Here are 100 books that In Winter I Get Up at Night fans have personally recommended if you like
In Winter I Get Up at Night.
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I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.
I love this book because it treats gods, myths, and beliefs as living things shaped by human attention and neglect.
What fascinated me most was how ancient divinities walk unnoticed in the modern world, slowly fading as people stop believing. I felt drawn to the idea that faith itself creates reality.
This story made me reflect on how myths evolve, how belief changes through time, and how the supernatural can feel strangely grounded in everyday life.
Now a STARZ® Original Series – Season 3 premiere in January 2021
“Pointed, occasionally comic, often scary, consistently moving and provocative….American Gods is strewn with secrets and magical visions.”—USA Today
Newly updated and expanded with the author’s preferred text. A modern masterpiece from the multiple-award-winning master of innovative fiction, Neil Gaiman.
First published in 2001, American Gods became an instant classic, lauded for its brilliant synthesis of “mystery, satire, sex, horror, and poetic prose” (Washington Post) and as a modern phantasmagoria that “distills the essence of America” (Seattle Post-Intelligencer). It is the story of Shadow—released from prison just days after…
To Do Justice is the first book in the White Winter Trilogy. The other books are To Love Kindness and To Walk Humbly. The Trilogy follows the same set of characters through eight tumultuous years in their lives and in the history of the world. To Do Justice starts…
As a child, my imagination and love of art drew me to comic books, and later, to immersive, worldbuilding fantasy. My 26-year hiatus from devoted creative pursuits while serving in the Air Force rewarded me with amazing experiences around the globe. As an Airman, naturalist, and scuba diver, I have been immersed in worldly ‘extremes’: the best and worst of humankind; nature’s most remote places and incredible creatures; and troubled regions afflicted by climate change and conflict. I now distill my experiences and creativity into the genre of “eco-fantasy.” The books of my diverse selection also leverage and explore worldly and otherworldly ‘extremes’ to elevate their stories. Enjoy!
It would be the most extreme of criminal acts for this beloved book not to be my ‘list topper!’ Reading this book instilled an instant love of good fantasy storytelling in me early on. It defines the fantasy genre, exemplifying the absolute best extremes in great world-building, characters, and epic storytelling.
Tolkien set the high bar I strive for in all areas in my own writing with one of the most memorable stories in one of the most unforgettable worlds of all time … and he managed to pull it all off within the context of a single book! No matter how many times I go back and re-read this one, I find something new to cherish, and you will too!
Special collector's film tie-in hardback of the best-selling classic, featuring the complete story with a sumptuous cover design inspired by THE HOBBIT: AN UNEXPECTED JOURNEY and brand new reproductions of all the drawings and maps by J.R.R. Tolkien.
Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End.
But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey 'there and back again'. They have a plot to raid…
As a child, my imagination and love of art drew me to comic books, and later, to immersive, worldbuilding fantasy. My 26-year hiatus from devoted creative pursuits while serving in the Air Force rewarded me with amazing experiences around the globe. As an Airman, naturalist, and scuba diver, I have been immersed in worldly ‘extremes’: the best and worst of humankind; nature’s most remote places and incredible creatures; and troubled regions afflicted by climate change and conflict. I now distill my experiences and creativity into the genre of “eco-fantasy.” The books of my diverse selection also leverage and explore worldly and otherworldly ‘extremes’ to elevate their stories. Enjoy!
I love this book for Shin’s exploration of extremes ‘below the pale.’ In it, the most engaging drama is focused on the ‘within’ vice the ‘without.’ What happens when a being’s duty and ultimate purpose come into conflict with their personal desires?
Shin takes the contested space of these interpersonal relationships to another level, because they involve mortals and supernatural beings—angels and humans! The other intriguing theme is the personal struggles for balance and harmony in an extremely complex society which provides compelling context for engaging storytelling, making it a highly recommended and relevant read for today’s world! You definitely need to add this wonderful book to your TBR pile!
