Here are 93 books that In the Teeth of the Evidence fans have personally recommended if you like
In the Teeth of the Evidence.
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I have loved the Regency for decades. I cut my teeth on it as a young reader, and it’s been exciting to see the genre expand to include all types of stories from manner-driven drawing room dramas that highlight the nuances of the era to seductive, sexy stories that simply take place during those years, to stories that draw heavily on the events of the era to design unique and exciting historical plots. The diversity within the genre reflects the diversity of life and experience during the Regency. I have tried to capture a little of each across the 70+ books I’ve written for Harlequin, Mills, and Boon and in my own reading.
Alright, this one isn’t a Regency, and it’s not technically a romance, but it is a love story. It’s set during the Restoration period, so it’s much earlier, but it showcases how a love story can also be an adventure story and a journey of self-discovery.
The heroine, Lady Dona St. Columb, retreats to her estate in Cornwall only to find that a pirate is using her cove as a secret hideaway and her house as his own retreat. They set out on a madcap adventure and fall in love until her husband arrives and attempts to capture her lover, forcing Dona to choose between the life she has and the life she wants.
This is one of my favorite stories because the themes in it are timeless—who among us has not grappled with the same dilemma in the 21st century? I think that makes a book strong—regardless of time…
From the author of Rebecca comes the story of a woman who craves love, freedom, and adventure-but it might cost her everything. "Highly personalized adventure, ultra-romantic mood, and skillful storytelling." -New York Times A lost classic from master of gothic romance and author of Rebecca, Daphne du Maurier, Frenchman's Creek is an electrifying tale of love and scandal on the high seas. Jaded by the numbing politeness of London in the late 1600s, Lady Dona St. Columb revolts against high society. She rides into the countryside, guided only by her restlessness and her longing to escape. But when chance leads…
Readers describe Krenik's writing style as “fast-paced, engaging, making complex plotlines easy to follow.”
Set in a dystopian world where dragons exist, this series offers readers layers of mysteries to unfold. Romance flares between a viscount and the nanny of his five-year-old twins. But not everyone is as they seem,…
I’m a historian who recently started writing historical fiction. A few years ago, while writing my most recent academic book about 19th C Dublin, I became frustrated with the limitations of what I felt I could write about. I had a lot of sense of the atmosphere of the city that didn’t really fit into the way an academic book is constructed. So, I ended up trying my hand at historical fiction, wanting to give a real sense of place that I felt to be true but which was also a product of my imagination. One of my favorite things about reading novels has always been this sense of place.
I love the central female character in this book, Cora Seaborne, who can swing between admirable and ridiculous over the course of a page. I love the dark atmosphere created by the marshes of the Blackwater, where Cora is determined to find evidence of a mysterious creature presumed by locals to be malevolent.
The estuary is a menacing presence in reality (people and animals are sucked in and lost in times of bad weather) and in the imaginations of the villagers. I also love the way that this provides a backdrop for various tumults of the soul experienced by the characters as Cora crashes into the settled lives of a local minister and his family, wreaking accidental havoc.
Now a major Apple TV series starring Claire Danes and Tom Hiddleston
THE SUNDAY TIMES NUMBER ONE BESTSELLER
'A blissful novel of unapologetic appetites ... here is a writer who understands life' JESSIE BURTON, author of THE MINIATURIST
London, 1893. When Cora Seaborne's controlling husband dies, she steps into her new life as a widow with as much relief as sadness. Along with her son Francis - a curious, obsessive boy - she leaves town for Essex, in the hope that fresh air and open space will provide refuge.
On arrival, rumours reach them that the mythical Essex Serpent, once…
I am fascinated by the supernatural and love to link it with a particular setting. The books listed all inspired my writing from their pace, elegant prose, and especially, descriptive settings and atmosphere evoked from those settings (something I strive to do as an author, using places I know really well). I was lucky enough to spend my early years in southwest Wirral, with its red sandstone hills, heathland, and views across the Dee estuary to Wales. This was a perfect setting for The Face Stone, with the atmosphere of the local woodlands, especially at dusk, making it easy to imagine that ancient spirits still guarded rock and tree.
Hill’s minimalist style, ability to evoke despair, and superb descriptions, combined with the most vivid of imaginations, make her a compelling writer of ghost stories. Hill generally includes all my favourite elements in her ghost stories, starting in familiar surroundings, then moving to more exotic locations, often delivering a shocking twist at the end. In The Man in the Picture, a story set in Venice during Carnival is told to the narrator by an aging professor in his Cambridge rooms on a winter’s night. You don’t read a Susan Hill book to come out feeling better afterwards, but… if you like to be left with a feeling of disquiet, even though you know it’s only a story you just read,The Man in the Picture’s definitely for you.
