of it.
When he finally discovers a way off the island he no longer really wants to leave, reminding us that we are sometimes most effectively imprisoned by our own minds and desires.
On a day in April, just after three o'clock in the afternoon, Robert Maitland's car crashes over the concrete parapet of a high-speed highway onto the island below, where he is injured and, finally, trapped. What begins as an almost ludicrous predicament soon turns into horror as Maitland-a wickedly modern Robinson Crusoe-realizes that, despite evidence of other inhabitants, this doomed terrain has become a mirror of his own mind. Seeking the dark outer rim of the everyday, Ballard weaves private catastrophe into an intensely specular allegory in Concrete Island.
My father was transferred to Southern California from Charlotte, North Carolina when I was fourteen years old. I was excited and my friends were jealous. At that point, all I knew about California was the music of the Beach Boys and the Gidget television series. I thought everyone lived on the beach and knew movie stars. I didn’t know there were neighborhoods like Reseda and Anaheim and Fountain Valley, places where people live lives that have nothing to do with the glamour and celebrity of Hollywood. California has been my home for more than fifty years. I still find it fascinating and puzzling, and I still feel like an outsider.
D.J. Waldie elegantly captures the essence of the ordinary in this beautiful collection of essays. He has lived and worked in Lakewood, California his entire life and he doesn’t drive, which is remarkable in Southern California. Instead, he walks, he observes, and he writes about the kinds of Southern California neighborhoods that I know. I wish that I could describe the sky and the light as accurately and poetically as Waldie does. He has taught me to walk slower and pay attention. His stories of the history of Los Angeles are equally compelling. Waldie says he writes “about sacred and humanizing Los Angeles because I find myself there.” How fortunate for us all!
Best-selling author and beloved chronicler of Los Angeles D.J. Waldie reconsiders the city in a collection of contemporary essays.
Nobody sees Los Angeles with more eloquence than D. J. Waldie. – Susan Brenneman, Los Angeles Times Deputy Op-Ed Editor
Becoming Los Angeles, a new collection by the author of the acclaimed memoir Holy Land, blends history, memory, and critical analysis to illuminate how Angelenos have seen themselves and their city. Waldie’s particular concern is commonplace Los Angeles, whose rhythms of daily life are set against the gaudy backdrop of historical myth and Hollywood illusion. It’s through sacred ordinariness that Waldie…
I’m a BIG reader of mysteries and thrillers, but I hate it when you read a thriller and guess who did it on page 20, or it turns out it’s a character so obscure you could never have guessed it! But it’s easy to criticize! I’ve wanted to write a young adult thriller since I was young, and over the last few years, I found myself more able to try. For me, writing my book was like running a marathon…I wasn’t sure if I could do it, but now I’m really happy that I did!
Caroline B. Cooney instantly drew me in with her book's gripping premise: Janie Johnson, your typical high school girl, spots her three-year-old self on a missing child alert on a milk carton during lunch. Suddenly, she's swept into a deep, psychological journey filled with doubt and fear about her own family. Could the parents she loves actually have kidnapped her? I was hooked by the exploration of identity and belonging, as Janie's turmoil—her fear, confusion, and anger—felt really real and relatable.
I found it impossible to put down because you're desperate to uncover the truth alongside Janie. Each revelation about her past tests her relationships and challenges her understanding of love and family. This novel is so unforgettable for me because it blends intense personal drama with the thrill of a mystery. It's not just a story about a potential kidnapping; it's a journey into what defines a family and…
In the vein of psychological thrillers like We Were Liars and One of Us Is Lying, bestselling and Edgar Award nominated author Caroline Cooney’s JANIE series seamlessly blends mystery and suspense with issues of family, friendship and love to offer an emotionally evocative thrill ride of a read.
No one ever really paid close attention to the faces of the missing children on the milk cartons. But as Janie Johnson glanced at the face of the ordinary little girl with her hair in tight pigtails, wearing a dress with a narrow white collar—a three-year-old who had been kidnapped twelve years…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m an English writer based in Sheffield. I started reading dystopia when I was around 19 and in a very bad place mentally, it became an escape for me and I would read everything in the genre. It got to the point where I was writing in the notes on my phone (not very well, I might add). Somehow dystopia ignited my passion for writing and so I went to university to study it. Almost everything I wrote for both my undergrad degree and my master's was set in a future dystopian UK. It is where my passion still lies and I hope to create more futuristic worlds like those I have listed.