Through science, faith, and the force of will, the Harmonics carved out for themselves a society that they perceived as perfect. Diverse peoples held together by respect for each other and the prospect of swift punishment if their laws were disobeyed. Fertile land that embraced a variety of climates and seasons. Angels to guard the mortals, and mystics to guard the forbidden knowledge. Jehovah to watch over them all... Generations later, the armed space cruiser Jehovah still looms over the planet Samaria, programmed to unleash its arsenal if peace is not sustained. But an age of corruption has come to…
Rebecca Plummer is an Englishwoman transplanted into colonial life. A herbalist and midwife with a shameful secret and feminist outlook, she is caught up in the War of 1812 in Niagara, Upper Canada. Rebecca struggles to keep her family and community together despite gossip and wartime deprivation.
As a child, my imagination and love of art drew me to comic books, and later, to immersive, worldbuilding fantasy. My 26-year hiatus from devoted creative pursuits while serving in the Air Force rewarded me with amazing experiences around the globe. As an Airman, naturalist, and scuba diver, I have been immersed in worldly ‘extremes’: the best and worst of humankind; nature’s most remote places and incredible creatures; and troubled regions afflicted by climate change and conflict. I now distill my experiences and creativity into the genre of “eco-fantasy.” The books of my diverse selection also leverage and explore worldly and otherworldly ‘extremes’ to elevate their stories. Enjoy!
Lifechanging! Alan Moore’s 1984-1987 run on D.C. Comics’ Swamp Thing still ranks among the most influential literary work in my creative life; particularly, the Swamp Thing story arc known as “American Gothic” (Issues 37-50).
Moore took an obscure character to D.C. universe icon, transforming him into the green god who is haunted by memories of his lost humanity. American Gothic immerses the reader into a powerful, supernatural character and his world, where the being’s consciousness and experiences collide with the extremes of America’s societal issues of the time.
I was awestruck by Moore’s story series about an atypical hero who is simultaneously on a journey of self-actualization and a quest to stop dark forces from summoning an ancient evil … while also giving me pause to consider deep-rooted issues.
Now in trade paperback, this title collects issues #20-27 of the seminal horror series, starting with "The Anatomy Lesson," a haunting origin story with terrifying revelations.
At twenty-six I was living in Wuhan. I had been in China for a couple of years and was looking for a change. Not ready to go back home to New Zealand, I made my way across Europe, through the USA, and on to Argentina. Since that visit, I’ve followed Argentina's economic crises and scoured its newspapers for quirky crime stories. I started to send out true crime articles to various magazines. Eventually, I had enough material to write a novel. For years I’ve wanted to find a literary yet straightforward crime novel set in Argentina. The search goes on, but below are the best I’ve come across so far.
This is a concise noir with clear and simple prose. There is no metafiction, magical realism, or non-linear narrative to contend with. The protagonist, Mr. Machi, is a terrible person, almost psychopathic, a symbol of everything that is wrong in Argentina. The book is a critique of unbridled capitalism and its status symbols. To kick things off, Machi finds a dead body inside the boot of his beloved BMW and from there the action and the hilarity don’t stop. Told from the point of view of Machi, we have an uncomplicated antihero, a person completely without redeeming features. According to legend, the author still works as a subway station cleaner.
"This novel should come not with blurbs but with a hazardous-material warning: There's bone and gristle here, be ready for that taste in your mouth you can't spit out. First words to last, it's strong stuff." —James Sallis, author of Drive
The first novel to appear in English by the "subway janitor by night, novelist by day," who began his writing career while an undocumented immigrant in the United States, Like Flies from Afar will demonstrate why K. Ferrari is already an award-winning star of international crime fiction. A hardboiled noir thriller, a whodunit, a black comedy, and a filthy…
I’ve always been fascinated by the political aesthetics and political ferment of the 1960s. As someone born in the 1960s but not of the 1960’s generation, this has allowed for a certain “critical distance” in the ways I approach this period. I'm especially fascinated by the global circulation of cultural protest forms from the 1960s, what the historian Jeremy Suri called a “language of dissent.” The term Global Sixties is now used to explore this evident simultaneity of “like responses across disparate contexts,” such as finding jipis in Chile. In our book,The Walls of Santiago, we locate various examples of what we term the “afterlives” of Global Sixties protest signage.
