Here are 100 books that In the Sea There Are Crocodiles fans have personally recommended if you like
In the Sea There Are Crocodiles.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
A children’s book that adults will enjoy, The Night Diary is the story of twelve-year-old Nisha, half-Muslim, half-Hindu, and caught up in the tragedy of partition – where Pakistan and India separated in the aftermath of India’s independence from Britain.
Nisha is about to experience the disorientation and fear that comes when a family decides to flee for safety. Nisha’s story is told through a series of letters to her mother as she leaves what is now Pakistan, to find a home and an identity. Her predicament – that of a desperate search not just for physical safety but for hope - reminds me of that of Resi, the main character in Sigh For A Strange Land, who wants nothing more than to find that "'tomorrow' is not a threatening word."
It's 1947, and India, newly independent of British rule, has been separated into two countries: Pakistan and India. The divide has created much tension between Hindus and Muslims, and hundreds of thousands are killed crossing borders.
Half-Muslim, half-Hindu twelve-year-old Nisha doesn't know where she belongs, or what her country is anymore. When Papa decides it's too dangerous to stay in what is now Pakistan, Nisha and her family become refugees and embark first by train but later on foot to reach her new home. The journey is long, difficult, and dangerous, and after losing her mother as a baby, Nisha…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
My obsession with metamorphosis began after my wife and I discovered that we're going to have our third child. I started having nightly dreams about the butterflies I kept in a dry aquarium when I was a kid, waking up in the middle of the night with a flashlight strapped to my forehead, waiting to see them emerge from their chrysalis. A pregnancy somehow feels like our human version of emergence: few experiences are as life-changing as becoming a parent, and fewer wonders more exhilarating than the natural magic of metamorphosis. Both mark beginnings but are in fact continuations. Both, in different ways, are also forms of endings. Both make us wonder about the riddles of our world.
This book is about a young couple who fall in love in a city gripped by war, and step through a magic door which transports them to a different life.
It is a careful study of how their relationship slowly changes, their love morphing into something else.
Hamid is a master stylist, and while this book is not ostensibly about metamorphosis, it spoke directly to the three main questions I ask in my own book: Where did we come from? Where are we going? And what is the self?
Requesting that I justify my credentials as a misfit, eh? Okay, then. I personally differ from almost everyone around me in many ways, but most notably with respect to faith, sexual arousal, and use of the intellect. I’ve always sought to cultivate and nourish my spiritual side, but faith-based Western religions never resonated with me—I instead cobbled together a discipline encompassing yoga, meditation, vegetarianism, and Ahimsa—which has served me for over half a century. From the earliest age, sexual arousal has involved scenarios where one person cedes power and the other wields it. And I have always obsessed about any bit of minutia my brain happened to seize upon.
In this classic, heart-wrenching novella, the misfit character is Lenny—a gigantic, strong, but intellectually challenged migrant worker in California in the 1930s. Despite being faithfully chaperoned by his lifelong friend George, who tries his best to keep Lenny out of trouble, it seems fated that trouble will inevitably find Lenny. And when it does, Lenny—who is in truth a huge, confused child in a world of rough, unforgiving men—pays the ultimate price.
This story resonates especially strongly with me because I had a younger brother, now deceased, who was severely intellectually challenged.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Drifters in search of work, George and his childlike friend Lennie have nothing in the world except…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
A brutal but beautifully told fiction based on true events, it explores the aftermath of America’s withdrawal from Vietnam – folding into the narrative, such horrific events as the Koh Kra massacre.
The protagonists are 16-year-old Anh, her 13-year-old brother Minh and their 10-year-old brother Thanh. During an ill-fated sea crossing to Hong Kong, they are separated from their parents and siblings. After passing through camps and detention centres, they find themselves in the Britain of the 80s.
What follows is a clear-eyed, often heart-rending look at the immigrant experience. Pin’s writing style is precise and understated – and perhaps the more powerful it. Among the many elements that make the book so beguiling is the addition of Dao, one of the siblings’ lost brothers narrating parts of the story from limbo.
