Books like Kick Back — picked by fans

My mother had every one of Georgette Heyer’s regency novels, and I inherited them. They are witty, romantic, and satisfying. When I feel sad I dive beneath their covers and lose myself in them. I also remember my mum. The Grand Sophy was her favourite, it is the story of an extraordinary young woman who has a gift for sorting out other people’s problems – whether they want her to or not!

To be honest, I could have completed this list with just Mary Stewart titles alone!

No one does lush, atmospheric suspense like she does. I discovered her books as a lonely teenager dreaming of escape, and her rich, immersive writing has inspired me not only to follow in her footsteps as an author but also to travel on “book pilgrimages” to find the settings of her wonderful stories.

And I don’t just mean ticking off a tourist spot with an Instagram selfie—I mean hours building an itinerary with guidebooks, Google Maps, and her novels to find the exact beach in southern Crete or the exact village in Provence that her heroines visited. 

What I love the most is the settings woven into the plot, so that the stories couldn’t have happened anywhere else, and so vivid that they are a character in their own right. In The Moonspinners, for… show more.

Through Covid I revisited childhood favourites, and found I still loved this series. Cathy has grown up in a Birmingham orphanage, and the only clues to her identity are a locket with a portrait of a Highland lady and a torn luggage label. She escapes north, where she meets Ian and Sovra. They spend their time messing about in their boat on the loch or camping in a remote bothy. Their determination to help Cathy gets them all into trouble, but it’s Cathy’s own character that gives her the chance of a happy ending.

This one’s my go-to fantasy world when I feel middle-aged. Bett runs a mysterious team whose skills include hacking, guns, gadgets, and flying helicopters. When scientist Ross Fleming disappears from his arms research job, Bett calls in the person he knows will do anything to save Ross: his mother, bored housewife Jane Fleming who dreams of adventure. Leaving a trail of broken laws behind her, she gets herself illegally into France to join Bett, where her dreams start coming true: a sports car, a transmitter disguised as an earring, a casino, and a gun she now knows how to fire... and it’s all narrated with Brookmyre’s trademark humour.

Set in Manchester, Ray Banks’s gift to us is a razor-sharp contemporary Private Investigator series, a relative rarity within the UK crime writing scene. His surly PI, Cal Innes, may be battered and bruised, but his big heart continues to beat. Finding himself in the centre of a racist uprising in the city, it’s a place that needs a hero and he’s going to be the man who rises to the occasion. Using the classic PI template created by the great US writers, it showed me that I could also adapt the format and apply it to my own writing and PI, Joe Geraghty.

Fictional lady detectives are sexy and fascinating, we can all agree. But what about real life? That’s the question asked and answered in this non-fiction book by brilliant crime writer Val McDermid, who lavishes her attention and experience over nearly 300 interview-packed pages to explore all the ways in which private investigation is – thank you – a very suitable job for a woman indeed. “Smart, strong and sure of themselves, they walk the mean streets to their own beat,” Val concludes. When I think of my friends who, like me, are real-life women PIs, I have to say Val McDermid has done her detective work – because that sounds exactly right.

The strengths of Wentworth’s books lie in the portrayal of the era, and in the characters who are forced to find their way through unfamiliar and difficult circumstances. They are not all wealthy, they are not all high-born, and we watch them as they try to adapt to wartime conditions and deprivations. 

Wentworth’s mysteries are fascinating, clever, with the protagonist Miss Silver, a spinster who is a professional ‘private enquiry agent’. The Listening Eye, I feel, contains some of the most acute observations of human nature, and this makes the characters just seem so relatable. Wentworth books are ‘clean’ mysteries with a strong thread of romance, little gore, no bad language, or sexy shenanigans.

From the first sentence, “There’s a bullet in my chest…,” you know this story is going to be exciting. Set in the U.P. on the banks of Lake Superior, Paradise is a town with plenty of work for a newly-licensed private investigator. Hamilton’s protagonist is an ex-cop who barely escaped death, is dealing with PTSD, and just wants to live a quiet life chopping wood, having a beer at the pub, and on occasion getting a non-violent case to work. 

This author knows how to ramp up the action and keep the reader turning pages. He makes a well-worn mystery twist (a convicted murderer serving a life sentence appears to be killing people on the outside), seem brand-new and completely original.

I love the character of Kinsey Millhone because she’s so human and relatable. Her life is messy; she gets herself caught up in situations where she knows she ought to let things drop but just can’t let them go, and she has a kind heart. She also has the endearing quality of being self-deprecating and not taking herself too seriously.

This book is set in the 1980s, and I enjoy seeing Kinsey’s legwork to solve her case without the benefit of mobile phones or the internet. I also love her relationship with her elderly neighbor and how protective she is of him when she feels that new people in the neighborhood are taking advantage of him.

When I was investigating the heartless murders that are the central mystery of my book, I discovered that the author of Cool Hand Luke had worked as a private investigator on the case back in 1976. The next afternoon I was on his doorstep. Donn Pearce was kind with his time and his advice. Asked for the key to his success as a PI, Donn said, simply: “I absorb.” Every detail, every moment, observed, evaluated, accounted for. It’s as true a description of detective work as you’ll ever find – and of Cool Hand Luke too. The book is not a detective story but it is a detective’s masterpiece, a harrowing prison saga told from the inside out in spare and beautiful sentences. Every word feels deeply lived, and so alive.