Here are 100 books that Farewell, My Lovely fans have personally recommended if you like
Farewell, My Lovely.
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I have always loved stories, and I love the clash of ideas – political and philosophical, religious and atheistic. And if you can put them together in a novel, so much the better. But I insist that it has to be a real story, with real characters, not ciphers. They must be inconsistent, their ideas half-formed and subject to change. And they must be allowed to put their point of view with their own voice, so I’m never entirely sure what the author thinks. The characters have to be people I can care about, people I can love or hate, people whose fate can cause me anxiety, sorrow, or joy.
I loved the way Dostoevsky took me deep inside the head of a murderer and showed how his crime almost destroyed him long before he was caught.
Though I found the killings shocking and appalling, I couldn’t help but sympathise with the killer as he fell apart. I later read that many of the characters represented currents of thought that were influential in Dostoyevsky’s day. Much of that went above my head, but that was okay because the characters were well-drawn and came across as real people, not ciphers.
One thing that shocked me was the crushing nature of the poverty that so many supposedly upper-class characters faced, and how low they had to stoop to survive it.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
As shocking as I felt Kubrick’s film was, I think the book is possibly more startling. Some scenes Kubrick played for laughs are described as violent and sadistic in the novel. If, like me, you are a fan of the film, it’ll fill in some blanks for you. Ever wonder why Alex and his friends drink milk?
The book is written in futuristic teen-speak that did take me a while to get my head around, but this ultimately adds to the strangeness of the insular world these ‘droogs’ inhabit. Though it was first published in 1962, I think this is still a very relevant and unflinching look at the place of violence in society.
In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."
I‘ve been thinking about the forces that drive humanity together and pull us apart at the same time since my late teens; back then, I started reading the classical dystopian tales. The (perceived) end of time always speaks to me, because I think it‘s in those moments of existential dread that we learn who we really are. That‘s why I like reading (and reviewing) books, and also why those topics are an undertone in my own writings. I do hope you enjoy these 5 books as much as I have.
This was probably one of the most intense experiences with non-linear storytelling I ever had, and that did something to me I could not have predicted.
In fact, while reading this book, I started to turn the story into something of a philosophical discourse in my head.
I really like how this book is at the same time utterly insane in parts—and I do say that with the greatest respect, it‘s the good kind of insane—while at the same time, it explores themes of dealing with earth-shattering events on a very individual level.
For me, the icing on the cake is that Kurt Vonnegut manages to even mix in a little history lesson there, because that bombing of the prisoners in Dresden? That did happen. And I didn‘t even learn about it in school—I learned it from this novel!
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what…
San Diego Private Investigator, Brig Ellis, is hired by a wealthy industrialist to help him acquire the final horse in a set of twelve palomino miniatures that once belonged to the last Emperor of China. What begins as a seemingly reasonable assignment quickly morphs into something much more malevolent.
I write thrillers full-time these days, but for many years, I was a writer and editor at publications that take reporting and fact-checking seriously. I still strive for accuracy in my novels—which always involve violence. As a Brazilian Jiu Jitsu black belt, the mechanics and psychology of close-quarters combat are things I think about daily. This is not to say that you need to rob banks to write a heist scene. And while technical knowledge is helpful, there’s no substitute for close noticing of what happens to our bodies and minds in extreme situations. Here are some books (and one screenplay) which do that incredibly well.
This book taught me that good writers describe the effects of violence, but great writers leave things to the imagination. Early in the novel, retired spymaster George Smiley is summoned to the scene of a murder. The corpse, lying facedown on Hampstead Heath, is one of Smiley’s former spies—shot in the face at very close range. But Le Carré, whose descriptive chops are second to none, never shows us the wound, relying instead on dialogue and reactions to convey the horror.
The constable who rolls the body over instantly throws up. And then there’s this chilling question from a police superintendent: “Did he have a moustache at all, sir? My sergeant fancied a trace of white whisker on the upper jaw.” Less is always more when describing you’re the unspeakable.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; Our Kind of Traitor; and The Night Manager, now a television series starring Tom Hiddleston.
