100 Books Like Intimacies

As an avid consumer of military history, I am looking for books that not only set the wider political and strategic context of a war, a battle, or a fighting unit but also take me as a reader into the field of battle. Antony Beevor has managed that balance superbly ever since his first major success with his work on the Spanish Civil War.

His book is no different, vividly delivering to me the lived experience of fighting men on both sides. Importantly–and as the subtitle says–it also reminds me that for the people of Crete the short battle led to a brutal occupation of the island lasting four agonizing years.

This Cretan writer, who is most often identified as a Greek, asks us to probe our deepest identity, to be honest with ourselves. I think that that should be the first premise of an honest writer…an honest person. When you are born you are told early what to believe. Why you should believe. Who you and what you should believe or not believe in. At some point in your own life, you must resolve what you yourself accept for your own belief system. You should determine what is or is not important to you. Only then can you live YOUR LIFE.

I loved this book because it made me feel like I was there, living in the Cretan White Mountains in the 1960s on a very tight budget, surrounded by magnificent Greek countryside, and eating local foods. I have visited Crete several times and found the kindness, friendliness, and philoxenia- hospitality shown to strangers by the locals is still true of the Cretan people today.

This is a beautiful and truly memorable read. If you ever wondered what it would be like to go and live in the mountains of Greece, this book will make you feel like you have done just that. I want to go back just thinking about it.

For me, the history of any war or battle can only be grasped if the perspectives of both–or perhaps all–sides are taken into account. One of the most revealing accounts from a German perspective came from the pen of Baron von der Heydte.

Heydte was among those who parachuted into Crete on the first day of battle; his account conveys that perilous endeavor through his eyes and follows his participation until the surrender of Chania a week later. Intriguing for me, too, is how Heydte, once an avid Nazi, cleverly dials back here his enthusiasm for the cause.

This book will transport you straight back to the Crete of the Bronze Age. I felt I was taking every step with the characters. Each setting, whether it be the marketplace in the village, the palace, and the underground prison cells, is meticulously described. The society, bound by ritual and ruled by a queen and her priestesses who are constantly searching for signs of approval from the goddess, is utterly believable. It's a fascinating mix of actual history and myth, where the Gods and Goddesses are as real as they were to the people living in those times.

This book doesn’t allow for any preparation—it bites you right away! The beauty of it lies in how Kazantzakis deals with human experiences from moment to moment. He shows us how to live in the moment. For instance, in the end, Zorba and his friend have lost all their money, but Zorba says, “Let’s dance.”

They aren’t defeated but go on to the next experience. It touched me to see how they could live in the now, for life is rich.

This book brings back to life the pioneering British archaeologists who, basing themselves at the atmospheric Villa Ariadne, rediscovered the prehistoric civilisation of the Minoans at Knossos on the island of Crete.

I love this book because it brings back memories of when I excavated at Knossos—the local workmen lowered an apprehensive me into an ancient well to measure its depth and I stayed next door to the Villa, taking walks in the surrounding countryside carpeted with wildflowers.

The Villa was purloined by the Germans in World War II. The book also taught me about the bravery of the Cretan resistance to the Nazis, including the dramatic kidnap of a German general on the Villa’s doorstep. 

Simon Raven had a marked fascination for the supernatural that first manifested in an early novel Doctors Wear Scarlet, which was cited by Karl Edward Wagner (himself an award-winning American writer, poet, editor and publisher of horror and writer of numerous dark fantasy and horror stories), as one of the thirteen best supernatural novels. The story is set against Raven’s customary background of academia and University life and has a distinctly macabre and spine-chilling theme. It starts harmlessly enough with a young man’s infatuation for a beautiful Greek girl, but Chriseis is no ordinary holiday love affair; three friends track down their missing companion across the Aegean, where it becomes increasingly obvious that their relationship is strange to say the least. Despite dispatching Chriseis in the remote mountains of Crete and not without cost to themselves, the missing scholar is returned to his University – but the curse of… show more.

I was captivated by the slow and deliberate flirtation of Dionysus with Ariadne as he revealed his own story with passion and intimacy. I felt the shared sense of abandonment between him and Ariadne, one mortal, the other immortal. I found that weaving in Phaedra’s story with the lively interactions between the two sisters with such different personalities was a clever plot devise, it was intriguing and added to the complexity of the story.

The characters evolve: innocence, abandonment, depravity, and new awarenesses show in a tragic tale where Theseus, Daedalus, Icarus, Hippolytus, and Perseus support a story basically describing the differing points of view of the two sisters. A great choice for readers like me, who enjoy stories based on Greek mythology with a feminist slant.

Kazantzakis is perhaps most famous for being excommunicated after he wrote The Last Temptation of Christ, but I think his best book is Freedom and Death. Freedom and Death was described as Kazantzakis’ “modern Iliad,” but it is more than a tale of heroes and war. It is about the struggle of the Cretan people for liberty and their desire to end the Ottoman occupation of their island at the end of the 19th century. In spite of the obvious morality of the cause of freedom, Kazantzakis paints a complex picture in which there are no obvious heroes and humanity’s faults are clearly visible. No character is more noble than the Turk, Nuri Bey. None more flawed than the novel’s Greek protagonist, Captain Michalis. Freedom and Death is also the powerful story of a man’s struggle against himself and the conflict between our personal interests and our… show more.