70 Books Like L.A. Outlaws

How can I not include an Elmore Leonard title in a list of favorite novels about murder and matters of the heart?

Of course, no compliment by me of Mr. Leonard will be anywhere in the vicinity of new, but I will add to the heap of praise of the man that in this particular novel of his, the snappiness of the dialogue, the overall wit, and the surprising nature of the twists and turns will always strike me as ideals to strive for as I write my own noir.

After all, writers can dream, can’t they?

I’ve been a fan of Sandford’s detective Lucas Davenport for a long time. He’s wicked smart, with a dark side that loves to come out and play occasionally. The way he orchestrates his use of the news media, and the department is uncommon. But the bureaucratic nonsense is starting to wear thin. And it’s getting in the way of Davenport’s passion for catching killers. When a friend of his daughter runs into trouble, he reluctantly jumps into the case, even though it takes him out of Minnesota and into the wilderness of Wisconsin and Michigan.

Davenport is the ultimate badass. He does whatever it takes to bring a case to closure and for justice to be served.

I’ve always enjoyed mysteries, especially police procedural stories. Harry Bosch is the kind of detective that you want to root for. During his lengthy career, Bosch followed the motto that ‘everybody counts or nobody counts.’ That approach speaks volumes to me, especially when writing my own stories.

Investigating a cold case homicide requires turning over all the evidence, digging into the interviews, and developing new theories and suspects. This is dramatically different from a ‘fresh’ case, where there can be pressure from multiple directions to find the guilty party and bring them to justice quickly.

I like Connelly’s style and have read every one of his books that I can get my hands on. Bosch ruffles feathers, but gets it done!

When it comes to private detectives, Elvis Cole is my favorite. He’s got the combination of wit, intelligence, and experience that others strive for but often fall short. Pair him with Joe Pike and you’ve got an unbeatable combination.  

I really enjoy how Pike is more inclined to let his actions do the talking, while Cole is the voice telling the tale. This latest book includes the return of Lucy, Cole’s longtime lady friend, who helps smooth out his rough edges.

Crais paints a great landscape, where Elvis and Joe run through the Los Angeles area. This is a great example of how what looks like a simple case can easily be far more complicated. 

I absolutely loved this book. One of the most beautiful stories I’ve ever read, it’s heartfelt and hilarious. After running his own bookshop in Seattle, Andrew Bloomfield moves to Hollywood to become a screenwriter and discovers a colony of feral cats living in his backyard. He was not a cat person. After witnessing one too many raccoon and coyote attacks and hungry, crying kittens, he and his two female housemates intervene and start caring for these wild yet vulnerable cats who transform his life. With his sharp wit and keen eye for detail, Bloomfield is a brilliant storyteller. I got completely caught up in the soap-opera dramas and death-defying moments of these cats, along with the heartaches and triumphs of rescuing them.

Elroy wrote many other books before he took on this epic noir crime novel (one in a quartet). He made his bones in writing, and it's evident in his skill level, story, and prose. Elroy excels in this novel (and the other three) in voice. And voice is the Big Kahuna in writing, it’s the everything in writing and Elroy has it in spades.

Another great addition to the above is the length (because you don’t want this book to ever end) and that it’s a historical novel that absolutely captures the time period and adds the historical nuance to all the characters.

A film noir in book form, Davis’ astute, visceral, and impassioned chronicle of Los Angeles at the turn of the millennium offers a dystopian view of future urban society.

I was recommended this book by my secondary school geography teacher shortly before starting university. Although my teacher did not know it, I had been questioning whether I’d made the right choice in choosing Geography for my degree, but this book captivated me like no other and assuaged my academic concerns. 

Los Angeles is a world-famous city that means very different things to different people. Davis shows how Los Angeles is simultaneously a utopia and a dystopia, a place of gated communities and private police forces, where libraries look like fortresses and prisons, on the outside at least, resemble futuristic hotels.

Over three decades after the first edition’s publication, this book remains essential reading for anyone seeking a sobering peek into… show more.

I first read this book as a teenager and missed the full force of its ferocious satire. Re-reading it years later, I laughed out loud. Waugh’s genius is to set his story of a love triangle in a Los Angeles funeral home. This way, he gets to poke fun at Hollywood and the American funeral industry while giving the dead a prominent role in the drama.

When, for example, embalmer Mr. Joyboy starts wooing young cosmetician Aimée Thanatogenos, he does it through the expressions he puts on the faces of the corpses he sends to her makeup studio. When Aimée falls for his rival, a poet and pet mortician, the beatific smiles of Mr. Joyboy’s death turn into ghastly grimaces. It’s one of my favorite moments in the book—but there are many more.

This list wouldn’t be complete if I didn’t add a superhero comic. But instead of Spiderman or Captain America, I want to introduce you to Runaways. A middle-grade graphic novel comic series about six Los Angeles teenagers who join together after discovering that their supervillain parents are planning on destroying the world. What could be more fun than a bunch of random teenagers banding together to try and save the world while trying to grapple with their place in it? Dinosaurs, aliens, mutant powers, grocery shopping, crushes, and turning eighteen, it’s a lot to handle and is certainly very fun to read – even for a someone who doesn’t like reading. Plus, if a reader makes it to the end, they’re rewarded with unforeseen plot twists. 

Great writing on cities is rarer than it should be. The late Mike Davis, using Los Angeles as his muse, showed me—and so many others—new ways of thinking about cities through his vividly and passionately argued prose. Weaving together strands of architecture, urban history, social justice, and ecology, Davis has inspired me like no other author to examine cities critically, from unexpected perspectives and with a fierce point of view. Underlying his outrage at the injustices of the unravelling metropolis is a mordant sense of humor—making him an unbeatable guide as we all ride shotgun through desperate times.