Tell Max that it concerns the Sandman...
A very junior agent answers Vladimir's call, but it could have been the Chief of the Circus himself. No one at the British Secret Service considers the old spy to be anything except a senile has-been who can't give up the game-until he's shot in the face at point-blank range. Although George Smiley (code name: Max) is officially retired, he's summoned to identify the body now…
I write what I call civic noir, crime fiction where the real antagonist isn’t a person but an institution: a courthouse, a precinct, a city hall that already knows how the story ends. I’m drawn to these books because the most frightening thing in them is never the gun; it’s the machinery, the procedure, the quiet way a system decides who’s guilty before anyone enters a courtroom. As a writer, I’m less interested in the villain than in the architecture that produces him. These five novels taught me how to make a building feel dangerous, and how to keep ordinary people from disappearing into the gears.
He’s a man doing everything right: a marriage, kids, an honest garage, while the world keeps tightening the screws until the only door left open is the wrong one.
What I love is that the antagonist is never a person. It’s the arithmetic of being poor and Black in a place that priced you out before you were born. It reads like a heist and lands like a tragedy, a propulsive, engine-roaring thriller that’s secretly an indictment of the whole system.
*GUARDIAN BEST CRIME AND THRILLERS OF 2020* *LA TIMES BOOK PRIZE WINNER 2020*
'BLACKTOP WASTELAND may be the book of the year.' MICHAEL CONNELLY 'Sensationally good' LEE CHILD 'I loved BLACKTOP WASTELAND' STEPHEN KING 'Stunning. Can't remember the last time I read such a powerful crime novel' MARK BILLINGHAM
"Bug" Montage: honest mechanic, loving family man. He's no longer the criminal he was - the sharpest wheelman east of the Mississippi.
But when his respectable life crumbles, a shady associate comes calling with a one-time job promising a huge payout. Inexorably drawn to the driver's seat - and haunted by…
I’ve always loved mysteries and the detectives that solved them. Sherlock Holmes and Hercule Poirot were heroes to me, but as I grew older and the world grew more complex, I started reading novels where it was not so easy to separate the good guys from the bad. The world was not black and white anymore, and justice was not so simple. Characters who had to work around the law or took matters into their own hands to earn justice became my new heroes. Phillip Marlowe and Sam Spade, while not saints themselves, did whatever they had to in order to serve justice, and I admired them for it.
I was amazed at the subtle way this horror story unfolded and how the evil presence slowly began to reveal itself. It draws you in completely.
When the hunters become the hunted and justice is brought by those who were wronged, it is one of the most satisfying aspects of this book. The masterful way Mr. Graham interwove elements of Native American culture and the power of Nature was beautiful, even in its most horrifying aspects.
The final sequences are truly breathtaking, and the final justice is more than gratifying.
"Thrilling, literate, scary, immersive." -Stephen King
The Stoker, Mark Twain American Voice in Literature, Bradbury, Locus and Alex Award-winning, NYT-bestselling gothic horror about cultural identity, the price of tradition and revenge for fans of Adam Nevill's The Ritual.
Ricky, Gabe, Lewis and Cassidy are men bound to their heritage, bound by society, and trapped in the endless expanses of the landscape. Now, ten years after a fateful elk hunt, which remains a closely guarded secret between them, these men - and their children - must face a ferocious spirit that is coming for them, one at a time. A spirit…
Pete West, a political columnist, travels to Prague to find a missing diplomat, later found murdered. He attempts to discover more about a cryptic note received from the diplomat and is immediately entangled in the secret Bilderberg Club’s strategy to form a world federation.
I lived vicariously through Nancy Drew when I was young. I was naturally observant and curious, and my mom was known to tail a car through our neighborhood if she thought the driver looked suspicious. So, it’s not surprising that I developed a love for all things thrilling. While working in the oil and gas industry for fifteen years, I spent some time focused on a foreign deal that served as inspiration for my first novel. I worked with people seeking power; negotiations bordered on nefarious; the workplace became toxic. If you ever ponder the moral implications behind the pursuit of power, you’ll enjoy the books on this list!
