100 Books Like Inspiring Walt Disney

This book has remained consistently influential and thought-provoking from the time it was written in 2006. Kelts uses the notion of the moebius strip to analyze the sometimes surprisingly rich and complex dynamics in the mutual relationship between Japanese and American popular culture. He explains how much each country’s art and entertainment culture has influenced the other in an interweaving tapestry of history, art, and inspiration. At a time when the question of cultural appropriation is still a provocative subject, Kelt’s book reminds us of how fruitful cultural interchange can be.

This gorgeous catalogue is an event in itself that commemorates an even more interesting event, the fact that the brand new Museum of the Academy of Motion Pictures chose as its first special exhibition not the work of an American director, and not the work of a live-action auteur but the work of a Japanese animation director who lives and creates thousands of miles from Hollywood. The catalogue is not only beautifully illustrated with scenes from Miyazaki movies and reproductions of many of Miyazaki’s storyboards, but also contains some excellent essays by the exhibition’s curators, including Jessica Niebel and Daniel Kothensculte. The curators draw on their film and art expertise to give insightful, sensitive readings of the director and his contributions to the world of cinema.

This is a book for animation aficionados who really want to think about the nuts and bolts of animation. As someone with a tendency to revel in the world building of the finished product of animation, be it a Miyazaki movie or a Disney film, this book re-orients me to the materiality of the medium itself. And yes, traditional animation is a material medium! Frank looked at thousands of animation cells, literally frame by frame, and in her book provides us with a glimpse of the enormous labor, expertise, and occasional mistakes that go into creating even a seven-minute short subject. She brings back from the past the many women who were the inkers and in-betweeners in American animation studios and makes us realize the enormous effort (and tedium) that went into producing the fluid and flexible cartoons that Hollywood is known for.

Along the way, Frank touches on the… show more.

And here is your dessert course! 

Fluent in Japanese and with a background in Japanese literature, Steve Alpert worked initially at Disney in Japan and then for a number of years at Miyazaki’s Ghibli Studio and writes about his experiences in this delightful and frequently hilarious book. He gives us fascinating details about Miyazaki and his fellow director Takahata and producer Suzuki, especially in relation to what are perhaps the two most famous of Miyazaki’s movies, Princess Mononoke and Spirited Away.

The chapter on Princess Mononoke is particularly interesting as it includes a detailed and very funny account of negotiations between Ghibli and Disney as to how to translate the film’s elegant Japanese script and complex worldview into something that could be understood by an American audience. The Disney executives keep asking Alpert “Who’s the bad guy?” and seem unable to cope with the answer that “There is no… show more.

It can be difficult to recall that, while laying waste to the armies of Europe, proving himself to be one of the finest military commanders in history, Napoleon was writing salty love letters home to his wife. Narrated in first-person diary-style by Josephine, Sandra Gulland’s sensational trio of books is a credit to the sometimes-overlooked genre of historical autobiographical fiction. The events around her life with the self-anointed Emperor of the French are defined with both intimacy and sweep. Josephine emerges as a most intriguing woman, charming and clever, and a full participant aside from her husband as he rises and falls.

The three books cover the many phases of her exceptional life. From her childhood in the French colony of Martinique, through her first marriage and imprisonment during the revolution, to her fateful introduction to the “strange little man,” and through their marriage and demise, the woman who became… show more.

This is the heartwarming and inspiring story of the journey a great chef took from serving as a lowly apprentice to becoming a leader in establishing new food traditions in America. I especially enjoyed the many funny stories about Pepin and his family. Warning: the book includes many of his favorite recipes that will cause hunger pangs as you read the book. 

With some 1.5 million men dead, and several million more wounded, the story of France and the Great War is in many ways simply the story of grief, and this work captures that beautifully. Through the tragic, true story of a wounded amnesiac veteran whose name and family are unknown, Le Naour tells the crucial story of women, families, and an entire culture in mourning, in many ways hopelessly. Yet the veteran and the people who try to help him or claim him as their own retain their dignity and humanity in this account.

California-born Mary Francis Kennedy Fisher’s contribution to our culture was revolutionary. Before her, no man or woman wrote about food as they might about art: what was noteworthy in the meal, how the cauliflower was cooked or the paté presented, and how all of it made her feel. She is perhaps best known for her masterpiece The Gastronomical Me, her memoir about her sensory awakening around food, cooking, and love when she moved to Dijon, France. After returning to the States, Fisher moved with her two daughters to Aix-en-Provence following World War II. By now, the memoir of Provence—the farmhouse, lavender fields, and dappled summer light—have become a genre unto themselves. But as with everything this trailblazer wrote, few have ever done is as well or with such exquisite understatement as Fisher did in Map of Another Town.

It is a soulful and beautifully atmospheric chronicle of building… show more.

Having read well over two dozen books on the subject of French history, with a general focus on the especially vibrant period in Paris from the end of World War I to the beginning of World War II, and a laser focus on the 1920s, I find it nearly impossible to rank these five books in the order of their importance. That said, I am choosing this book as my 1st recommendation because at 416 pages, and richly illustrated by hundreds of stunning photographs and images, it casts the broadest, most comprehensive net over this extraordinary era. I proclaim the two decades in Paris that readers will discover in this book, to represent the most important international convergence of painters, sculptors, intellectuals, novelists, poets, playwrights, journalists, dancers, actors, choreographers, musicians, composers, photographers, designers, and fashionistas, in the history of the world. Do I exaggerate? Here is a very incomplete list,… show more.

The go-to book about voluntary homelessness, I always appreciate George Orwell’s amazing writing. It’s hard to put down.

The first half is about his time as a lowly kitchen assistant in the basement of a Parisian restaurant in the 1930s. The brutal divide between the rich and the destitute is better depicted here than in anything else I’ve ever read. The second half describes his time back in England and provides a heart-rending understanding of why homeless people are referred to as tramps and the ultimate emptiness of church-organized aid.

Although Orwell always had the option to opt out, his study of the lived experience of homelessness and the skill with which he captured it afterwards stand out as a colossus of the genre.