Here are 25 books that In the Country of Men fans have personally recommended if you like
In the Country of Men.
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I’m a writer who loves reading novels, encompassing everything from romance to historical and crime. I've always loved resilient female characters in the books I've read, from children’s fiction onward. When I started writing The Low Road I didn’t know that a couple of years later we as a family would experience multiple bereavement in just a few months, and that grief is imbued in every page of the novel. In The Low Road, I hope I've also paid homage to the power of women, that dogged and patient holding on and enduring of pain, that is at the heart of so many of the lives we live as girls and women.
I read this years ago and then devoured all of Nawal el Sadawi’s books, fiction and non-fiction.
I have Iranian heritage on my birth father’s side and have always been fascinated in the life I could have lived as an Iranian girl, if I had been raised there instead of the UK.
So reading Nawal ed Sadawi’s books, set in Egypt where she was born, educated, and worked as a doctor and writer, gave me an insight I really wanted into Islamic societies and how women can live in them.
Woman at Point Zero is harrowing, brilliant, immersive, and painful, taking as its theme the story of Firdaus, who tells the story of why she has killed a man before she is executed. She explains why and her courage and eloquence have stayed with me ever since.
We need these stories of women on the edge who still, somehow, resist…
'An unforgettable, unmissable book for the new global feminist.' The Times
'All the men I did get to know filled me with but one desire: to lift my hand and bring it smashing down on his face.'
So begins Firdaus's remarkable story of rebellion against a society founded on lies, hypocrisy, brutality and oppression. Born to a peasant family in the Egyptian countryside, Firdaus struggles through childhood, seeking compassion and knowledge in a world which gives her little of either. As she grows up and escapes the fetters of her childhood, each new relationship teaches her a bitter but liberating…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Peace has been my passion for more than half a century. In 1970, I refused to carry a weapon while serving in Viet Nam as a combat medic in an infantry battalion commanded by Colonel George Armstrong Custer III. I have witnessed enormous violence inflicted upon human beings, primarily civilians, and the earth which sustains us all. My knowledge of war comes from treating wounds. I have read numerous books about Palestine and Israel through a medic’s eyes. The books I’ve highlighted here will contribute to peace if they are read with care, with love. Never underestimate the power of words.
How can I not be mesmerized by a master storyteller?
Adania Shibli, a Palestinian author born in the West Bank, begins with a tragic incident that occurred in the Negev in 1949. I admire her precision and nuance, especially her depiction of an Israeli officer who devolves into an emotionless psychopath.
I was a combat medic in the Vietnam War. I know first-hand the insanity of war, which Shibli reveals in her own unique way. The unnamed Israeli officer dominates the first part of Minor Detail, and a young woman, an amateur sleuth who investigates the officer’s crimes, takes center stage in part two.
I was horrified and enlightened, in equal measure.
Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba - the catastrophe that led to the displacement and expulsion of more than 700,000 people - and the Israelis celebrate as the War of Independence. Israeli soldiers capture and rape a young Palestinian woman, and kill and bury her in the sand. Many years later, a woman in Ramallah becomes fascinated to the point of obsession with this 'minor detail' of history. A haunting meditation on war, violence and memory, Minor Detail cuts to the heart of the Palestinian experience…
Matar's describes an episode of terrible inhumanity-- the disappearance, imprisonment, and torture of his father and countless others in Gaddafi's Libya-- in a remarkably humane way. He makes visible how authoritarian governments attack the bonds that link biological families and citizens; the many ways, large and small, by which people challenge the state terrorism that reshapes their lives; and the essential need for political asylum.
