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Inventing the French Revolution.
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I am a historian of the eighteenth-century Atlantic World, specializing in the American and French Revolutions. The relationship between ideas and politics has fascinated me since I worked in media relations in Washington, DC. Because I think history can help us better understand our current political controversies and challenges, I write about the origins of representative democracy in the eighteenth century. I’m also an Assistant Professor of History at the University of Notre Dame where I teach classes on colonial and revolutionary America, the Constitution, and history of the media.
The Haitian Revolution was long left out of the history of Atlantic revolutions, dismissed as a violent uprising of enslaved people without an ideological dimension.
Dubois’s book walks readers through the twists and turns of this decade-long revolution, highlighting the intellectual agency of enslaved and freed people and the ideological consequences of this transformative event.
The Haitian Revolution is a notoriously complicated event, but I found that this book provided coherence and a compelling analysis of the effects of this crucial moment in the history of democracy and movement for human rights. And it was a gripping read at that.
The first and only successful slave revolution in the Americas began in 1791 when thousands of brutally exploited slaves rose up against their masters on Saint-Domingue, the most profitable colony in the eighteenth-century Atlantic world. Within a few years, the slave insurgents forced the French administrators of the colony to emancipate them, a decision ratified by revolutionary Paris in 1794. This victory was a stunning challenge to the order of master/slave relations throughout the Americas, including the southern United States, reinforcing the most fervent hopes of slaves and the worst fears of masters.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I am a historian of the eighteenth-century Atlantic World, specializing in the American and French Revolutions. The relationship between ideas and politics has fascinated me since I worked in media relations in Washington, DC. Because I think history can help us better understand our current political controversies and challenges, I write about the origins of representative democracy in the eighteenth century. I’m also an Assistant Professor of History at the University of Notre Dame where I teach classes on colonial and revolutionary America, the Constitution, and history of the media.
No book has done more to change my thinking about the American Revolution and Constitution.
It’s a tome, but if you want to understand the political philosophy of the American Revolution—from the Stamp Act to the ratification of the federal Constitution—then this is your book. Wood follows the evolution of and innovation in American political thought from the struggle for independence through the creation of a new nation.
In doing so, he makes the case for why the American Revolution was revolutionary and raises the possibility of seeing the Constitution as an act of counter-revolution.
This volume describes the evolution of political thought from the Declaration of Independence to the ratification of the Constitution and in the process greatly illuminates the origins of the present American political system. In a new preface, he discusses the debate over republicanism that has developed since the book's original publication by UNC Press in 1969.
I am a historian of the eighteenth-century Atlantic World, specializing in the American and French Revolutions. The relationship between ideas and politics has fascinated me since I worked in media relations in Washington, DC. Because I think history can help us better understand our current political controversies and challenges, I write about the origins of representative democracy in the eighteenth century. I’m also an Assistant Professor of History at the University of Notre Dame where I teach classes on colonial and revolutionary America, the Constitution, and history of the media.
Understanding what turns someone into a revolutionary has always interested me.
Sure, there are ideas floating around and there may be material interests motivating decisions. But what causes someone to go from being a reformer to a revolutionary? Tackett digs into the memoires, diaries, and correspondence of deputies sent to the Estates General in 1789 to illuminate how their perspectives evolved throughout the first years of the French Revolution.
His account captures the pressure of crowds, the fumbling of inexperienced politicians, the fears for family back home, and the un-relenting unpredictability of events in a way that clarifies how people and dynamics radicalized. It made me think about revolutions in a totally new way by bringing in the day-to-day experiences of those who took part shaping the course of events.
Winner of the Leo Gershoy Prize from the American Historical Association, 1998, for the best book in Early Modern European History.
