100 Books Like It's All Good

I tried to do something different with this list than the usual photography books people often cite, however, there is just no avoiding how important Robert Frank’s The Americans has been on the medium. In 1955, Frank departed for a two-year road trip to document the people of the United States, which coincided with the evolution of new post-war classes – namely, the working poor and those who would eventually become the beatniks of the ‘60s. Focusing on the racial and socio-geographic divide, Frank was a pioneer, as his work defiantly contradicted the popular romanticized propaganda of Life Magazine, opening the doors to the gritty documentary and street photography genres we know today.

Larry Clark is most well known for his controversial 1995 motion picture Kids, but decades before refashioning himself into a filmmaker, Clark got his start as a shutterbug. His first and most critically acclaimed photo essay, Tulsa, was on the heroin habits of friends from the fringes of his Oklahoman hometown throughout the 1960s. His follow-up book, 1983’s Teenage Lust, is a much more accomplished and focused collection; Clark dials up to 11 his intrigue for rebellious children, paralleling the graphic imagery with anecdotes of his own wayward youth. Out of print for decades, good luck finding an affordable copy.

Manhattanite David Godlis took up street photography in the 1970s, spending after dark at the now-notorious Bowery punk-rock bar, CBGB. However, few others could have predicted that the bands he was capturing in their infancy would go on to become some of the most iconic musicians of the era: Blondie, the Ramones, the Talking Heads, the Cramps... Godlis’ lens is grainy and gauzy, using only the scant natural light available to document these dark personalities on and off stage. History Is Made At Night is equal parts talent and perfect timing, as only a true historian would have had the foresight to hang out with who other photographers then considered just a bunch of unwashed miscreants.

Veteran photographer Larry Fink once called my own book of photography “boring”, which I wear as a badge of honor, as I would have to be on the street-beat for as long as he has – 50 years! – before I could ever measure up to his skill and accomplishments. Fink specializes in juxtapositions, and in this touching series from the early-‘80s, he spends time among the working class of rural Pennsylvania as well as nouveau-riche socialites of New York, then couples the imagery into a telling tale of two cities. He has an uncanny ability to get right up in his subject’s business at their most vulnerable moments, and in that regard, among Fink’s large body of work, Social Graces is his most poignant.

I lived on the Lower East Side of NYC for decades before moving to the UK. It’s a fairly small area, but at one point was filled beyond capacity with new immigrants to the U.S. who worked hard and mostly lived in squalor.

Through his photos and writing, Jacob Riis humanized their experience and exposed the reality of their pursuit of the American dream, which was often brutal. As a photographer, I was inspired by him to help shine a light on the voices of underrepresented groups. I used to carry this book around with me to locate the buildings in it—photographed 150 years ago—in the modern day.

It’s a love story to—and in defense of—the immigrants who’ve shaped America.

Walls’ recounts her unconventional childhood marked by poverty, instability, and the eccentric choices of her parents.

The memoir offers an unflinching but often tender portrait of a deeply flawed family and the complicated bonds of love and loyalty. Walls’s voice is both clear-eyed and compassionate as she revisits her past.

Wanting to make sense of my own dysfunctional family, I reread this book several times.

Can’t Get There from Here is another stark look at the realities of kids living on the street. Strasser quickly drew me into the life of Maybe and her tribe of friends Maggot, 2Moro, Rainbow, and Tears. Their day-to-day existence is one of scrounging for food, looking for a safe place to sleep for the night, and avoiding those who would harm them. Adults have hurt these kids so many times and in so many ways that their reluctance to trust the police for help is totally understandable.

This Is All I Got: A New Mother’s Search for Home tells the story of the difficulty of finding acceptable housing for the poor in New York City. Sandler follows the story of a young, poor, unwed mother, Camila, for one year as she struggles to find safe and affordable housing for herself and her newborn son. Against all odds, red tape, and never-ending bureaucracy, Camila never gives up. I found this story inspiring as well as educational about the homelessness crisis in New York City, a new found passion after my experience trying to feed the homeless during the first year of the pandemic.

I liked this book immediately, and not just because it is written by someone I know and have worked with for decades and greatly respect. The book includes parts of the author’s early iconic work on homelessness in New York City, which, when published as a report in 1981, first focused public attention on the then-growing crisis.

The book includes stories of homeless New Yorkers that the author encountered when he lived for a period on the streets, in shelters, and flophouses as part of his research—an approach I found fascinating—as well as scholarly analysis. It’s a rich resource I return to again and again for insight, understanding, and, as needed, inspiration.

This book is a story about gangs in Chicago and one woman’s personal involvement in researching them. It is a sad book but also one full of surprises, family stories, and romance.

I learnt so much about what it means to be black and poor today. Goffman was as closely involved as was possible for a white, female grad student and pushed the boundaries of what good journalism and research needs to do today.