Books like Kingdoms of the Wall

I am not frightened by Cthulhu, the tentacled monsters waiting in the depths of outer space or the ocean. I am mesmerized by them. Lovecraft, often labeled a horror writer, is one of the greatest literary fantasists. His imagination is boundless, and he is as adept at describing strange new environments as he is at evoking a sense of cosmic dread.

This classic novel combines Lovecraft’s signature monsters with an incredible dreamlike atmosphere that grips you and does not let you go. When you stand at the summit of the Mountains of Madness and glimpse what lies on the other side, you are torn between fear and fascination. For me, at least, fascination always wins.   

I love ghost stories. But I am rather tired of old houses with creaky furniture. The strangest and most dangerous monsters lurk in the wilderness, in the remote and inaccessible corners of the natural world. And what is more remote and inaccessible than Kanchenjunga, the third-highest mountain in the world, located on the border between Nepal and India?

I have always admired those mountain climbers of the past who, with inadequate equipment and minimal knowledge, braved the unknown dangers of the heights. Paver’s beautifully written novel is a historical mystery and a ghost story at one, whose final twist is as vertiginous as the pinnacle of the sacred mountain. 

I love cats and mountains. Both are unrequited loves. I am allergic to cats and have a mild fear of heights. But this is precisely the reason why I am fascinated by informed descriptions of mountaineering in books, especially if the climb leads the reader toward something strange and otherworldly.

Climbing the famous El Cap in Yosemite is a challenge even for experienced mountaineers. But it becomes doubly so when you encounter a ghostly apparition while suspended in a fragile cradle thousands of feet above the ground.

This novel, by turns thrilling, touching, and frightening, satisfied both my love for fantasy and my desire to know more about the actual experience of mountain climbing.   

I sometimes imagine what it would be like to wake up on top of a snowbound mountain, knowing you are alone–and then to hear footsteps outside…It is safe to imagine, of course, because I am NOT alone in a chalet in the Swiss Alps but in my own home, surrounded by my family. However, for a character in this stunning European novel, this is how it all starts.

And then, as you follow the incredible twists and turns of the plot and try to puzzle out the relationships among the characters, you realize that nothing is as it seems. The novel perfectly captures the brooding atmosphere of the Swiss Alps, which I visited as a tourist, although I did not end up in the abandoned valley haunted by echoes. I am glad I did not–but thrilled to read about the characters who did.

I’ve been drawn to the mountains since I was a child and reading this book helped hugely in explaining my fascination with this terrain.

It details how man was initially fearful of the mountains and how that situation changed from the 17th century on, and looks at early attempts to explore and understand these highlands, with a particular focus on mountaineering. It’s beautifully written and very engaging.

Probably the funniest and most inventive climbing expedition book ever written, loved by climbers who appreciate its satire, spoof, mickey-taking pastiche of Serious Mountaineering Expedition Books. It is Chris Bonnington turned Wodehouse, Jon Krakauer rendered by Spike Milligan. Its knowing self-mockery of all the tropes and self-important delusions of Climbing is sharp and accurate enough to raise it high above whimsy. Wildly creative, it is impossible to read without snorting in one’s sleeping bag. It is the comic, ridiculous side of the great pursuit of Getting Higher.

I first read this among my father’s books as a child. I believe he had met Smythe in London in the early 30, thus his signed copy of The Valley of Flowers. This is the quintessential book of that era of passionate amateur climbing and exploration, the age of Shipton and Tilman, of highly knowledgeable and deeply eccentric personalities. The writing is lyrical, just this side of purple, earthed by Smythe’s passion for botany, photography, and close observation. In the true sense of amateur, Kanchenjunga is a great adventure expedition in a time that will not come again. This is the book that prompted me to accept an invitation to climb with an expedition on a serious Himalayan mountain with real mountaineers, despite my lack of experience and hardwired dislike of heights. It changed my life. I like to think Smythe would have approved.

Once upon a time, the gorgeous covers of the Mercy Thompson series caught my eye and tempted me to taste urban fantasy. The stories turned me into an insatiable glutton. Night Broken is the eighth book in the series, and the way it handles a relationship under stress from a manipulative ex who plays the victim is chef’s kiss perfection. No silly miscommunication tropes here, thank you very much. It’s a solid story about two shifters who are confident enough in their relationship and themselves to deal not only with ex and pack drama, but also a terrifying magical foe. Talk about relationship goals. 

This is fantasy right up to date: for 8 to 12-year-olds, it was published in 2021. Its castle setting immediately defines it as fantasy: "Beyond the castle’s moat, the deep, dark forest was shot through with trails of sunlight, tracing golden paths of possibility…. The dark-haired girl… sat, bare feet dangling against stone, on the windowsill of her tower bedroom." It’s a vivid picture, instantly engaging us in a world where family is very important. The heroine, Cordelia, is one of three triplets. Their task is to use their magical powers to find and mend the Raven Crown so that the parched land beyond the forest can be healed of the fighting that rampages across it, and people and the natural world live in peace—themes I feel very much in sympathy with.

This is one of my all-time favorites because of the banter and the fierce independence of the female lead.

I love how Suzanne Wright balances the primal, "feral" instincts of the wolves with sharp, witty dialogue that made me laugh out loud. For me, the chemistry between Taryn and Trey is the gold standard for werewolf romance.

I found the pack politics fascinating, but it was the undeniable heat and the "us against the world" mentality that truly captured my heart.