“A deeply humane and genre-defying work of love and uncompromising hope.” ―Ocean Vuong, author of On Earth We’re Briefly Gorgeous and Time Is a Mother
There are the goodbyes and then the fishing out of the bodies―everything in between is speculation.
After the last American troops leave Vietnam, siblings Anh, Minh, and Thanh journey to Hong Kong with the promise that their parents and younger siblings will soon follow. But when tragedy strikes, the three children are left orphaned, and sixteen-year-old Anh becomes the caretaker for her two younger brothers overnight.
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
In many books, Freya Stark (1893 to 1993) covered mostly what we used to call the Middle and Near East – Turkey, Iran, Iraq, Syria, Egypt, Afghanistan.
In The Lycian Shore she sails in a small yacht along the coast of south-west Turkey. I love this book – it shows what women travel writers can do when they blend history and personal observation. I used to take her chapters apart when I started out to learn how she did it.
I’ve been working to amplify voices of refugees and asylum seekers since 2015, when a 12-year-old boy named Mez joined my family as the first of four foster brothers I now have from Eritrea, Sudan, Libya and Afghanistan. Their stories led me to the Calais Jungle in an attempt to challenge the negative media portrayal of those experiencing displacement. I’ve since worked in refugee camps across the world from France to Bangladesh, sharing food, stories, laughter, and tears, asking questions and learning from those I meet. My book is a compilation of the stories that have impacted me most (Mez being the first), and a testament to those who shared them with me.
I read this book when my own family was in the process of welcoming a new foster brother from Afghanistan.
Reading Gulwali’s very personal journey from Afghanistan to the UK as an unaccompanied child helped us to understand what my own brother had been through and the journey he had taken. It gave us context as to the Afghanistan he experienced and left behind, and we passed the book around the whole family and devoured it eagerly.
Gulwali’s story is raw and real and is the most powerful account of a child refugee I have ever read.
A gripping, inspiring, and eye-opening memoir of fortitude and survival—of a twelve-year-old boy’s traumatic flight from Afghanistan to the West—that puts a face to one of the most shocking and devastating humanitarian crises of our time.
“To risk my life had to mean something. Otherwise what was it all for?”
In 2006, after his father was killed, Gulwali Passarlay was caught between the Taliban who wanted to recruit him, and the Americans who wanted to use him. To protect her son, Gulwali’s mother sent him away. The search for safety would lead the twelve-year-old across eight countries, from the mountains…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I started travelling to paint and draw when I was an art student, first in Manchester and then at the Royal College of Art in London. I applied for drawing scholarships to help enable my travels. I wanted to see and draw the world in my own way. I’ve never really liked reading travel guidebooks. They date so quickly and can be too limiting but I’ve always enjoyed reading books by people who travel. You get a much truer sense of a place from someone who has followed a passion to somewhere remote. When I travel I look for stories on my journeys, something to bring home.
It was first published in 1937 and the book is an account of a journey Robert Byron made through Persia and Afghanistan in 1933.
The Oxiana he writes about no longer exists having been torn apart by wars and revolutions. I read of his visit to see the Buddhas in Bamian with an ache. I wish they had never been destroyed.
His conversational narrative vividly describes life in towns and villages and the people he meets and their ways of living. He is driven by a love for Islamic architecture that lures him to make this journey.
He attends tea parties and fancy dress balls in remote consulates that now seem absurd but they were no doubt fun at the time and a welcome break.