A mysterious depiction of masked revellers at the Venice carnival hangs in the college rooms of Oliver's old professor in Cambridge. On this cold winter's night, its eerie secret is revealed by the ageing don. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty ...
Shetland sailing sleuth Cass Lynch is definitely out of her comfort zone when she helps round up a prize-winning stallion escaped from the renowned Klaufister stud. She's even less impressed by its owner, Keith Arthurson, a returned city slicker who's already made enemies in his community.
Books have been with me all my life as my father was a librarian and fed me books from an early age; I cannot remember being taught to read, I just could. Adventure and detective were my favourites. Then I found my local library and the horizons expanded; when I worked in a library there was the joy of being able to ‘stop’ a book I wanted to read but couldn't find. I graduated as a Biochemist and then got into computer programming. I completed my first novel in 1980 but put it away for thirty years before rewriting and publishing it. I got the writing bug and four more books followed as a series.
One of a series that can be read in any order. I found this spine-chilling as it is so easy to put yourself in the place of the characters. I could feel, and live, their fear and desperation. This is not a ghost story. I found it easy to imagine a group of ne’re do wells indulging in these rituals and bringing terror to themselves and others. Not a book I could put down.
The aristocratic Duke de Richleau faces new, sinister challenges in this macabre tale of the dark arts. When his good friend Simon Aron's naive curiosity is tested, the Duke, along with his ever-patient friends Rex Van Ryn, and Richard Eaton, must intricately plot a means of both physical and spiritual rescue. But with Van Ryn's affections for a beautiful woman caught in the web of Satanists, and Eaton's ongoing scepticism, they all risk being brought to the verge of madness through dabbling with the powers of evil.
From London to the West Country, the slums of Paris to a Christian…
I was a weird kid. Often accused of ‘thinking too much’, I cut my literary teeth on Stephen King, Ray Bradbury, Phillip K Dick, and Shirley Jackson. Raised on their dark milk, I grew up wanting more than hollow scares and mindless eviscerations. Don’t just give me a scary story, give me a scary story that resonates, one that raises a lens to our world, our history, the rules we’re asked to live by. Unsettle me, make me think. Most of all, give me characters worth my precious time. These are the kind of stories I endeavor to write and the ones I most enjoy reading. I hope you enjoy this small selection as much as I have.
Reminiscent of Ray Bradbury at his very finest, this absorbing collection of supernatural tales has it all: fascinating characters, palpable atmosphere, and delicious, chewy plots. McHugh brings the uncanny into the every day, most often through the experiences of women, and often using a distinctly Irish lens. From the Irish countryside, in all its windswept, boggy, or tangled forms, to modern office life, this is a glorious kaleidoscope of experiences that feel real even as the surface of human experience is punctured to expose the void beneath. Each story in this collection has a lot to offer, and - another thing this writer has in common with Bradbury - you’ll find yourself returning time and again for rereading
The Boughs Withered is the debut collection from accomplished Irish author Maura McHugh. It includes twenty tales - four of them original to the volume - which represent the best strange visions from an award-winning writer of fiction, non-fiction, comic books and plays. Among the featured stories is "Bone Mother", which was adapted into the award-winning stop-motion animated short film by See Creature in Canada.
In her horror and dark fantasy stories, Maura McHugh explores her love of the uncanny, delves into the eerie past, and evokes weird landscapes that might just co-exist with our own.
I am an indie horror author from Yorkshire, England. I grew up on a steady diet of Stephen King and horror films and developed a love of all things spooky and/or creepy. Supernatural horror has always been my favorite genre. When it’s done well, it has the capacity to be absolutely terrifying. It took me writing a couple of books before I finally jumped headfirst into writing supernatural horror. To me, there’s nothing scarier than the unknown, and that’s what I want to explore in my writing, and also my reading. I am also a huge advocate of indie authors, and I am thrilled to share these recommendations with you.
This is Leigh Kenny’s debut novel. I absolutely devoured it and read it in one sitting. I grew up on horror movies, and this is a new take on J-Horror. As somebody who loves The Grudge, I felt an affinity with this book. It was almost nostalgic in a way, reminiscent of 90s/00s horror movies.
Have you ever agreed to something without understanding the consequences? What would you do if a cursed object came into your possession?
Burn it?
Seek spiritual help?
Pass it on?
This is the impossible choice Curtis must face as a sinister entity is thrust upon him. As the walls close in and the evil takes hold, he must act before his life is forever altered.
Curtis is haunted.
Curtis is afraid.
Curtis is... Cursed
The ideal read for fans of horror, mystery thrillers, possessions and supernatural beings. The Grudge meets Drag Me To Hell, Cursed is the story of one…
In ancient Rome, sensible women don’t investigate murders, but Livia Aemilia’s father is dead, and her innocent brother has been accused of the crime. What’s a girl to do? Find the criminal herself, obviously.
