92 Books Like Jump for Joy

High, Wide, and Handsome is a non-fiction, pictorial history of Australian Showjumping from 1900-1950. These black and white photos depict the very different riding styles of showjumpers during these earlier years. Riding in long stirrups and even side-saddle, these fearless riders tackled enormous jumps on their courageous horses, up to nearly eight feet in height. Other photos show them jumping three or four abreast, the Section Fours, the riders sometimes going so far as to colour-co-ordinate their horses.

Teenagers will love The Outback Riders series by Leanne Owens. An Australian author, Leanne is an English/History teacher who also writes freelance for horse magazines. Her experience with horses growing up in the outback is combined with stories about teenagers in her very popular Outback Riders series. She has also written the Dimity Horse Mysteries for readers who like mysteries, crime, romance, and horses. 

Free Rein is the autobiography of two-time Australian Olympic champion, Gill Rolton, who famously remounted at the Atlanta Olympics with a broken collarbone to finish the team event. Gillian was a late starter to eventing at the age of twenty-one but went on to compete for thirty years. This autobiography reveals the injuries to herself and her horses which meant missing the LA and Seoul Olympics, the success she achieved with her wonderful horse, Peppermint Grove and her inclusion in the Australia Sporting Hall of Fame.

Dick Francis combines the wonderful world of horses with crime mystery. Dick Francis wrote many books and later combined with his son, Felix, who continued the dynasty after his father’s death. This is exciting and factual fiction. In Come to Grief, Sid Halley, an ex-champion jockey turned investigator, uncovers an obnoxious crime committed by a close friend, whom he had held in high regard. 

An early and still one of the best works on the subject, Green's The World of Musical Comedy is the book that introduced generations of musical theatre fans to the art form. It was first published in 1960 and that first edition was my first encounter with the great songwriters and musicals of the American theatre. Green later revised and updated the book and the fourth edition stops at 1980 but the book remains in print. I still recommend it as the best way to discover the classic works in the world of musicals.

Woolford describes his book as a prenatal guide for musicals and it is indeed just that. He breaks down the process from idea to opening night for a thorough examination of what goes into each part of writing a musical. From the tickle of inspiration—and everything that went into its construction after that point, including the steps back and sideways, trying to find the right formula for success—there isn’t much left out. Warning: You might be inspired to try your hand at writing once you finish this book! 

I felt as if I’d taken a college-level theatre course at the end of How Musicals Work, with an instructor who revels in the complicated chaos that is musicals! It opens up a whole extra level to watching/experiencing a musical.

This beautifully illustrated, personalized book features your child’s names in the illustrations and throughout the story. I’ve found that both parents and children are captivated by the fanciful illustrations, and it makes a perfect bedtime story. I frequently give this book as a keepsake new baby gift, and I receive rave reviews from parents.

I love a book you can actually take action on and Tales of Potential delivers!

Joanna Bloor makes the case that most decisions about your career happen in a room you’re not in – which means you have to rely on someone else to tell your story and be your advocate. This book outlines exactly how to distill your story down to the most important elements, so it’s easy for others to tell effectively.

You’ll learn how to clearly communicate your potential and capabilities in a way that will have a lasting impact on your life.

If you’ve never done theater, this book will have you running for the nearest audition. The non-fiction book contains heartwarming reflections from the cast, crew, and creative team for Fiddler on the Roof in Yiddish, including director Joel Grey. Readers get an inside look at show life, from cast bonding to pre-opening stress to performance mishaps. The vignettes convey what each cast and crew member contributes to making the magic happen. While heavy on the feel-good memories, it rings true and mesmerizes.

Theatre Quotient: High. It’s all theater, all the time!

When I was kid, it was a rite of passage to watch the movie version of this musical with my parents on TV during Fourth of July week in the U.S.. I’ve since seen regional theater productions as well.

Yes, the play is fun and funny, but what did not sink in until I’d done my own research into the lives of the signers was how marvelously the words and lyrics lay out the history. When one of the flashy South Carolina delegates sings “Molasses to Rum,” you understand the underlying economics of the slave trade. The songs still hold up and advance the plot, as all great Broadway songs must do.

But if you miss the words in the 1972 film or modern staged versions, the only way to absorb it all is to dip into the official libretto itself.