100 Books Like Kiss Me, Deadly

This book simply knocked me out when I first read it, mostly because the characters were so gripping and vivid.

Philip Marlowe was the quintessential hard-boiled private eye working to find justice in a rotten world—a sort of modern-day Don Quixote. I was also enthralled by Chandler’s depiction of a morally bankrupt Los Angeles, full of shysters, criminals, and false messiahs.

I admired the dogged hero’s determination to—despite numerous temptations not to—get at the truth of the matter. Ironically, when justice is served, no one is better off for it.

Ross MacDonald is one of the classic detective series that features a damaged leading character who finds more trouble than he knows. Many people have told us our writing style is similar to his. If you want to read classic noir, read this book. His books are hidden gems that beg to be discovered.

Socialite Nora Charles helps guide her husband to discovering the truth about the eponymous “thin man” via artful suggestions, one-liner putdowns, and plenty of cocktails, and that’s why I love this book. Although Nick Charles is the main detective in this 1934 romp by Dashiell Hammett, Nora is instrumental in helping him make decisions of all sorts. The biting dialogue elevates this book above the genre norms of the time.

Nora’s comment on an impending Christmas gift from her husband:

“Whatever you’re giving me,” she said, “I hope I don’t like it.”

This one single novel sparked all those great movies with William Powell and Myrna Loy, in which Nora shines ever more brightly. The novel was a comedy of manners but, sadly, was also Hammett’s last.

Not a detective story, but one that will get your heart racing and blood boiling. Set in New York City a rich family hires a babysitter who goes off the deep end. Women authors give a different point of view to crime stories and this one is proof of that.

I’m a huge fan of realism in fiction, particularly in character-driven tales of the dark side. This book reads like a modern-day chronicle of Earth—gritty realism, cynical truth—only set on the ghetto planet of Lagarto. Is it sci-fi or hardboiled crime noir? Who cares? It is a great read.

The derelict Kop lives and breathes among the pages, vacillating between blind brutality and a deep desire to make a difference. Kop shoulders its way through the crowd of sci-fi neo-noir pretenders. Read it; it’s worth the ride.

Torn between the Hardy Boys novels and Mickey Spillane’s Mike Hammer mysteries, I’ve reluctantly gone with the Hardy Boys.

Both authors (although there were many pseudonymous writers of the Hardy Boys series) taught a fledging writer invaluable lessons about keeping the story moving forward while leaving the reader hanging from the edge of a cliff at the end of each chapter.

What I adored about Joe and Frank Hardy was the freedom they had as teenagers. They never seemed to have to go to high school, they drove their own car, they were never short of money, and they solved mysteries that their detective father never could.

My kind of guys!

It would be obscene to read this on a Kindle. This early Dashiell Hammett novel has to be read in paperback, the older a copy you can find, the better.

It has everything a great pulp novel should have; murder, crooked cops, gangs, and a rumpled too-honest-for-his-own-good hero. What I love about this book is how Hammett uses his own experience working for the Pinkerton Detective Agency (who were basically hired thugs) and a real historical event (a labor dispute in Montana that resulted in several deaths) to weave a solid crime novel.

What, more Hammett? Sure. My apologies to those expecting Raymond Chandler, but it’s hard to beat the master. Even in this sometimes almost incoherent thrill ride through the occult, drugs, the misdeeds of the rich, and amoral 1920s America. It ain’t called the Roaring 20s for nothing. This is the second in the Continental Op series and maybe Hammett’s most ambitious PI work, which follows a sharp-witted insurance investigator in Hammett’s trademark snappy prose. Sam Spade-like? Uh, no. The Op is short, fat, forty, and nameless, very far from a tough guy. He gets beaten up all the time in this, I admit it, quite convoluted novel. Fortunately for the mystery-challenged, the backstory is presented at the end of each of three parts, along with the Op’s wry takes on the case.

Is Curse a satire? A literary work? Some kind of skewed horror story? Yes to all the above.

Cynicism and fatalism drank heavily together in the hardboiled genre of the private detective novel, but no more so than in this mid-40s book. 

I think they even take refuge in the novel’s title: Build My Gallows High. It tells the embittered tale of Red Bailey, a guy in hiding from private detective work after being exploited by a powerful client and betrayed by the beautiful and manipulative woman Bailey loved. 

Bailey would never go back to those days—until he would. His ex-client finds him and blackmails him into searching for that woman, who was also once that powerful man’s lover.  

I love the way each of the three of them harbor conflicting ideas of how this story will end. That’s perfect—the book’s conflict and bile inspired the creation of what has long been one of the darkest and most celebrated of films noir, Out of the Past.

When it comes to private detectives, Elvis Cole is my favorite. He’s got the combination of wit, intelligence, and experience that others strive for but often fall short. Pair him with Joe Pike and you’ve got an unbeatable combination.  

I really enjoy how Pike is more inclined to let his actions do the talking, while Cole is the voice telling the tale. This latest book includes the return of Lucy, Cole’s longtime lady friend, who helps smooth out his rough edges.

Crais paints a great landscape, where Elvis and Joe run through the Los Angeles area. This is a great example of how what looks like a simple case can easily be far more complicated.