Books like Inside the Lost Museum — picked by fans

This very well-researched and gripping book taught me the meaning of the term “laundering” in the art market and revealed the duplicity of the late art dealer, Larry Fleischman, who both collected and sold stolen antiquities and marketed undocumented works taken from Edward Hopper’s estate.

He didn’t care about provenance or history of ownership and is quoted in this book as saying: “Everything comes from somewhere.”

Although I knew and dealt with Fleishman, I trusted him and was tricked by him.

Esterow, then employed by Larry Fleischman, assessed hundreds of Edward Hoppers that an unknown minister offered to sell.

The book’s dust jacket advertises “a lively history of certain fabulous art thefts—and the strange breed of thieves who perpetrated them.” Esterow’s book inspired one reviewer to comment that few of his criminals “are very ingenious.”

Sanborn, who must have seemed to Esterow like a character that belonged in his narrative, told me that Esterow offered him a consignment deal for what he was shown, which later turned out to be just a small part of Sanborn’s loot.

Had he known Sanborn’s story, Esterow might have added his scheme of befriending the aging sister of a famous artist, whose early works were jammed into the attic of the family home. 

This book shows the importance of provenance or history of ownership in tracking the authenticity of works of art.

We learn about criminals, who not only can forge art, but they can also fake or hide archival materials. For me, this sheds light on the case of Edward Hopper’s papers, because we will never know what the minister removed or destroyed from what he took.

Since he was using these papers both to pose as an expert on Hopper and to hide his possession of hundreds of undocumented artworks by one of the most documented of all artists, he might well have removed any incriminating evidence. 

I really like the discussion of the Metropolitan Museum’s celebrated acquisition of the ancient Greek Eurphronios Krater, which turned out to have been stolen from a tomb and had to be returned to Italy.

We read that even taking less valuable items “damages archaeological heritage, thereby compromising or weakening historical scholarship.”

I appreciate how this also applies to the unrelated minister who got into the Edward Hopper estate and who hid Hopper’s papers—5,000 documents—for 50 years, damaging their context, perhaps destroying some.

I wrote my biography and definitive catalogue of Hopper’s art without access to most of these papers. Now that I have seen most of them, I am relieved that my work retains its value. Fortunately, I found another source that provided many of Jo Hopper’s diaries.

I have returned to many of these stories over and over again through the years—for Cheever’s prose, for his sense of what makes men tick. On one level, I can’t quite relate to white suburban husbands in upstate New York in the 1950s and 60s. And yet, somehow, they seem profoundly familiar. 

How can travel help us find the good life? The Art of Travel asks this question of artists such as Edward Hopper and Vincent van Gogh, with profound and amusing results. Why can anticipating travel be more pleasant than actually going away? What is the lure of the Bahamas, of the ‘exotic’, of open deserts? Throughout, De Botton invites us to pay better attention to the world around us. I especially enjoy his musings on the profundities of travel—on waiting at Heathrow airport, circling ring-roads, and dried ketchup of motorway service stations.

John O’Hara’s name should be spoken in the same breath as Fitzgerald, Steinbeck, and Hemingway. Maybe it isn’t, because he never had that one homerun book that stood out in the canon, like a Gatsby or a Grapes of Wrath. Though I think Butterfield 8 and Appointment in Samara stand up to either of the above, I have chosen this collection of short stories. He wrote more short stories for the New Yorker than anyone ever did and is credited with inventing that particular style that the periodical became known for. Each of these stories – all short and fast as an uppercut – shows the flawed humanity striving in the city from the 30s to the 60s – from ad men to secretaries, to bums and soda jerks. With his trademark crackling dialogue, this collection of gritty Americana will leave you feeling like you are standing… show more.

Though I am not an anthropologist, I devour ethnographies with a gusto that can only be attributed to disciplinary envy. There are several fascinating ethnographies of emotions and how they differ across cultures. Beatty’s book stands out among them for its rich ethnographic description as well as the sophistication with which he treats the relationship of emotion and culture.

He spots the limitations that lab experiments impose on studying emotions and suggests instead that we have to pay attention to the narratives in which emotions are situated, made, and deemed meaningful. And I rather like how he punctures “affect theory.”

Still exciting after all these years! Perhaps because it is politically incorrect and unself-conscious. 

The cover blurb says it is an "investigation of the sex lives of the men and women of the Trobriand Islands and deals with prenuptial intercourse, marriage, divorce, pregnancy, erotic psychology, ritual, morals, and manners" – forbidden territory nowadays. 

I do not excuse the sexism and racism occasionally detectable, but think the detail, intimacy, and authorial reflexivity about a disappeared world are more valuable now than ever. A century ahead of his time, Malinowski included himself in his observations and ideas about others. 

This one too takes on a much longer sweep of human history than most, here focusing on the role of resource competition in generating and shaping war among humans around the world. 

LeBlanc is an archaeologist who specialized in the desert Southwest of what's now the United States, and he is very concerned with the academic tendency to "pacify" the past. This is an excellent survey of the long role of war in societal competition, and the likely continued role of resource competition in wars to come.