94 Books Like In the Teeth of the Evidence

Alright, this one isn’t a Regency, and it’s not technically a romance, but it is a love story. It’s set during the Restoration period, so it’s much earlier, but it showcases how a love story can also be an adventure story and a journey of self-discovery.

The heroine, Lady Dona St. Columb, retreats to her estate in Cornwall only to find that a pirate is using her cove as a secret hideaway and her house as his own retreat. They set out on a madcap adventure and fall in love until her husband arrives and attempts to capture her lover, forcing Dona to choose between the life she has and the life she wants.

This is one of my favorite stories because the themes in it are timeless—who among us has not grappled with the same dilemma in the 21st century? I think that makes a book strong—regardless of time… show more.

I love the central female character in this book, Cora Seaborne, who can swing between admirable and ridiculous over the course of a page. I love the dark atmosphere created by the marshes of the Blackwater, where Cora is determined to find evidence of a mysterious creature presumed by locals to be malevolent.

The estuary is a menacing presence in reality (people and animals are sucked in and lost in times of bad weather) and in the imaginations of the villagers. I also love the way that this provides a backdrop for various tumults of the soul experienced by the characters as Cora crashes into the settled lives of a local minister and his family, wreaking accidental havoc.

Hill’s minimalist style, ability to evoke despair, and superb descriptions, combined with the most vivid of imaginations, make her a compelling writer of ghost stories. Hill generally includes all my favourite elements in her ghost stories, starting in familiar surroundings, then moving to more exotic locations, often delivering a shocking twist at the end. In The Man in the Picture, a story set in Venice during Carnival is told to the narrator by an aging professor in his Cambridge rooms on a winter’s night. You don’t read a Susan Hill book to come out feeling better afterwards, but… if you like to be left with a feeling of disquiet, even though you know it’s only a story you just read, The Man in the Picture’s definitely for you.

One of a series that can be read in any order. I found this spine-chilling as it is so easy to put yourself in the place of the characters. I could feel, and live, their fear and desperation. This is not a ghost story. I found it easy to imagine a group of ne’re do wells indulging in these rituals and bringing terror to themselves and others. Not a book I could put down.

This book was an amazing, mysterious read that sucked me back, not for suspense, but to know why—information withheld until the very end of the story, and even though the end of the book is not the end of the story, and even though I still have questions, the ending is immensely satisfying.

I’ve always been fascinated by time travel and time loops, which I find inherently broken. They would never work. But this author managed to intricately create something that actually made sense, something in which I could find no holes. One of my favorite parts was how Felix rebuilt the Internet using wood blocks and strings.

There’s also a profundity to it as well. The story seems to ponder the ideas of fate, destiny, and predestination and ultimately concludes—what does it matter? Just do what you should do. Utterly brilliant story.

This book hooked me initially by drawing hope out of a difficult situation. When Chance Fortunato is just a little kid, his own father sells him to a demon. He spends eight years learning magic and then tempting other teenagers to sell their souls. But then, he flips the script, winning his freedom and setting out to undo the evil he has done by helping others to avoid or escape demonic pacts.

I was impressed by Chance’s ability to overcome a catastrophic upbringing. I was fascinated by how seamlessly Reeder has him switch between navigating ordinary teenage issues and supernatural threats. Chance’s dialogs with his “hairy monkey brain”—which mostly wants sex—and his efforts to find a relationship that is more than that are moving and realistic. His bravery in the face of overwhelming threats is inspiring. 

The Best of H.P. Lovecraft: Bloodcurdling Tales of Horror and the Macabre showcases some of the weirder stories of the horror genre. “The Rats in the Walls” and “The Thing on the Doorstep” put the “f” in fear! H.P.’s evil space creature, Cthulhu, also makes an appearance in this anthology.

This was one of the first ‘indie horror’ books I read. I had no idea what to expect, but the beautiful cover illustration already had me hooked. I adore Baker’s style of writing. It feels like poetry, in a way, and yet the story he tells is very dark.

I have quickly become a huge fan of Baker, and he is such a huge supporter of other authors (and a genuinely nice chap). Win-win.

Reminiscent of Ray Bradbury at his very finest, this absorbing collection of supernatural tales has it all: fascinating characters, palpable atmosphere, and delicious, chewy plots. McHugh brings the uncanny into the every day, most often through the experiences of women, and often using a distinctly Irish lens. From the Irish countryside, in all its windswept, boggy, or tangled forms, to modern office life, this is a glorious kaleidoscope of experiences that feel real even as the surface of human experience is punctured to expose the void beneath.  Each story in this collection has a lot to offer, and - another thing this writer has in common with Bradbury - you’ll find yourself returning time and again for rereading 

This book is a skeleton key for understanding the fundamental relationship between religion, horror, and the supernatural. Otto was a German theologian and scholar of religions in the late nineteenth and early twentieth centuries, and in this, his most famous book, he set out to interrogate the nature of holiness, understood not primarily as supernatural moral goodness but as the feeling of numinous dread that accompanies the supernatural, and that “first begins to stir in the feeling of ‘something uncanny, ‘ ‘eerie,’ or ‘weird.’” He explicitly states that it was this emotion in the mind of early humans that gave rise not only to religion but to the cultural traditions of ghost stories and horror tales. If you read only one book on religion and horror, make it this one.