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD SHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY WINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE ONE OF THE NEW YORK TIMES' TOP 10 BOOKS OF 2016
The Return is at once a universal and an intensely personal tale. It is an exquisite meditation on how history and politics can bear down on an individual life. And yet Hisham Matar's memoir isn't just about the burden of the past, but the consolation of love, literature and art. It is the story of what…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I am a descendant of William Bradford and Myles Standish, of Pilgrim fame. I was raised in a Massachusetts farmhouse where the commission of James Churchill as a Captain in the militia still hangs, signed by John Hancock. I have lived and breathed this stuff since first opening my eyes. My wife, MaryLu, is a retired elementary teacher who helps bring life to the young characters. Together, through the medium of novels they would actually enjoy reading, we seek to inspire American youth with the principles of our founding, so that they may be more effective in preserving and defending them.
Many an idealistic young law student like me felt that jolt in our spine early on when we saw up in the balcony of that courthouse a sleepy Scout being told, “Stand up, Jean Louise. Your father’s passin’.”
The movie is as faithful to the novel as the medium would allow. The novel is told entirely from Scout’s POV and not only focuses upon the racism of the time and place, but also upon her coming of age as a tomboy and being told to act “As a little girl should.”
The book offers more to those of us for whom the rule of law and not of men is a passion, especially in Finch’s closing: “There is one human institution that makes a pauper the equal of Rockefeller, a stupid man the equal of Einstein… That institution, gentlemen, is a court.”
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
In today’s world, where negativity and dire situations can easily bombard us, I need to consistently ground myself in hope and light. Real stories about transformation and unconditional love are not only uplifting and hopeful, they are also around every corner. Every one of us is capable of transformation and the giving and receiving of unconditional love. It’s through transformation and unconditional love that we may better understand what it means to be human and, thus, build our capacity for compassion for one another. Through compassion, we can create a better world.
What does it mean to be human, and what happens to us when we don’t receive unconditional love?
The two main characters in this Gothic novel, a human and a "monster," are presented in such a way that I questioned which main character was more human. There’s a warning of what can happen when we deny the basic human need for unconditional love.
Shelly’s use of a frame story pulled me in from the first page.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I have always been interested in what makes people tick – in their unseen inner world. In my twenties, I literally embodied others in my work as an actor. In my thirties, I studied applied psychology and sat alongside others and talked. In my forties, I started my consulting business Changeable, working with group and organizational dynamics. Now in my fifties, I am accessing inner worlds through writing, placing myself imaginatively into other people and places. I have merely scratched the surface. These post-WWII books give a gripping, personal, and scorching window into truth-seeking.
A young Australian, Anna Funder, places an advertisement in the newspaper to find resistors and enforcers of the brutal East German regime, the Stasi. This naïve, but bold act leads her on a path to discover tales that reverberate through time.
Similarly, I felt ill equipped to face vestiges of censored war crimes, historical documents, and fragments of memory, but, inspired by Funder’s curiosity and dedication, I pressed on.
“Stasiland demonstrates that great, original reporting is still possible. . . . A heartbreaking, beautifully written book. A classic.” — Claire Tomalin, Guardian “Books of the Year”
Winner of the Samuel Johnson Prize for Non-Fiction: a powerfully moving account of people who heroically resisted the communist dictatorship of East Germany, and of people who worked for its secret police, the Stasi.
Anna Funder delivers a prize-winning and powerfully rendered account of the resistance against East Germany’s communist dictatorship in these harrowing, personal tales of life behind the Iron Curtain—and, especially, of life under the iron fist of the Stasi, East…
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
For three decades I have been the first violinist of the Takács Quartet, performing concerts worldwide and based at the University of Colorado in Boulder. I love the ways in which books, like music, offer new and surprising elements at different stages of life, providing companionship alongside joys and sorrows.
In these five stories music is the catalyst that shapes the narrators’ encounters with regret, failure, and loss. Through seemingly straightforward but complex dialogue, surprising plot twists, and individual revelations, Ishiguro mixes whimsy and melancholy with moments of connection and revelation—a cocktail that is oddly comforting.