There is no U.S. equivalent to the comic strip “Mafalda,” a strip centered around a young, middle-class girl and her entourage of neighborhood friends set in mid-1960s Buenos Aires. The strip itself only lasted a decade but its afterlives continue to reverberate across Latin America and throughout other parts of the world. Today, the face of Mafalda—the strip’s namesake—can be found with a speech bubble protesting any number of injustices. It is probably no exaggeration to say that this is the most important comic strip ever written, and one whose appeal lies both in its simplicity and the subtle depth of its political humor. Published here in translation, Cosse, a noted scholar of cultural and social history, has written a biography of the strip and its characters as a way not only of understanding the crisis of Argentina’s middle classes, but the ways in which the mass media transform objects…
Since its creation in 1964, readers from all over the world have loved the comic Mafalda, primarily because of the sharp wit and rebellious nature of its title character-a four-year-old girl who is wise beyond her years. Through Mafalda, Argentine cartoonist Joaquin Salvador Lavado explores complex questions about class identity, modernization, and state violence. In Mafalda: A Social and Political History of Latin America's Global Comic-first published in Argentina in 2014 and appearing here in English for the first time-Isabella Cosse analyzes the comic's vast appeal across multiple generations. From Mafalda breaking the fourth wall to speak directly to readers…
I fell in love with Latin America as I meandered around Mexico in the summer of 1969. The passion has never died. Within a year I walked into Brazil’s ‘wild west’ to research the violence along its moving frontier, while over fifty years later I am an emeritus professor of Latin American politics at the University of Oxford and an honorary professor at the University of Exeter. An early decision to look at politics from the ‘bottom up’ led to a life-long inquiry into the theory and practice of democracy, and the publication of many essays and books that are available to view on my Amazon author page.
Anyone who aspires to an understanding of Latin American democracy must read the work of Guillermo O’Donnell, who almost single-handedly set the terms of the key debates over a period of thirty to forty years; and the only possible reason for this not being my 1st pick is that it is a collection of essays, not a monograph. O’Donnell was a passionate scholar, and both his passionate engagement and meticulous scholarship are amply illustrated in the discussions here of the vicissitudes and possibilities of democracy in Latin America, his wide survey encompassing everything from democratic struggles against authoritarian regimes to the flaws arising in the new democracies from defective institutionalism and extreme social inequalities. Read and admire.
The central, driving theme of this volume is democracy, its vicissitudes and its possibilities in Latin America. Guillermo O’Donnell considers the pattern of political and social alliances that have shaped Argentina’s agitated history, and focuses on the tensions and intrinsic weaknesses of bureaucratic-authoritarianism, especially in its most repressive guises, at a time when it projected itself as an enduring, efficient, and potentially legitimate form of political authority. He includes detailed empirical analysis of daily life under extremely repressive regimes and argues throughout that the struggle for democracy is the most appropriate way, both morally and strategically, to take advantage of…
I am a historian of the slave trade and slavery in the Rio de la Plata region (today’s Argentina and Uruguay) who then turned to the study of the traffic of captive Africans in the whole Spanish Americas. Yet, my love remains in the Rio de la Plata, what I call the “cold Caribbean.” Exciting books on the history of Africans and their descendants examine this region within the framework of Atlantic History, racial capitalism, gender, and the connections between twentieth-century Black culture and politics. As these recommendations are limited to English-language books, readers should note that much more has been published on this subject in Spanish and Portuguese.