The prequel to this book had a big influence on me when writing my own book, as I wanted to explore how something so awful, like my trials and Terry’s slating process, could be introduced and the reasoning behind that. What I really love about Terry’s book is the science included. Slated explores wiping someone’s brain completely and giving them a blank slate. Her other books explore things like dark matter, think tanks (literally, the brains are in tanks), and global warming. Slated is where I started and is a series I read every year. While the subject matter is dark, it has become a comfort series, and Kyla a comfort character, for me.
The gripping first book of a rebellious trilogy about truth, power, and impossible choices, perfect for fans of Divergent and Legend.
Kyla’s memory has been erased, her personality wiped blank, her memories lost forever. She’s been slated. The government claims that she was a terrorist and they are giving her a second chance—if she plays by their rules. But scenes from the past haunt her as she tries to adjust to a new life, family, and school, leaving her unsettled. Who is she really? And if only criminals are meant to be slated, why are so many other teens disappearing?…
Am I an expert on transportation? No. But I’m fascinated by movement. Physical movement (how do bike gears actually work?) and metaphorical (how does life actually work?) I did enjoy a brief moment as the kind of unofficial bike traffic reporter when I was on CBC Radio here in Canada. I’d report on my 4 am commute to work. But as a writer and illustrator for kids, I know the freedom transportation represents. We all want to fly. In MINRS I write about spaceships. We all want to see the world. In The Fabulous Zed Watson! I write (with my kid Basil) about epic road trips.
One of my kid-lit heroes, and clearly a writer/illustrator who grew up (like me) with a love for the vehicles we saw in science fiction. He has Eva Nine and her pals (and enemies) flying around in ships that are clearly inspired by pod-racers, x-wing fighters, the Millennium Falcon, and Flash Gordon. (Then, as the series goes on, we even get airships!)
But the thing that anchors the series is the wonderfully drawn characters. Eva Nine is all of us as kids… eager to break away but also tied to the adults around us. That tension between knowing when to hold on and knowing when it’s time to say goodbye is what really kept me with her on her journey.
Eva Nine was raised by the robot Muthr. But when a marauder destroys the underground sanctuary she called home, twelve-year-old Eva is forced to flee aboveground. Eva Nine is searching for anyone else like her. She knows that other humans exist because of a very special item she treasures ~ a scrap of cardboard on which is depicted a young girl, an adult, and a robot along with the strange word "WondLa".
Tony DiTerlizzi honours traditional children's literature in this totally original space age adventure: one that is as complex as an alien planet, but as simple as a child's…
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
A short, powerful investigation of how we construct and succumb to the lies of gender. Chu explores our fears of desire and how we allow politics to corrupt identity, believing gender to be so constructed that it can only be given and not created. Female is a quality we all carry, whatever label we use. Chu forces the reader to look in the mirror with a question instead of a statement, always uncertain about who that person really is.
So begins Andrea Long Chu's genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.
Drawing inspiration from a forgotten play by Valerie Solanas-the woman who wrote the SCUM Manifesto and shot Andy Warhol-Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women and more a fatal existential…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I always felt that Middle Eastern studies is different from other fields of history. Its ever-presence in our life, the news cycle, religious life, political life, yet, because of language barriers and other filters, there’s a gap in knowledge that is highly conspicuous when forming one’s opinion. When I started my academic training, I felt like I was swimming in this ocean of histories that were completely unknown to me. I studied the Jewish histories of the region only later in my training and found that this gap is even more visible when talking about the history of Jews in the Middle East, because of misconceptions of antisemitism, the Israel-Palestine conflict, political tilt of media outlet, and more. For me, entering this field was a way to understand long-term processes in my own society, and expand the body of scholarship to enrich the public conversation on top of the academic one.
Iraq was home to about 150,000 Jews until 1948-1951. Baghdad was a very much Jewish city. Iraqi Jews were very assimilated, but there was very little known about the political and social history of Iraqi Jews beyond the Zionist story. While many of the Iraqi Jews did indeed view Zionism as a viable solution for them, overlooking Jewish involvement in Iraqi national and communist organizations misses several of the most fascinating transformations of any Jewish community in the world. In this book, Bashkin analyzed the social, cultural, and national participation of Iraqi Jews from within the perspective of Iraqi society. Interestingly, many of the patterns continued even after their migration to Israel.
Although Iraqi Jews saw themselves as Iraqi patriots, their community-which had existed in Iraq for more than 2,500 years-was displaced following the establishment of the state of Israel. New Babylonians chronicles the lives of these Jews, their urban Arab culture, and their hopes for a democratic nation-state. It studies their ideas about Judaism, Islam, secularism, modernity, and reform, focusing on Iraqi Jews who internalized narratives of Arab and Iraqi nationalisms and on those who turned to communism in the 1940s. As the book reveals, the ultimate displacement of this community was not the result of a perpetual persecution on the…
