Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for a two-year backpacking sojourn across the country. I took a bunch of snapshots along the way with a little point-and-shoot camera. 800 of those images became my first book. Photography – be it travel, documentary, street or reportage – is my passion. The following are but five of five hundred books I’d love to recommend.
I tried to do something different with this list than the usual photography books people often cite, however, there is just no avoiding how important Robert Frank’s The Americans has been on the medium. In 1955, Frank departed for a two-year road trip to document the people of the United States, which coincided with the evolution of new post-war classes – namely, the working poor and those who would eventually become the beatniks of the ‘60s. Focusing on the racial and socio-geographic divide, Frank was a pioneer, as his work defiantly contradicted the popular romanticized propaganda of Life Magazine, opening the doors to the gritty documentary and street photography genres we know today.
First published in France in 1958, then in the United States in 1959, Robert Frank's The Americans changed the course of 20th-century photography
First published in France in 1958, then in the United States in 1959, Robert Frank's The Americans changed the course of twentieth-century photography. In 83 photographs, Frank looked beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians and rendered numb by a rapidly expanding culture of consumption. Yet he also found novel areas of beauty in simple, overlooked corners of American life. And it was not just Frank's subject…
Larry Clark is most well known for his controversial 1995 motion picture Kids, but decades before refashioning himself into a filmmaker, Clark got his start as a shutterbug. His first and most critically acclaimed photo essay, Tulsa, was on the heroin habits of friends from the fringes of his Oklahoman hometown throughout the 1960s. His follow-up book, 1983’s Teenage Lust, is a much more accomplished and focused collection; Clark dials up to 11 his intrigue for rebellious children, paralleling the graphic imagery with anecdotes of his own wayward youth. Out of print for decades, good luck finding an affordable copy.
In Teenage Lust, Larry Clark returns to Oklahoma and the frank autobiographical material of his first book Tulsa (1971). This time he focused on the next generation, local teenagers, some of whom were the younger brothers of his old friends, whose lives were just beginning to spiral out of control through amphetamine use and petty crime. ‘Teenage Lust is a scrapbook whereas Tulsa is a movie,” he told [Mike] Kelley. The needles and guns that had been Tulsa’s key motives are reprised here, along with the seedy glamour of the addict turned outlaw. But Teenage Lust is also about innocence…
Manhattanite David Godlis took up street photography in the 1970s, spending after dark at the now-notorious Bowery punk-rock bar, CBGB. However, few others could have predicted that the bands he was capturing in their infancy would go on to become some of the most iconic musicians of the era: Blondie, the Ramones, the Talking Heads, the Cramps... Godlis’ lens is grainy and gauzy, using only the scant natural light available to document these dark personalities on and off stage. History Is Made At Night is equal parts talent and perfect timing, as only a true historian would have had the foresight to hang out with who other photographers then considered just a bunch of unwashed miscreants.
Veteran photographer Larry Fink once called my own book of photography “boring”, which I wear as a badge of honor, as I would have to be on the street-beat for as long as he has – 50 years! – before I could ever measure up to his skill and accomplishments. Fink specializes in juxtapositions, and in this touching series from the early-‘80s, he spends time among the working class of rural Pennsylvania as well as nouveau-riche socialites of New York, then couples the imagery into a telling tale of two cities. He has an uncanny ability to get right up in his subject’s business at their most vulnerable moments, and in that regard, among Fink’s large body of work, Social Graces is his most poignant.
I’ll bookend this list with what I consider to be a sort of updated take on Larry Clark’s Tulsa. Serbian photog Boogie has published similarly solemn collections on Moscow and war-torn Belgrade. With It’s All Good, he arrived in New York’s most violent neighborhoods circa 2010 to document the hard and often tragic lives of urban youth. Gangsters pointing their guns into the lens or jabbing their veins with needles might not make the most appealing coffee table book, but the photos themselves are even more sublime than anything shot by Clark, making this book a worthy successor.
“A whole lot of initiations happen every day. You hear about them on the news, but you don’t know it was an initiation. You hear about somebody getting shot somewhere in New York, and nobody knows why that person got shot; nine times out of ten it was a gang initiation. I am a three-star general in the Bloods, so I know what’s going on. The majority of crime in New York City is ’cause of gangs; drugs, killings, stabbings, robberies, even the bullshit car theft, the fucking pettiest crimes and misdemeanors are all ’cause of gangs.” —Kasino, from his…
From the jungles of Yunnan to the frozen wastes of Heilongjiang; across the deserts of Xinjiang and beneath Hong Kong's neon blur. Tramping through China by train, bus, boat, motorcycle, or hitching on the back of anything that moved. On a budget so scant that he drew sympathetic stares from peasants. Backpacker Tom Carter somehow succeeded in circumnavigating 35,000 miles (56,000 kilometers) across all 33 Chinese provinces during a 2-year period, the first foreigner on record ever to do so. What Carter’s photographs reveal is that China is not just one place one people, but 33 distinct geographical regions populated by 56 different ethnicities, each with their own languages, customs, and lifestyles.
