Here are 100 books that L.A. Woman fans have personally recommended if you like
L.A. Woman.
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I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Inspired by his experiences as a reporter during the Spanish Civil War, Ernest Hemingway's For Whom the Bell Tolls tells the story of Robert Jordan, an American volunteer in the International Brigades fighting to defend the Spanish Republic against Franco. After being ordered to work with guerrilla fighters to destroy a bridge, Jordan finds himself falling in love with a young Spanish woman and clashing with the guerrilla leader over the risks of their mission.
One of the great novels of the twentieth century, For Whom the Bell Tolls was first published in 1940. It powerfully explores the brutality of…
Getting Dressed in the Dark
by
Gabriella D'Italia,
How do you know the truth after the story you most trust disappears?
Self-betrayal, polyamory, adultery, and an unconventional life in a one-room, rural Maine schoolhouse ends in a crisis mirroring the larger, societal polarization and collapse of meaning. Compass shattered, an artist's wisdom guides a course home, revealing a…
Like the characters in this list, I am a stranger living in Spain. Well, not quite a stranger! Although born and raised in Oxford, UK, I shared a childhood with my Spanish grandmother, who couldn’t speak English and was almost completely deaf! So, from an early age, I became her translator. Over two decades, I have communed, collaborated, and sometimes collided with all manner of people and places in this country, and my all-consuming love for this nation has led me to investigate its history. The books I recommend here address issues that affect ordinary people in extraordinary times and have brought me great joy. I hope they will for you too.
Written well after the event, this is a memoir of Orwell’s experiences right in the thick of the Spanish Civil War. What I liked most was the way I got a fulsome, heads-down immersion into the action. Orwell describes with harrowing detail the skirmishes across hostile territory, the injuries of battle, and the comradery, as well as the suffering where food was in short supply and guns did not always fire.
It is only at the end of the book that I had a chance to see all this activity in context, with fifty-three pages of appendices to explain the various factions involved. But you could skip that if you wanted in order to enjoy a record of on-the-ground reporting of the complex conflict that was the Spanish Civil war.
Homage to Catalonia remains one of the most famous accounts of the Spanish Civil War. With characteristic scrutiny, Orwell questions the actions and motives of all sides whilst retaining his firm beliefs in human courage and the need for radical social change.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Helen Graham, a leading historian on the Spanish Civil War.
My passion for historical fiction evolved late in my life. I was assigned to teach the second of the core courses required of all undergraduates at Holy Names University. Required materials: the Divine Comedy, the Canterbury Tales, Sundiata, Don Quixote, Othello, the Tale of Genji,Leonardo da Vinci, Islamic calligraphy, the music of Ravi Shankar… But everything was set in history–boring!–dates and places I could never remember, events that meant nothing to me. But my passion for genealogy and for oral history made me realize that everything had a story. This course was about people telling their stories. Now that I’m retired from teaching, I want to tell people’s stories–in their historical context.
Another slim tome, also a lesser-known work, this is the famous diarist’s how-to on writing fiction from the depths of the psyche. Nin places herself in the trajectory of the history of the novel and defends its elements that she has learned through her own diary, which resonated with me. The title of the first chapter, a quote from Jung, “Proceed from the Dream Outward,” sets the tone for what I can only call a justification of my choice of the fictional diary genre for my book. Nin does not use these terms exactly, but when she sets one genre against another, a composite genre might emerge: “The diary made me aware of organic and perpetual motion… [but] when you write a novel you are arresting motion….”
In The Novel of the Future, Anais Nin explores the act of creation-in film, art, and dance as well as literature-to chart a new direction for the young artist struggling against what she perceived as the sterility, formlessness, and spiritual bankruptcy afflicting much of mid-twentieth-century fiction. Nin offers, instead, an argument for and synthesis of the poetic novel and discusses her own efforts in this genre as well as its influence on the development of such writers as D. H. Lawrence, Henry Miller, Lawrence Durrell, Marguerite Young, and Djuna Barnes. In chapters devoted to the pursuit of the hidden self,…
Getting Dressed in the Dark
by
Gabriella D'Italia,
How do you know the truth after the story you most trust disappears?
