Books like Another Side of Paradise — picked by fans

This novel is a blend of fact and fiction and informed speculation, centered on the relationship between two mammoth film stars of Hollywood’s Golden Age: Loretta Young and Clark Gable. While the deeper truths of their relationship during the filming of Call of the Wild might be disputed, what is certain is that they produced a daughter whose identity was kept secret—even from her father. Loretta is sympathetically portrayed, often from the perspective of an Italian nun (the author’s creation). A whole galaxy of film celebrities passes through the pages of this book, which for fans of 20th century cinema, is a plus. One touching and poignant aspect of the story, for me, is the danger Loretta’s beloved child poses to her reputation and career.

A novel about Marlene Dietrich held a natural attraction for me, as Dietrich was one of Dolores del Río’s close friends in Hollywood. Gortner paints a vivid picture of decadence in pre-War Berlin, where Dietrich finds work in music halls. There, she meets Joseph von Sternberg, who casts her as the lead of The Blue Angel, the film that launches her career. As antisemitism grows in Germany, von Sternberg, who is Jewish, leaves for Hollywood, and Dietrich follows him. Paramount Pictures finds in her the answer to MGM’s sexy Swedish star, Greta Garbo, and casts her in one hit after the other. When Hitler approaches her to make propaganda films for the Nazis, Dietrich courageously rebuffs him, opting instead to become an American citizen and entertain Allied troops. 

This murder mystery novel is one that really stayed with me. It has a noir quality that fits the 1940s era, and a realistic depiction of the difficulties of employment at various levels in Hollywood. Suspicion falls on the protagonist when her roommate turns up dead on the set of a Barbara Stanwyck film, and through the course of the novel various scandals, mysteries, and cover-ups collide. Though the main character isn’t herself a star, far from it, she offers a particular perspective on the stars she knows and the industry as a whole. Stanwyck is one of Hollywood’s great talents and true survivors, as forceful on the page and as desperate to salvage her personal life as any of her movie characters.

I love Martin Turnbull’s writing. He truly knows how to conjure up Hollywood’s Golden Period. He’s gained popularity for his Garden on Sunset series, about the Garden of Allah apartment complex on Sunset Boulevard. However, he has begun to branch out with other series and also with standalone books. 

This book was his second standalone, about producer/boy wonder Irving Thalberg, and it is a remarkable achievement. The characters really hop off the page, including Thalberg, Marion Davies, Norma Shearer, and others. 

The best part for me was how Turnbull really brought Charles Laughton to life, making him incredibly human and letting us glimpse the tortured homosexual behind the portly actor. 

I am most excited to talk about this book since Cidney Swanson became one of my favorite authors. I’ll admit a lot of people don’t know who she is, but she’s a very sweet and talented author more people should know about.

Halley, our main character, ends up house-sitting for a well-to-do scientist. As she’s sitting for him in his fancy house, an earthquake hits and Halley is now face-to-face with an earl definitely not from this time period. The earl is confused to say the least, but Halley and her friends are now responsible for helping him get back to where he belongs. Turns out the scientist has secrets in his fancy house, and he’s not willing to share. When Halley and her friends find themselves involved in the scientist's mess, they are now trying to help the earl and save themselves. This book has danger, intrigue, and sweet… show more.

It might seem presumptuous to call 50 films from 1939 "classics" but I agree with Vieira that these 50 movies deserve that distinction. This book is filled with all the pertinent information, fun facts, and great visuals. Movie stills, behind-the-scenes candid photos, portraits, and poster art make this a memorable volume to treasure. I particularly like the attention Vieira gives to the many outstanding movie directors working in 1939.

Andrew Hook is a European slipstream author proficient in the literary weird. He certainly does not disappoint in his new collection of Hollywood’s living dead. Candescent Blooms rouses legends of the silver screen right there in your living room, and they are broken, unbroken, full of many secrets. And you know, you know—because history says so—that the actors and actresses are dead, yet living, right there on your page. Imbued with levity wrapped in anguish. Thimble-sized, you will not find a literary collection this superb in a long time.   

This book opens with an absolutely breathtaking passage, one of my favorite openings in any book ever. One imagines Niven narrating his memoir poolside, gripping a cigarette and a martini in the same fist, his pince-nez mustache dancing up and down while he describes, in sordid detail, old-school Hollywood at its most louche. If you want a book that brings alive the atmosphere of a bygone era, this is it.

This poorly known novel by a television writer deserves more attention. It concerns a writer on a TV sitcom that is plagued by an impossible actress/star who makes everybody’s lives miserable by her egotistical behavior. The revenge that the writer, Jimmy Hoy, contrives for her is both funny and appropriate. There are laugh-out-loud moments in this book that will make you roar.

The dutiful daughter of one studio mogul and devoted wife of another, Irene Selznick was Hollywood royalty throughout the 1920s to 40s, the Golden Age of American cinema. Her father, the tyrannical Louis B. Mayer, steered MGM, Hollywood’s most successful studio, discovered Greta Garbo and victimized Judy Garland. Her husband, David O. Selznick made the first A Star Is Born and Gone with the Wind before self-destructing from drugs and megalomania. Irene escaped the shadow of overpowering men to become the respected Broadway producer of A Streetcar Named Desire, a woman to be reckoned with and—in this powerful memoir—a first-class storyteller.