Timothy Tackett's Becoming a Revolutionary revisits one of the most controversial moments in history: the beginning of the French Revolution. How did it arise? Why did French men and women become revolutionaries? To answer these questions, Tackett focuses on the experiences of the 1200 members of the first French National Assembly. Drawing upon on a wide range of sources, including contemporary letters and diaries, Tackett shows that the deputies were a group of practical men, whose ideas were governed…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I am a historian of the eighteenth-century Atlantic World, specializing in the American and French Revolutions. The relationship between ideas and politics has fascinated me since I worked in media relations in Washington, DC. Because I think history can help us better understand our current political controversies and challenges, I write about the origins of representative democracy in the eighteenth century. I’m also an Assistant Professor of History at the University of Notre Dame where I teach classes on colonial and revolutionary America, the Constitution, and history of the media.
Going beyond any one political revolution, this book traces an underlying epistemological convulsion that facilitated the formation of modern democracy in the late eighteenth century.
Common sense is supposed to defy historical analysis; we assume everyone has it, always has had it, and always will. But I love this book because it completely undoes these assumptions; Rosenfeld shows how the concept of common sense was a historical creation of the long eighteenth century.
Perhaps epitomized by Thomas Paine’s famous 1776 pamphlet, common sense was more than an idea; it became a style of politics and justification for free speech and popular sovereignty. Common sense became not only a precondition for democratic politics but a precursor of populism.
Common sense has always been a cornerstone of American politics. In 1776, Tom Paine's vital pamphlet with that title sparked the American Revolution. And today, common sense-the wisdom of ordinary people, knowledge so self-evident that it is beyond debate-remains a powerful political ideal, utilized alike by George W. Bush's aw-shucks articulations and Barack Obama's down-to-earth reasonableness. But far from self-evident is where our faith in common sense comes from and how its populist logic has shaped modern democracy. Common Sense: A Political History is the first book to explore this essential political phenomenon.
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
This is very much the oldest of my choices, and there are some great recent books on Scotland in the 1790s, but for me, this one still stands up for detail, excitement, clarity, and pace.
I live in Edinburgh, where much of the central action in this book takes place—there were radical reform societies all over Lowland Scotland in the 1790s, but they sent delegates to national conventions in Edinburgh, and Edinburgh was where many of the state trials for treason and sedition took place.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I am a privileged individual of our Western society, with access to a good education, living away from hunger and despair. Am I wealthy? Far from it. I am amid that middle class where working hours are well understood and spare time is fully enjoyed. I have been a consultant to businesses of all sizes and I have learned closely how the wheels turn, how in order to produce anything, always someone and something is crushed and squeezed. Profit on one side and destruction and poverty on the other one. Throughout time, I have met people from various countries and understood the value of a multicultural world, which I defend.
You and I are recently witnessing the popular upheaval in France as a result of the chronic reduction of the purchasing power.
A new story? Ha, no! The French Revolution was about the same thing at the same place: making ends meet. Anatole France takes us through a particular subject within the Revolutionary Tribunal, where the trials of the bourgeoisie should end in bloody executions.
It is very interesting to get under the skin of those jurors to understand why uprisings happen. I can easily see why people seek revenge without any conscience. The ambiance is captivating, the plot is pulling.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
During my 45 years of practicing law, I've learned that everyone has flaws, but we all still struggle to be recognized and accepted. I always ask my law clients why things have gone sideways because understanding the personalities involved and why they are in conflict is essential. This depth of understanding is equally necessary in the process of writing believable fiction. Characters and their conflicts must resonate with the reader. For me, as a writer, this is the essential challenge for writing good fiction. I can have imaginary conversations with any of my characters because they become very real personalities in my mind.
One of the great opening lines in fiction that begins with: “It was the best of times, it was the worst of times . . .” Sydney Carton is a lawyer in London at the time of the French Revolution. He takes on the case of Doctor Manette, released from imprisonment at the Bastille to live in exile in London with his daughter Lucie.
Returning to France, Dr. Manette is subsequently accused of being a spy for the British government and is sentenced to death. Sydney’s love for Lucie causes him to make the ultimate sacrifice to save Lucie’s father from the guillotine.