Self-betrayal, polyamory, adultery, and an unconventional life in a one-room, rural Maine schoolhouse ends in a crisis mirroring the larger, societal polarization and collapse of meaning. Compass shattered, an artist's wisdom guides a course home, revealing a…
My passion for historical fiction evolved late in my life. I was assigned to teach the second of the core courses required of all undergraduates at Holy Names University. Required materials: the Divine Comedy, the Canterbury Tales, Sundiata, Don Quixote, Othello, the Tale of Genji,Leonardo da Vinci, Islamic calligraphy, the music of Ravi Shankar… But everything was set in history–boring!–dates and places I could never remember, events that meant nothing to me. But my passion for genealogy and for oral history made me realize that everything had a story. This course was about people telling their stories. Now that I’m retired from teaching, I want to tell people’s stories–in their historical context.
This is the most recently written book of my picks, and one with which I have much in common. I first came in contact with the author through her search for a relative on Geni.com, a website on which I serve as a volunteer curator, and it turned out that she and I are distant relatives! But it didn’t end there: Barbara and I have the same publisher (She Writes Press). The names of her main character (Kläre) and mine (Klara) are practically identical. She and I both cite a horrendous chant hurled by Nazi Brown Shirts, illustrating the terror our main characters experience. We have in our lives or in our stories a prominent priest. Each of us based our novels on the lives of real people and each of us dipped into stories kept long silent by our ancestors.
Winner of two INDIEFAB prizes: Gold for Literary Fiction and Bronze for Historical Fiction
Readers' Favorite Gold medal for Literary fiction
Spanning a century and three continents, Even in Darkness tells the story of Klare Kohler, whose early years as a beloved daughter of a prosperous German-Jewish family hardly anticipate the harrowing life she faces as an adult- a saga of family, lovers, two world wars, a concentration camp, and sacrifice. Based on a true story, Even in Darkness highlights Klare's reinvention as she faces the destruction of life as she knew it, and traces her path to survival, wisdom,…
It’s safe to say that I love LA. While my home town is often dismissed as being little more than a string of shopping malls strung together by freeways, to me, it’s a place like nowhere else in the world. In a city fueled by cinema, LA’s outsider magic is hard to capture, but I find it fascinating when novelists make the attempt. With my first novel, The Body Double, I take a surreal deep dive into the mystery and magic of this strange city—inspired, in no small part, by my five favorite books about Los Angeles. I hope you enjoy them as much as I have!
I’m a little biased with this one, because Eve was my neighbor growing up and something of a literary fairy godmother, but there are few writers who capture the spirit of Los Angeles with more fascination and ease. Her work is messy—delightfully so, like eavesdropping on that friend who always has the craziest stories to tell about her exploits, and her prose captures her inimitable personality. She notices things about Los Angeles that will make you fall in love with the city all over again, or book your first visit if you’re from out of town. Perfect for readers who want to feel a sense of intimacy with their books, or people like me who love listening in on gossip, the messier the better. Eve always delivers!
A legendary love letter to Los Angeles by the city's most charming daughter, complete with portraits of rock stars at Chateau Marmont, surfers in Santa Monica, prostitutes on sunset, and Eve's own beloved cat, Rosie.
Journalist, party girl, bookworm, artist, muse: by the time she’d hit thirty, Eve Babitz had played all of these roles. Immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha’s Five 1965 Girlfriends, Babitz’s first book showed her to be a razor-sharp writer with tales of her own. Eve’s Hollywood is an album of vivid snapshots of Southern California’s haute bohemians,…
Like many novelists – all the way back to F. Scott Fitzgerald -- writing for film and television has been my day job. The pay is obscenely good, and it leaves you time to write what you really love – fiction. Most writers in Hollywood have a love/hate relationship with the movie business – described by some wit as “a crapshoot masquerading as a business masquerading as an art form.” And the books I am recommending express this mixture of scorn and reverence with humor and compassion. In my book The Deal I am clearly biting the hand that fed me over the years – but why not? As that old humorist Albert Camus said, “There is no fate that cannot be surmounted by scorn.”
This poorly known novel by a television writer deserves more attention. It concerns a writer on a TV sitcom that is plagued by an impossible actress/star who makes everybody’s lives miserable by her egotistical behavior. The revenge that the writer, Jimmy Hoy, contrives for her is both funny and appropriate. There are laugh-out-loud moments in this book that will make you roar.
When the disarmingly charming and ruthlessly domineering Geneva Holloway lets her star temperament get out of hand, Jimmy Hoy, a writer for the "Geneva Holloway Show," joins with the show's other writers in plotting the perfect revenge
I have been writing books about film, theatre, and popular music since 1991 but my love of old movies goes back much further. Before VCRs, DVDs, and streaming, one could only catch these old films on television (often cut to allow for commercial time) or revival houses. Today even the more obscure movies from 1939 are attainable. Writing 1939: Hollywood's Greatest Year gave me the opportunity to revisit dozens of old favorites and to see the many also-rans of that remarkable year.