I tell everyone I know that if they want a book with incredible character development, read The Girl with a Dragon Tattoo.
This book is highly atmospheric. You can feel the biting cold, the fear, the pain. It also has characters with questionable ethics. It made me question how I feel about vengeance and retribution. Some of the content is very dark, yet it doesn’t feel sensationalized.
This is also a thriller with hints of a happy ending—at least, for some people—while also leaving some things uncertain or unresolved. I prefer a thriller to leave me hanging a little . . .
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
I guess my real interest in writing about the good and bad in crime and politics and the good and bad characters involved started with my first job as a junior in a local newspaper. The 60s was a time of great change. I was in the right place at the right time and got involved in reporting local government politics. I graduated later to cover Britain’s role within the EU in Brussels. I was fascinated, not so much by the politics but by the politicians and fellow news reporters involved. They inspired the creation of my fictional character, Pete West, a hardboiled political columnist.
Read as a teenager, this book hooked me into mystery thrillers. It has everything from murder to political intrigue to a spy ring.
The book is a chase thriller with twists, turns, and surprises. Written in 1930, the work had the feel of a ‘boy's own’ adventure story with a man on the run hunting German spies and clues leading to the 39 steps and victory.
Richard Hannay has just returned to England after years in South Africa and is thoroughly bored with his life in London. But then a murder is committed in his flat, just days after a chance encounter with an American who had told him about an assassination plot which could have dire international consequences. An obvious suspect for the police and an easy target for the killers, Hannay goes on the run in his native Scotland where he will need all his courage and ingenuity to stay one step ahead of his pursuers.
I grew up watching old Bogart movies on TV with my father. From Phillip Marlowe to Sam Spade, I was taken with the life of the P. I. Once I was old enough to read and enjoy the irony as well as the sex and violence in Mickey Spillane’s Mike Hammer tales, I’d pull the detective novels from under my old man’s bed and spend time with all the lowlifes. Guess I’ve never grown out of my love for noir. That’s why I started writing P. I. novels as well as reading them. I hope they bring as much entertainment to others as those old-school sagas brought to me.
I was pulled in by the concept of the birth of a private eye.
Easy Rollins, a guy with no background in law enforcement, a day laborer, accepts money to find a missing woman, and a shamus is born. Did I mention that Easy is black, and has to deal with all the prejudices and difficulties that entails?
In addition to being a great whodunit of who and why, it’s a cool trip riding along with Easy on his maiden voyage into gumshoe land.
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I’ve always loved mysteries and the detectives that solved them. Sherlock Holmes and Hercule Poirot were heroes to me, but as I grew older and the world grew more complex, I started reading novels where it was not so easy to separate the good guys from the bad. The world was not black and white anymore, and justice was not so simple. Characters who had to work around the law or took matters into their own hands to earn justice became my new heroes. Phillip Marlowe and Sam Spade, while not saints themselves, did whatever they had to in order to serve justice, and I admired them for it.
I loved the way Scott Turow navigates the law and the courtroom in his fiction, and this novel especially.
Not only is this story a breathtaking page turner, it pins down the fine points of the law and behavioral nuances of the people who practice it.
This was one of the books that kept you up all night and then you found yourself wanting to read again—to find the trail of breadcrumbs you missed the first time through. Justice is served, just not as expected.
Rusty Sabich is a prosecuting lawyer in Chicago who enters a nightmare world when Carolyn, a beautiful attorney with whom he has been having an affair, is found raped and strangled. He stands accused of the crime.
This 'insider' book by a Chicago lawyer was one of the great novels of the 1980s, selling more than nine million copies, and was made into a famous film starring Harrison Ford. It's a supremely suspenseful and compelling courtroom drama about ambition, weakness, hypocrisy and American justice.