"The Road to Oxiana" is an account of Robert Byron’s ten-month journey to Iran and Afghanistan in 1933–34 in the company of Christopher Sykes. This travelogue is considered by many modern travel writers to be the first example of great travel writing. Bruce Chatwin has described it as “a sacred text, beyond criticism” and carried his copy since he was fifteen years old, “spineless and floodstained” after four journeys through central Asia.By the Si-o-seh pol bridge in Isfahan, Iran, Byron wrote: “The lights came out. A little breeze stirred, and for the first time in four months I felt a…
I worked for many years in business consultancy before branching into other genres, including fiction. Through working regularly in Singapore I was able to travel around the region, finding I loved that part of the world. I came to regard Thailand as the jewel of Southeast Asia. I continue to visit and aim for my light-hearted travel writing to encourage others to enjoy the area and be ambitious in their travel plans. I regard my book as an invitation to share my love of a unique place and was delighted when one reviewer described my writing of it as “Brysonish.”
Again, a writer I love, more serious than the likes of Bill Bryson but no less readable.
This book records a journey from China along the historic Silk Road and across the world to the mountains of Central Asia, encompassing time in places such as Afghanistan, which was a difficult place then and one where circumstances deteriorated subsequently.
It is writing that makes you dwell on the history and want to follow every step—and every page.
Colin Thurbon's beautiful prose unfolds along the Silk Road, unearthing a richly layered past on his most ambitious journey.
On buses, donkey carts, trains, jeeps and camels, Colin Thubron traces the drifts of the first great trade route out of the heart of China into the mountains of Central Asia, across northern Afghanistan and the plains of Iran into Kurdish Turkey. A magnificent account of an ancient world in modern ferment, Thubron covers over 7000 miles in eight months enduring a near-miss with a drunk-driver, incarceration in a Chinese cell, and undergoing root canal treatment without anaesthetic, along the way.…
I began writing Ali’s incredible international odyssey as a film, but once I discovered the epic breadth of his journey, I decided on a book first.
For 3 years I worked intensely with Ali. Not only was it a passionate and personal epic tale about love and loss, overcoming insurmountable odds, endurance and survival, but it hit a chord with readers from all walks of life, bringing understand to why people fled their countries, and help to change attitudes on refugees from fear to compassion. After three years on the road with the book I have now completed the screenplay.
Kooshyar Karimi wrote this stunning memoir so beautifully it blew me away. Now a Sydney-based doctor and writer, he grew up as a Jew in Muslim Iran, hiding his origins from a brutal regime, always with a humorous eye.
It is such a powerful story of survival, torture, and spying, plus forced deceptions and betrayal of others for helping desperate female rape victims. The struggle for redemption and eventual escape make his journey an unforgettable one.
Whilst many stories have come out of Iran in the last few decades, nothing matches the grittiness of this portrayal of life in the crumbling alleyways and damp cellars of an Iranian slum district--the extreme poverty and desperation, and the regular betrayals and compromises, even within families, in the fight for survival. Born on the back seat of a police car in the subzero temperatures of a bleak and icy winter's night, Karimi summons extraordinary and unwavering dedication throughout his childhood to break free of this hopeless existence, culminating in the achievement of his dream to become a surgeon. But…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have always been interested in political and social events around me, and being from Turkey, it was inevitable not to be surrounded by the news of the conflict between the Turkish state and the PKK that has been going on for decades. However, perhaps due to being a member of the non-Muslim minority community of Turkey myself, I have always been interested in the ‘non-mainstream’ explanations of a state-ethnic group conflict. This interest in alternative explanations led me to study an MSc in Nationalism Studies and to a PhD in Sociology at the University of Edinburgh, with the focus of my thesis being Kurdishness in Turkey.
It is safe to say that this book was like a holy book to me when I was doing my MSc and during my early PhD years.
Martin van Bruinessen is a scholar that everyone who has an interest in Kurdish studies should be familiar with, and this book, which is a collection of his earlier articles, is a good introduction to get acquainted with Kurds and their history.
Even though the articles in this book date back to the 1980s and to the 1990s, it is a classic book for those who want to familiarise themselves with Kurds.
The articles here are not only about Kurds of Turkey but also those of Iran and Iraq.
A collection of articles by Martin van Bruinessen on Kurds, Kurdish history and identity from the perspective of nationalism and nation-building in the Middle East.
