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The Madwoman in the Attic.
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After spending all of my adult life repeating the same codependent, unhealthy relationship patterns, I made it a point to devote an entire year to dating myself—to learn to love my own company and to become a little more reliant on my own internal strength. Since then, I’ve been passionate about showing others that there is a way to build ourselves up, especially if romantic relationships have consistently torn us down, that doesn’t have to involve swearing off dating forever.
“A woman must have money and a room of her own if she is to write fiction.”
I read A Room of One’s Own after my divorce and having—for the first time in my entire life—a place that was mine alone to decorate as I pleased. While Virginia Woolf was speaking on the macro, sociological struggles that women were facing during that time (the early 20th century), her words resonated with me to the present day.
Likewise, while it might be easier now for a woman to open a bank account or attend college than it was in 1929, the struggle of having our stories told and our identities outside that of mother or wife celebrated is still prevalent.
Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
Figes argues that although women novelists did not directly challenge the rules of a patriarchal society, they challenged its assumptions by protesting the restrictions on women’s lives and severely criticizing the clergymen, enablers of the patriarchy. My favorite section of the book is her interpretation of the Gothic novels, which she calls the female equivalent of picaresque novels. Women, she points out, were not permitted to roam the world like Tom Jones, having adventures. Instead, these novels presented women, who, through no fault of their own, are imprisoned by evil men. Their adventures, as they find their way to safety in foreign lands, prove their courage and intelligence.
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
A best-selling novelist explains to a fictional niece why, under the shadow of the nuclear bomb we should bother with stuff written before the twentieth century, particularly with the romances of an old maid who never went anywhere. A skilled novelist herself, Weldon vividly depicts the horrors of Austen’s world that equal those of our age—famine, war, childbirth, and medical ignorance. Because she is a novelist, she is good at describing Austen’s mastery of turning social household irritations into art. As a special bonus, she recommends other novelists for readers to enjoy and aspiring novelists to learn from.
Alice is an eighteen-year-old student and aspiring novelist with green spiky hair, a child of the modern age who recoils at the idea of reading Jane Austen. In a sequence of letters reminiscent of Jane Austen's to her own neice, 'aunt' Fay examines the rewards of such study. Not only is her correspondence a revealing tribute to a great writer - it is also an original and rewarding exploration of the craft of fiction itself.
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
I never saw any of these puzzles before I read Mullan’s book. By solving them, he goes deep into Austen’s novels, examining her miniature world as if with a microscope, offering the reader insights into the subtleties of her art: how people inadvertently reveal through their words what they would prefer to keep hidden or how Captain Benwick, a major minor character in Persuasion, comes across as a solid human being without the reader’s hearing him utter a word. The aspiring novelist can learn much from her tricks.
Is there any sex in Austen? What do the characters call each other, and why? What are the right and wrong ways to propose marriage? And which important Austen characters never speak? In What Matters in Austen, John Mullan shows that you can best appreciate Jane Austen's brilliance by looking at the intriguing quirks and intricacies of her fiction - by asking and answering some very specific questions about what goes on in her novels, he reveals their devilish cleverness.
In twenty-one short chapters, each of which answers a question prompted by Jane Austen's novels, Mullan illuminates the themes that…
I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
Nowadays, Jane Austen’s novels look superficially like historical romances, but she actually wrote contemporary novels for a contemporary audience, and they are much more complicated and subtle than they first appear. This book explains many of the mentions of people, places, and events in her novels that were obvious to her readers, but which are far from obvious now.
In Matters of Fact in Jane Austen: History, Location, and Celebrity, Janine Barchas makes the bold assertion that Jane Austen's novels allude to actual high-profile politicians and contemporary celebrities as well as to famous historical figures and landed estates. Barchas is the first scholar to conduct extensive research into the names and locations in Austen's fiction by taking full advantage of the explosion of archival materials now available online. According to Barchas, Austen plays confidently with the tension between truth and invention that characterizes the realist novel. Of course, the argument that Austen deployed famous names presupposes an active celebrity…
I’m an author and a college writing professor with an MFA in Creative Writing. Additionally, I am involved in and teach other art forms and the humanities including music, film, and literature. I enjoy researching and writing about literary figures, musicians, and other creatives, all of which have been a focus in my children’s books.
A luminous portrait of Jane Austen chocked full of spirited text and shimmery illustrations that capture the times. The story highlights the beginnings of Austen’s great career as a novelist from her youngest days all the way to famous writer. It’s a great addition to any classroom or library. Like Jane Taylor before her, Austen’s success paved the way for women authors to come.
It is a truth universally acknowledged that Jane Austen is one of our greatest writers.
But before that, she was just an ordinary girl.
In fact, young Jane was a bit quiet and shy; if you had met her back then, you might not have noticed her at all. But she would have noticed you. Jane watched and listened to all the things people around her did and said and locked those observations away for safekeeping.