Livia and her spunky maidservant pound the ancient Roman pavements in search of the killer, with…
I’ve loved reading ever since I learned how. Sometimes, that can be inconvenient. I now own over 8000 books, not including ebooks, so storage space is an issue. Fortunately, my heart space is not as constrained as my physical space. Anyway, given my keen interest in reading, it’s no surprise that I began to write. Though my reading tastes are wide, I mostly write in fantasy, my favorite genre. It’s an opportunity to explore new worlds and to use them to reflect upon our own. We may not make literal pacts with demons, but we all face temptation. Figuring out how to navigate our desires is a crucial part of life.
I like how C. Gockel leads me to expect one type of story but then gives me another. I thought that Snow So White was going to be a retelling of a fairy tale. While the book does allude to the fairy tale, “Snow White” is just a nickname for Jack Frost, which in turn is a nickname for an identity the character himself can’t quite remember.
I’m also a big fan of the world-building. The story is set in a time when old technology has collapsed, replaced by a resurgence of magic. Other planes of existence now intersect with ours so that unwary travelers can meet anything from animal spirits to old gods.
The characters are equally diverse and include my personal favorite, a vampire who retains her humanity, likes to play with dogs, and reminisces about her long-dead family. It’s hard to make a vampire heartwarming, but Gockel…
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Nelson’s book is a revelation in how it explores the work that both religion and popular culture can do – her readings of Lovecraft’s work are particularly evocative. I’m not on board with the sharp line she draws between high and low culture, but it’s one of those books that’s fascinating even when you disagree with it.
In this work, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, "The Secret Life of Puppets" describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and…
I have always been interested in the metaphysical and in psychology, so I have always gravitated to how the mind creates our perception of reality and how that can be stretched. Coming to this country as a refugee with my family and watching the struggles of my family has given me a keen interest in the human mind, resilience, and mental health. My artwork and writing lends itself towards magical realism and the blurring between reality and the supernatural. I truly believe that things are often not what they seem and I aim to prove it.
I have never rooted for the underdog more in my life.
For a kid to go through such unbearable pain and to come out so strong and powerful, is truly remarkable. It also blurs the lines of reality in the way that I love.
I loved the idea that superpowers could come from what the world deems as a disability. I do believe there is power in harnessing what pains us.
Hunter Miller sees demons. The terrifying shadows engulf him and everyone he knows—yet nobody else notices their presence.Hunter can't escape them, so he sets out to understand them. Why do they follow him? What are they trying to tell him?In this first installment of the Master of Perceptions series, pre-teen Hunter discovers that every sensation the demons produce—whether it be sight, sound, texture, flavor, or smell—has a different meaning. And that by breaking this code, he just might be able to harness their power.
She sells books, eats well, and has a very large brain. Criminals fear her.
Meet Beatrice Valentine, a larger-than-life bookshop owner with a penchant for three things in abundance—delicious Italian food, vino, and murder. For decades, she has sold used and rare books from her stylish-but-cluttered domain on New York…
I’ve loved mysteries since childhood. That passion started with silly attractions like Scooby-Doo, Dark Shadows, and Nancy Drew. As I grew older, my love of mystery expanded to include the “what if” elements of folklore and urban legends. I’ve written two, 3-book series employing dual timelines, each wrapped in multiple layers of folklore. Crafting separate plotlines then weaving them into a tidy ending takes patience. I enjoy reading books that are well-executed and if they include a touch of the supernatural, all the better. My passion for urban legends has led me to give presentations to local community groups and also to engage in travel when needed for on-site research.
I’m a huge fan of the board game Clue. The “present” timeline in this story provides an excellent tip of the hat when lead character Sadie, a bit actress, agrees to assume the role of “Miss Lamb” at an old mansion known as Raven Hall. She attends with a collection of others (who take on roles like Miss Mouse, Professor Owl, Colonel Otter, etc.) as part of a trial run for a business that hosts murder mystery parties. Great set-up, right?
Three time periods twine in the plot, one which includes a bizarre game of a different sort that has far-reaching consequences, stretching from past to present. The author does a brilliant job of foreshadowing, planting subtle clues that deliver staggering surprises by the end of the story.
The USA Today bestselling author of The Au Pair returns with another delicious, twisty novel—about a grand estate with many secrets, an orphan caught in a web of lies, and a young woman playing a sinister game.
1988. Beth Soames is fourteen years old when her aunt takes her to stay at Raven Hall, a rambling manor in the isolated East Anglian fens. The Averells, the family who lives there, are warm and welcoming, and Beth becomes fast friends with their daughter, Nina. At times, Beth even feels like she's truly part of the family...until they ask her to help…