This edited volume does a lot of things, allowing authors who have published in Spanish to advance their arguments in English as well as establishing conversations among historians, literary scholars, and anthropologists. Some authors focus on the production and consumption of culture, like Matthew Karush with his examination of the Afro-Argentinean guitar player Oscar Alemán, and Rebekah Pite’s chapter on food history. Ezequiel Adamovsky and Eduardo Elena essays center on race and class during the foundation of Peronism as a political movement, and representations of skin color in politics since mid-twentieth century. While Peronism has never openly challenged conceptions of a White Argentina, some non-white Argentineans sought Peronism as a space to challenge ideas of whiteness.
This book reconsiders the relationship between race and nation in Argentina during the twentieth and twenty-first centuries and places Argentina firmly in dialog with the literature on race and nation in Latin America, from where it has long been excluded or marginalized for being a white, European exception in a mixed-race region. The contributors, based both in North America and Argentina, hail from the fields of history, anthropology, and literary and cultural studies. Their essays collectively destabilize widespread certainties about Argentina, showing that whiteness in that country has more in common with practices and ideologies of Mestizaje and 'racial democracy'…
I grew up on a tiny peninsula in Downeast Maine, an evocative and rugged place, both lovely and haunting. As a girl, walking home late down gravel roads through an encompassing darkness I’ve found nowhere else, I sensed the world’s dangers long before I knew how to articulate them. Surrounded by woods, water, and unnerving quiet broken by the fox’s scream and rustling branches, I began to write. I sought out strange and unsettling books by Shirley Jackson and Stephen King (his home just a few towns away from mine) that left their mark. Storytelling became a way to process and explore what keeps me up at night.
Horrifying, brutal, sinuous, and uncanny, this one floored me. It evokes the peril of girlhood and womanhood with unwavering intensity.
Each story is fresh and unexpected, yet also timeless, rich with wisdom and mythology centuries old. Steeped in painful history, past atrocities twine with the present to nightmarish effect.
Mariana Enríquez is part of a new vanguard of Argentine and Latin American Gothic writers alongside Samanta Schweblin. Their writing, born from real-world horrors, is among the most thrilling discoveries I’ve made in years.
'A portrait of a world in fragments, a mirrorball made of razor blades' Guardian
Sleep-deprived fathers conjuring phantoms; sharp-toothed children and stolen skulls; persecuted young women drawn to self-immolation. Organized crime sits side-by-side with the occult in Buenos Aires - a place where reality and the preternatural fuse into strange, new shapes. These stories follow the wayward and downtrodden, revealing the scars of Argentina's dictatorship and the ghosts and traumas that have settled in the minds of its people. Provocative, brutal and uncanny, Things We Lost in the Fire is a paragon of contemporary Gothic from a writer of singular…
I’m a historian of Latin America and a professor at California State University, Los Angeles. I write about Chile’s labor and social history in the twentieth century. As a historian, I am especially interested in understanding how working people relate with public institutions and authorities, what they expect from the state, and how they have organized and expanded social and economic rights. While my research centers in Chile and Latin America, I also look to place regional debates in a transnational framework and see how ideas and people have moved across borders. I like books that bring working people’s diverse voices and experiences.
What does remain of the old welfare institutions of the mid-twentieth century? How has neoliberalism cut social infrastructure? Javier Auyero looks at welfare and public services in present-day Argentina, a system that, despite the crisis, continues to offer some form of protection to impoverished working families. The book is fascinating and demonstrates how “waiting” has come to define how poor people relate to the state and access rights and benefits.
Patients of the State is a sociological account of the extended waiting that poor people seeking state social and administrative services must endure. It is based on ethnographic research in the waiting area of the main welfare office in Buenos Aires, in the line leading into the Argentine registration office where legal aliens apply for identification cards, and among people who live in a polluted shantytown on the capital's outskirts, while waiting to be allocated better housing. Scrutinizing the mundane interactions between the poor and the state, as well as underprivileged people's confusion and uncertainty about the administrative processes that…