Jane also loved to read. She devoured everything in her father's massive library, and before long she began creating her own stories. In her…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I've been hooked on Jane Austen ever since my mom took me to see the movie Pride and Prejudice in theaters.After watching the movie, I bought all of her books and devoured them. I still wanted more, but what do you do when your favorite author has been dead for over 200 years? Well, you turn to fanfiction! After reading numerous sequels, twists, and retellings of my favorite novels, I began writing my own stories. As a stay-at-home mom of three kids, I've been blessed to be able to pursue my passion for storytelling while raising a family. Jane Austen continues to be my primary source of inspiration for my historical and contemporary romances.
This book also falls into the mystery subgenre of Jane Austen variations. The story takes place as a sequel to Pride and Prejudice, with Elizabeth and Darcy at the center of it. I found this story to be completely chilling, with a surprise twist at the end that I did not see coming. Ms. Jeffers delivered a page-turner that I couldn’t put down!
HAPPILY MARRIED for over a year and more in love than ever, Darcy and Elizabeth can’t imagine anything interrupting their bliss-filled days. Then an intense snowstorm strands a group of travelers at Pemberley, and terrifying accidents and mysterious deaths begin to plague the manor. Everyone seems convinced that it is the work of a phantom—a Shadow Man who is haunting the Darcy family’s grand estate.
Darcy and Elizabeth believe the truth is much more menacing and that someone is attempting to murder them. But Pemberley is filled with family guests as well as the unexpected travelers—any one of whom could…
When I was a little girl, my parents bought me a children’s edition of Pride and Prejudice. Ever since, I have loved Jane Austen’s works. As I grew older, I really enjoyed learning about her, and researching the history of her times. I hope you will enjoy reading these books as much as I did!
Jane Austen was a clergyman’s daughter, and two of her brothers were clergymen. Her novels abound with clerical characters like the snobby Mr. Elton (Emma) and awkward Mr. Collins (Pride and Prejudice).
This lively book is essential for understanding how the life of a country parish and its resident clergy inspired Jane’s writing and impacted on her daily life. Her father’s and brother’s livings depended on a system of patronage; the value of such livings determined whether a clergyman was an eligible match or as poor as the proverbial church mouse.
Collins illustrates the background to Austen’s life with stories from the lives of contemporary clergymen like Parson James Woodforde.
Jane Austen was the daughter of a clergyman, the sister of two others and the cousin of four more. Her principal acquaintances were clergymen and their families, whose social, intellectual and religious attitudes she shared. Yet while clergymen feature in all her novels, often in major roles, there has been little recognition of their significance. To many readers their status and profession is a mystery, as they appear simply to be a sub-species of gentlemen and never seem to perform any duties. Mr Collins in "Pride and Prejudice" is often regarded as little more than a figure of fun. This…
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
This was the first book I read by Joan Aiken, and I found after reading some of her backlist that this was the only one I liked. Some of the other historical fiction she wrote is much darker, but this book, while it does have a mystery subplot, is lighthearted and fun with a sweet romance.
It is a delightfully convoluted tale that will keep you guessing up until the very end when its downtrodden, capable heroine saves the day and gets her man.
Desperate to help her ailing mother, Delphie Carteret agrees to a sham wedding ceremony to her cousin, Gareth. Her mother will be guaranteed annuity for life, and Gareth's obligation to marry before his sick uncle passes is fulfilled. The plan is perfect.
But perfect plans usually go awry. Not only is the marriage ceremony valid, but Gareth's dying uncle makes a miraculous recovery. An imposter is threatening Delphie's identity and her life, and the whole family is on the brink of scandal.
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
Jane Austen now dominates my teaching and research. This was not always so. I was trained in the writers that came before Austen and was happily teaching classes on them when someone at my university asked me to teach a class on Jane Austen. At first, I refused to switch. I countered, “She does not need yet another class.” But I agreed, and soon, I was hooked on her humor and her deft responses to those earlier writers. While the new graphic novel is my third book about Jane, I have not exhausted the things to research! The more I know, the more I admire her writings and her life.
I love this biography for its quirky materialist approach. Each chapter zooms in upon an object that survives from Austen’s lifetime (a shawl, a watercolor, an item of jewelry, a piece of furniture) and conjures an incident in Austen’s life from the details of that object.
In the end, I learned as much about the famous writer as from a traditional chronology, but the manner of getter there was more like an animated museum exhibition than a cradle-to-grave narrative.
Who was the real Jane Austen? Overturning the traditional portrait of the author as conventional and genteel, bestseller Paula Byrne's landmark biography reveals the real woman behind the books.
In this new biography, bestselling author Paula Byrne (author of Perdita, Mad World) explores the forces that shaped the interior life of Britain's most beloved novelist: her father's religious faith, her mother's aristocratic pedigree, her eldest brother's adoption, her other brothers' naval and military experiences, her relatives in the East and West Indies, her cousin who lived through the trauma of the French Revolution, the family's amateur theatricals, the female novelists…