Ted Sennett is one of the most prolific and widely-read writers about Hollywood and this book on 1939 is one of his very best works. It is filled (one might even say, stuffed) with behind-the-scenes stories. The writing is sometimes critical and analytical rather than gushing as in some of Sennett's many coffee table books. He concentrates on only seventeen 1939 movies so one doesn't get a full picture of that amazing year of movies. It's good to see some lesser-known classics like Midnight and Angels Have Wings included in the seventeen.
I have been writing books about film, theatre, and popular music since 1991 but my love of old movies goes back much further. Before VCRs, DVDs, and streaming, one could only catch these old films on television (often cut to allow for commercial time) or revival houses. Today even the more obscure movies from 1939 are attainable. Writing 1939: Hollywood's Greatest Year gave me the opportunity to revisit dozens of old favorites and to see the many also-rans of that remarkable year.
It might seem presumptuous to call 50 films from 1939 "classics" but I agree with Vieira that these 50 movies deserve that distinction. This book is filled with all the pertinent information, fun facts, and great visuals. Movie stills, behind-the-scenes candid photos, portraits, and poster art make this a memorable volume to treasure. I particularly like the attention Vieira gives to the many outstanding movie directors working in 1939.
1939 was a watershed year. The Great Depression was barely over economics, politics, and culture braced for war. There was a lull before the storm and Hollywood, as if expecting to be judged by posterity, produced a portfolio of masterpieces. No year before or since has yielded so many beloved works of cinematic art: The Hunchback of Notre Dame, Gunga Din, Only Angels Have Wings, Destry Rides Again, Beau Geste, Wuthering Heights, The Wizard of Oz, Stagecoach, Ninotchka, Goodbye, Mr. Chips, Dark Victory, Mr. Smith Goes to Washington, The Women , and of course, Gone With the Wind . Majestic…
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other, and betwixt.
Andrew Hook is a European slipstream author proficient in the literary weird. He certainly does not disappoint in his new collection of Hollywood’s living dead. Candescent Bloomsrouses legends of the silver screen right there in your living room, and they are broken, unbroken, full of many secrets. And you know, you know—because history says so—that the actors and actresses are dead, yet living, right there on your page. Imbued with levity wrapped in anguish. Thimble-sized, you will not find a literary collection this superb in a long time.
Candescent Blooms is a collection of twelve short stories which form fictionalised biographies of mostly Golden Era Hollywood actors who suffered untimely deaths. From Olive Thomas in 1920 through to Grace Kelly in 1982, these pieces utilise facts, fiction, gossip, movies and unreliable memories to examine the life of each individual character set against a Hollywood background of hope and corruption, opportunity and reality.
I’m a writer married to a theologian. My husband and I often discuss Augustine and Aquinas, Austen and Tolstoy, Christie and Sayers, and trends in popular fiction—when we’re not discussing Frog and Toad, Elephant and Piggie, baby diapers, and what to make for dinner. Love stories have long been my favorite stories, and I’ve always enjoyed historical settings. My award-winning novel In Pieces, a 1793 Boston-set historical romance with elements of family drama, society drama, and political suspense, combines all these interests. I even managed to sneak in a diaper-changing scene.
Biblical allegory is hard to do well. Bible stories themselves have infinite depths, but their allegories are often didactic, especially when author parallels the original story too closely. Stephanie Landem’s In a Far-Off Landis anything butdidactic. Set in 1930s Hollywood, the novel is equal parts Prodigal Son retelling, romance, and murder mystery. By allowing the story to take on a life of its own, Landsem avoids the Sunday School vibe, and in the end, I understood the Prodigal Son archetypal characters better.
“Immersive, enchanting, and gripping, In A Far-Off Land is do-not-miss historical fiction.” —Patti Callahan, NYT Bestselling author of Becoming Mrs. Lewis
It’s 1931 in Hollywood, and Minerva Sinclaire is on the run for a murder she didn’t commit.
As the Great Depression hits the Midwest, Minerva Sinclaire runs away to Hollywood, determined to make it big and save the family farm. But beauty and moxie don’t pay the bills in Tinseltown, and she’s caught in a downward spiral of poverty, desperation, and compromise. Finally, she’s about to sign with a major studio and make up for it all. Instead, she…
