77 Books Like Inside the Battle of Algiers

This intensely personal diary conveys the savage day-to-day reality of this colonial conflict like no other and is a must-read for anyone interested in Algerian perspectives. By November 1954, the moment when the National Liberation Front (FLN) launches the armed national liberation struggle that will achieve independence eight years later, Mouloud Feraoun is already a very well-established novelist, writing while simultaneously working in the French education administration in French Algeria. Through his journal entries, therefore, he tries to make sense of the cycles of violence and counter-violence as they unfold around him which means that the diary is not a dry, detached account.

It is written in the very eye of the storm and brilliantly conveys how ordinary Algerians sought to navigate one of the most brutal episodes of the whole decolonsation process. Assassinated by a right-wing terrorist group, the Secret Army Organisation (OAS), just days before the official cease-fire… show more.

Psychiatrist, philosopher, revolutionary, Frantz Fanon is born in Martinique in 1925 and comes to work in French Algeria in 1953 as a doctor in a hospital in Blida, just south of Algiers. Angry at the way in which treatment of Algerian patients is shot through with institutionalised racism, Fanon resigns his post in 1956 and joins the FLN in Tunisia. Working as a journalist, his writings are a piercing attack on French colonialism which feed directly into A Dying Colonialism. Published in 1959, the fifth year of the Algerian Revolution, each chapter analyses how the liberation struggle is transforming Algerian society at every level, from attitudes to technology and medicine through to the role of women—perspectives that decisively frame Gillo Pontecorvo’s depiction of the Algerian War in his 1966 cinematic masterpiece Battle of Algiers. 

Fanon dies of cancer two years later, shortly before independence, but this book, translated… show more.

This is not only a beautifully written book, it is an important one. Why? Because it poses challenging questions about the promise of post-independence freedom for Algerian women through a collection of short stories written between 1959 and 1978. First published in French in 1980, the writing style is at once innovative, lyrical, and unsettling as Assia Djebar explores the condition of Algerian women across the pre-colonial, colonial and immediate post-colonial periods. The inspiration for the book is Eugène Delacroix’s 1834 painting of women in an Algerian harem because, as Djebar explains in the post-face, this picture leads her straight to the conundrum of 1970s Algeria: “What would Delacroix see if he entered into contemporary Algerian apartments?” And for her the depressing conclusion is that he would still find women locked up and shut away just as in the 1830s. One of the most significant voices to emerge from Algeria,… show more.

This is a powerful memoir. First published in French in 2016, one year after Mokhtar Mokhtefi’s death, it is an eyewitness account of twentieth-century Algeria, tracing his political journey from a poor village south of Algiers, through to the French secondary education, one of the few Muslims to do so, and his eventual engagement in the FLN in 1957. Graphically portraying the anger and disaffection that drives Algerians to rebel against French rule, the book is equally unsparing about the divisions and authoritarianism which riddle the National Liberation Front and shape post-independence Algeria. Beautifully translated by his widow, the writer and anti-imperialist activist Elaine Mokhtefi. 

As a scholar of contemporary Jewish history and a practicing Jew, I used to deal mostly with books written by Jews. This book is one of the first I read that would be written by a Palestinian. Albeit born and bred in New York City, the author has a strong connection with Palestine, and one of his ancestors, the mayor of Jerusalem, wrote to Theodor Herzl as early as 1899 that the idea of a Jewish state in Palestine would encounter opposition from local population.

Khalidi leaves behind the often-confusing narrative of a conflict between two nations in favor of a history of colonial settlement and indigenous resistance to it. 

Books that blur the boundaries between political theory and international history are seldom accessible, of pressing contemporary relevance, and beautifully written—but I found this book to be all three.

Reading this outstanding exposé, the book vividly reminded me of the importance of understanding the decades of decolonization in the Black Atlantic as more than a quest for sovereign statehood and recentering the ways in which the likes of Kwame Nkrumah and Julius Nyerere imagined new geographies and, indeed, new worlds. I admire the work in many ways—for its geographical sweep, exemplary pace, and conceptual clarity.

A watershed work in the new history of “the global Cold War” in the Third World, where Cuba’s revolutionary government acted with remarkable audacity to offer material, human, and military support to African revolutionaries (with the Soviet Union often a minor player). Gleijeses performed archival feats in Cuba, Africa, and the U.S. to bring together this many-sided portrait of skullduggery, intimate solidarity, and Cuban revolutionary agency.  

Not a book that covers the legion directly but the war in Algeria is a big part of the Legions history, and notably the Legion’s 2e régiment étranger de parachutistes. The Algerian War lasted from 1954 to 1962. It came close to provoking a civil war on French soil. For those interested in the Putsch, then get into this book. More than a million Muslim Algerians died in the conflict and many European settlers were driven into exile. Above all, the war was marked by the unholy marriage of revolutionary terror, and repressive torture. 

Latefa Guemar’s powerful research on the Algerian Diaspora from a woman’s perspective shows to the world the terrible experiences of violence against women in the Algerian Black Decade of the 1990s.

This harrowing conflict forced women into exile via a broken European asylum system that failed, and still fails, women in so many ways.  Her work on diasporic networks of women’s groups and associations, inspired work we recently did together during Covid on Algeria diaspora activism.

The book’s beautiful and mesmerizing front cover, designed by one of our students, Ikram, was part of our arts-based training on Imagining the Future. I still get shivers when I see this.

My partner recommended this book, only recently translated into English, about a Parisian gallery worker, Naïma, who unravels her family's tangled history between rural Algeria and France. In this book, Zeniter explores the complex aftershocks of colonization and how they affect and inform subsequent generations of migrants.

Naïma’s family story in France begins when her grandfather, Ali, flees North Africa after the Algerian war for independence. Coming from a mountain village, Ali finds the decrepit French apartment blocks bewildering and unwelcoming. The final section of Zeniter’s book is devoted to Naïma’s return to Algeria, where she attempts to weave together the past and future of her family and her identity.