Books like Jane Austen, the Secret Radical — picked by fans

Gilbert and Gubar take the reader on an exhilarating ride through women’s literature from Jane Austen to Emily Dickinson. Women writers freed female characters from their stereotypes in novels written by men—angels and monsters, dull virgins, and evil temptresses—to become friends, or people I would choose for friends if only they were real. The book’s title alludes to the first Mrs. Rochester in Jane Eyre, a haunting specter of the thwarted woman author raging at her bars.

“A woman must have money and a room of her own if she is to write fiction.”

I read A Room of One’s Own after my divorce and having—for the first time in my entire life—a place that was mine alone to decorate as I pleased. While Virginia Woolf was speaking on the macro, sociological struggles that women were facing during that time (the early 20th century), her words resonated with me to the present day.

Likewise, while it might be easier now for a woman to open a bank account or attend college than it was in 1929, the struggle of having our stories told and our identities outside that of mother or wife celebrated is still prevalent. 

Technically speaking, this isn’t historical fiction because, when Trollope wrote it, it was contemporary (Victorian) fiction. But if you love Austen adaptations or anything set in later periods where people wore fancy, constrictive clothing, this book is for you. Barchester is a cathedral town getting a new bishop, and, oh, man, is everyone in a tizzy. Every cleric is angling for a promotion, simultaneously falling at the feet of the exotic Signora Madeline Vesey Neroni while refusing to bow the knee to the new powers that be. And if you have a soft spot for henpecked husbands, Trollope wrote one for the ages, with wife Mrs. Proudie stealing every scene. For my money, with his keen eye and wicked humor, Trollope is the true heir to Jane Austen.

This modern retelling of Sense and Sensibility charms with its tea shop setting, complicated sisterly relationships, and seamless prose.

But the real appeal to this book is the obvious love and expertise with which Lodge describes food, tea, and all their accoutrements. The delicious recipes at the end of each chapter certainly don’t hurt either.

Need some baking inspiration? Just flip through and choose from recipes like Cranberry Vanilla Scones, Pear and Earl Gray Hand Pies, and Raspberry Cream Cheese Kolaches.

Effectively, this is a meticulous stalker’s record of Jane Austen’s family, listing what everyone was doing (and where) for every single day of her life.

I know of nothing quite like this biographical resource (for any writer). Admittedly, the book is more like an Excel spreadsheet than a narrative—and something I’ve only gratefully consulted rather than read straight through from end to end. But for hardcore Janeites, this day-by-day listing of events in her life is indispensable.  

Nowadays, Jane Austen’s novels look superficially like historical romances, but she actually wrote contemporary novels for a contemporary audience, and they are much more complicated and subtle than they first appear. This book explains many of the mentions of people, places, and events in her novels that were obvious to her readers, but which are far from obvious now.

Figes argues that although women novelists did not directly challenge the rules of a patriarchal society, they challenged its assumptions by protesting the restrictions on women’s lives and severely criticizing the clergymen, enablers of the patriarchy. My favorite section of the book is her interpretation of the Gothic novels, which she calls the female equivalent of picaresque novels. Women, she points out, were not permitted to roam the world like Tom Jones, having adventures. Instead, these novels presented women, who, through no fault of their own, are imprisoned by evil men. Their adventures, as they find their way to safety in foreign lands, prove their courage and intelligence.

I would have to say, hands down, that this is the best Jane Austen variation I have read so far. The story begins with Elizabeth Bennet having a near-death experience. The description of Heaven during this experience was so striking and poignant, it brought tears to my eyes and made me think that this was exactly how Heaven ought to be. Throughout the story, Ms. Ellsworth’s message of hope and purpose was inspirational. For me, personally, it was a wonderful reminder of the hope that I have in God and the plans that He has for my life. The story is incredibly romantic, and a very unique approach to the Darcy and Elizabeth drama which I have not seen in any other novel. I also liked that she gave alternate outcomes for Lydia and Charlotte than the fate that Austen originally gave them. A must-read for fans of Regency-era variations… show more.

Jane Austen wrote and revised most of her novels in a cottage lent to her by her brother in Chawton, England. This book is a fictional account of a group of individuals in post-World War II Chawton who are all lost—or have experienced great loss. They band together in an attempt to save Jane Austen’s home from destruction. I loved getting to experience the story from each of the character’s perspectives, and the author’s prose is delightful. This novel is a testament to how people from all walks of life have been changed by Jane Austen, and how reading Jane Austen can save us.

A luminous portrait of Jane Austen chocked full of spirited text and shimmery illustrations that capture the times. The story highlights the beginnings of Austen’s great career as a novelist from her youngest days all the way to famous writer. It’s a great addition to any classroom or library. Like Jane Taylor before her, Austen’s success paved the way for women authors to come.