Sydney Carton is a lawyer who has wasted his abilities and his life. Now he has to make a difficult choice about what is really important to him, which could be a matter of life or death. The French Revolution is running its violent course; lives are ruined as a new France is created. How did the gentle Doctor Manette and his daughter Lucie become caught up in France's struggles? What is the real identity of the handsome Charles Darnay, who wins Lucie's hand in marriage? And why does the shadow of La Bastille Prison hang over them all? The…
I’m a historian of eighteenth-century France, above all, the French Revolution. Throughout my career, my primary goal has been to try to reconstruct the experience of revolution in all its dimensions. I have published extensively on subjects relating to the French Revolution, including the French revolutionary terror; the politics of the Jacobins; ideology, emotions, and revolution; revolutionary leaders – including Robespierre and Saint-Just; fear of conspiracy as a driver of actions; the influence of classical antiquity; women participants in the Revolution.
This is a gripping, wide-ranging, and detailed study of the explosive years of ‘the Terror’. Andress ranges far beyond the claustrophobic assemblies, clubs, and streets of Paris to show the country-wide impact of war, revolution, and terror. Andress has little time for revolutionary idealism, and there are no heroes in this book. His deep knowledge of his subject shines out from every page. The result is a vivid and disturbing account, dense, lively, and well-written.
The French Revolution marks the foundation of the modern political world. It was in the crucible of the Revolution that the political forces of conservatism, liberalism and socialism began to find their modern forms, and it was the Revolution that first asserted the claims of universal individual rights on which our current understandings of citizenship are based. But the Terror was, as much as anything else, a civil war, and such wars are always both brutal and complex. The guillotine in Paris claimed some 1500 official victims, but executions of captured counter-revolutionary rebels ran into the tens of thousands, and…
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Anouilh shapes his play in parallel reference to two of the most traumatic periods in French history: the immediate aftermath of the 1945 Liberation and the end of the Terror with the death of Robespierre. In post-war France, a group of friends hit on a plan to explore what twisted logic shapes the individual who gets caught up in the violence of oppression. They invite a local man, one Bitos, to attend a masked dinner where each of the guests will take on the role of a prominent figure of the Revolution, Bitos himself, who has greatly profited by collaboration with the occupiers, to take on that of Robespierre, whom Thomas Carlyle referred in his magisterial History of the French Revolution as the ‘sea-green incorruptible’, from the tinted spectacles he wore.
Carlyle’s prose is lush, baroque, strong meat but well worth dipping into. The idea is brilliant as a vehicle…
“Poor Bitos” is the strongest and most strikingly contemporary of Jean Anouilh’s plays. With freezing precision and extraordinary theatrical skill, Anouilh here exposes the evil at the heart of political extremism, with specific reference to the French people but with implications that are tragically universal. The principal character is one André Bitos, a thin-lipped, Eichmann-like public prosecutor with a fanatical sense of justice that outrages every normal feeling of compassion. Bitos since the close of World War II has made it his gruesome business to track down fellow countrymen suspected of collaborating with the Germans and to bring about their…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Blanc discovered in the National Archives in Paris a remarkable cache of letters kept in an old tin labelled as the property of Fouquier-Tinville, the Public Prosecutor of the French revolutionary Tribunal. He was a man who in sending off the last batch of victims to be beheaded, even after hearing that Robespierre was dead and with him, the Terror, said ‘justice must run its course’
The letters, written by prisoners on the eve of their own execution, to wife, family, plangent pleas to be remembered – some containing a little keepsake: a shirt stud, maybe – were never delivered, but, on Fouquier’s order, impounded as possible evidence. Post mortem? What was the point? The letters are heart-rending, sad, pathetic, drained of hope, but as poignant a souvenir of the effect of the vicious law which was sending their authors to the scaffold as any you will read. Fouquier, whose…
Drawing on a centuries-old file, this volume reproduces the last letters by prisoners of the French Revolution in the last few moments before their death, and sheds new light on this turbulent time