*Kazuo Ishiguro's new novel Klara and the Sun is now available*
In Nocturnes, Kazuo Ishiguro explores ideas of love, music and the passing of time. From the piazzas of Italy to the 'hush-hush floor' of an exclusive Hollywood Hotel, the characters we encounter range from young dreamers to cafe musicians to faded stars, all of them at some moment of reckoning.
Gentle, intimate and witty, this quintet is marked by a haunting theme - the struggle to keep alive a sense of life's romance, even as one gets older, relationships founder and youthful hopes recede.
I worked for the last 25 years teaching literature classes and creative writing workshops—most of that time at the University of California at Davis. The students in my classes were mainly English majors and/or young writers. They tended to be serious about the potential of a text. To be serious, today, in America, about the potential of a text is to dwell in an inherently counter-cultural position. It is to conceive of the value of a text as something surpassing entertainment, i.e., use. Such a surpassing is a blasphemous notion… still tolerated in the context of the University. Its proliferation beyond those boundaries seems unworkable.
How is a person like a novel? Both, at their core, are made of stories. Both, at their core, are the way in which various stories are imagined to hang together. But the nexus of stories at the core of a person is written in the brain (wordlessness), which is always in flux, changeable, and incomplete, forever before words and on the verge of being totally lost.
The nexus of stories at the core of a novel, on the other hand, is written in nothing other than words; as such, it makes manifest a disembodied, complete (i.e., fictive) person—a person invulnerable to death. A novel is what a person is forever wanting to turn into.
The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs-the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with…
In the natural course as a young man, I became a husband and a father. I have four children and eleven grandchildren. Fatherhood has been the most difficult yet rewarding job of my life. You never stop being a parent. So, it was inevitable that this would become a subject of my writing. I have tried to be a compassionate caregiver and a positive role model to my children; you’ll have to ask them if I’ve succeeded. In my novel, I try to depict two fathers (and their two sons) as good yet flawed men, doing their best and finding their way. Just as all fathers do.
It took me two tries to finish this tremendously difficult novel about a father who desperately wants a son, and gets two. Considered by many to be Faulkner’s most challenging work, it defeated me on my first attempt. But I was captivated by this example of fatherhood gone obsessively wrong, so returned to it and soldiered through.
It was worth the effort. I hope I never find any commonality with the main character of this novel, and I’m not sure if I should take solace from Faulkner’s conclusion that we can never really understand another person, and may not want to. I read it as a cautionary tale of what a family can become.
This postbellum Greek tragedy is the perfect introduction to Faulkner's elaborate descriptive syntax.
Quentin Compson and Shreve, his Harvard roommate, are obsessed with the tragic rise and fall of Thomas Sutpen. As a poor white boy, Sutpen was turned away from a plantation owner's mansion by a black butler. From then on, he was determined to force his way into the upper echelons of Southern society. His relentless will ensures his ambitions are soon realised; land, marriage, children, his own troop to fight in the Civil War... but Sutpen returns from the conflict to find his estate in ruins and…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
This is a wonderfully lively and revealing investigation into the life and work of Anton Chekhov. The book is also partly the story of Janet Malcolm’s pilgrimage to the cities in Russia where Chekhov lived and worked.
Her reading of Chekhov’s work is complemented by events from Chekhov’s personal life and letters. I have been a fan of Janet Malcolm for years because I’m captivated by her searing intelligence, her keen eye, and her ironic wit.
On her pilgrimage to Russia, Malcolm’s complicated relationship with her controlling Russian guide offers some truly hilarious moments.
To illuminate the mysterious greatness of Anton Chekhov’s writings, Janet Malcolm takes on three roles: literary critic, biographer, and journalist. Her close readings of the stories and plays are interwoven with episodes from Chekhov’s life and framed by an account of Malcolm’s journey to St. Petersburg, Moscow, and Yalta. She writes of Chekhov’s childhood, his relationships, his travels, his early success, and his self-imposed “exile”—always with an eye to connecting them to themes and characters in his work. Lovers of Chekhov as well as those new to his work will be transfixed by Reading Chekhov.
