Books like John Bull's Other Island — picked by fans

Elizabeth Bowen once described the Ireland-England relationship as ‘a mixture of showing-off and suspicion, nearly as bad as sex’. Her 1928 novel demonstrates this beautifully, eviscerating the attitudes of  Anglo-Irish grandees in their Big House as the country around them crackles with guerilla war and showing the incomprehension between the Irish (at all social levels) and the British soldiers sent ostensibly to keep the peace.

Though it ends in tragedy, social comedy, as so often, shows the brutal realities beneath the surface. And the atmosphere of the Irish landscape, at once idyllic and brooding, comes alive in Bowen’s supercharged prose.

I first encountered this book as a series of lectures in Oxford in 1978 and was riveted.

Lyons faced head-on the themes of cultural and sectarian antagonism in Ireland from the death of the constitutionalist nationalist leader Parnell in 1891 to independent Ireland’s decision to remain neutral in World War II, using sources that were as much literary as political, and at the end projecting the divisions in Irish society forward to the then-current violence in the North. The tone was notably acerbic, even verging towards despair, but also employing bitter humour.

A great historian, he died prematurely a few years later when just embarking on his projected but unwritten biography of Yeats. He had written many books, but this is the one that left the loudest echoes–notably in nailing the psychological gulf of understanding between Ireland and Britain that became so apparent in the early twentieth century.

I spent eighteen years writing the authorized biography of W.B. Yeats, and he haunts me still.

Though his poetry is world-famous, his autobiographies are less well known; yet they illuminate like nothing else the experience of living between Ireland and England and the contrast between a childhood in late-Victorian County Sligo and coming of age in the artistic circles of fin-de-siecle London.

At the end of his life, Yeats reflected on the tension between his Irish background and English conditioning and the contradictory feelings they inspired, writing, "My hatred tortures me with love, my love with hate." Elsewhere, he wrote that poetry comes out of "the struggle with ourselves," and his autobiographies show this to mesmerizing effect.

I love this novel so much that I named my son Phineas in homage.

Anthony Trollope might seem the ur-English novelist because of his much-loved series of Barhhester novels set among clerics in a provincial town, but he spent much of his working life in Ireland and wrote passionately about the country in many of his books.

Phineas Finn is a kind of alter ego, a young Irishman equipped with charm, good looks, and very little money. He becomes a Member of Parliament and sets out to find his way through the challenges and dilemmas of high society in Victorian London. His moral compass sometimes goes slightly awry, but it generally comes right in the end.

Trollope’s psychological subtlety draws out the ambiguities and prejudices that Phineas encounters and reminds us of the central part played by Ireland in the British Empire. He died long before Ireland’s separation from Britain,… show more.

This is a great book that you cannot put down. It reminds me of my favorite series, Outlander. Going back through time is something that a lot of us dream about, but never experience. I love a good love story, but this book also has mystery, intrigue, and pulls at your heartstrings. I consider it Historical Fiction because even though we cannot travel through time, there were a lot of women that had the same feelings and trauma in the 1920s that the main character went through. 

This fictionalized account of the infamous Grace O’Malley’s life heavily impacted the creation of the main character of Windfall, Captain Liana Foley. I loved how Llywelyn wrote Grace/Grania as a leader, thief, lover, and mother, giving depth to the legendary pirate. She portrays her as equally powerful as she is human.

This is the first book in a trilogy that follows multiple generations of a fictional Irish family. Set in the mid-1600s, Cromwell’s soldiers leave a trail of destruction behind as they attack towns and villages throughout the country. After his wife is killed in the massacre of Drogheda Dominick McMahon and his two children, along with a wounded priest, set out to find a safer place to live. The story is compelling and, although part of a trilogy, can be read as a stand-alone novel. It has everything I like about historical fiction – captivating characters woven into a series of major events that pull the reader into a bygone era.

Notorious for its violence, the 17th century is also a time of sweeping change. Change ignites resistance. When I first started researching Irish history, I was well aware of Cromwell’s march, and soon discovered much more and perhaps worse. How could people survive under constant threat and fear? How could humans justify such cruelty? This book examines several horrific events, the people and the policies that allowed them to happen—in the interest of learning from history that which we should never repeat.

I’m super-passionate about giving young people the window into the world that they deserve – in fact, I wrote a whole book about journalism and fake news for kids.

David McCullagh, with this book, has flung that window wide open.

David will be familiar to Irish audiences as the anchor of the main evening news programme on RTE, but he’s managed to do the almost-impossible with this book. Namely: communicating the world of politics to kids in a way that doesn’t patronise or talk down to young people.

This beautifully-illustrated book explains some quite complicated concepts clearly with real-word examples and some excellent tongue-in-cheek humour.

I’ll be forcing it on my wee nephew as soon as he’s old enough!

In a Glass Darkly is a collection of unusual Gothic tales. The shorter stories provide the foreboding inevitability of the genre, with atmospheric hauntings and ghostly floating eyes. Fans of M. R. James or H. P Lovecraft will appreciate these.

In addition, the collection features two novella-length stories. Carmilla, an early and influential vampire story, and "The Room At The Dragon Volant", which is a romance horror. Carmilla inspired many of the elements Bram Stoker used in Dracula. Both these longer stories are atmospheric and wonderfully picturesque in their descriptions of the people and places.