Books like In Search of Brightest Africa — picked by fans

Where to begin. Hoganson’s first book had already transformed our understanding about why the US acquired a colonial empire in 1898 through the politics of gender.

In Consumers’ Imperium she once again flips the script by investigating the domestic side of the Gilded Age capitalist empire. In doing so, wealthy white women are recast as power brokers of American globalization and imperialism through their purchasing habits, exhibitions, and armchair travel clubs.

It’s not possible to understand the United States without understanding its maritime past. Rouleau takes us onto the forecastle to show just how important US mariners were (how could they not be when 100,00 departed the republic each year?) in a vivid account with lots of surprising details drawn from scrimshaw and logbooks. These working-class diplomats shaped the foreign perception of the United States in port cities around the world through their (often violent) encounters with foreign peoples, their onshore carousing, and their spread of black face minstrelsy around the globe.

Reforming the World sees Ian Tyrrell, the master practitioner of transnational approaches to US history, at the peak of his powers. After tackling the world temperance movement, and US-Australian environmental connections, Tyrrell here turns to the “soft power” of Christian missionaries and evangelicals as they proselytized around the world and hoped to remake it in their image. You cannot fail to be gripped by the idiosyncratic personal histories of Tyrrell’s protagonists which he captures with characteristic attention to detail, humanity, and clear-eyed analysis. This is an important story in its own right, but what’s important is the way in which it sets the scene for US power in the twentieth century.

This is transnational scholarship at its best. Asaka tells the story of how the history of emancipation in Canada and the United States is intertwined into the history of efforts to exile freed people to tropical climates around the world where they could be used to create a monopoly over indigenous lands. This is a tale of hemispheric proportions, taking the reader from North America to the Caribbean and the East Coast of Africa, but of global importance – telling as it does the history of the racialization of freedom in the Age of Empire. Just as important, and told here in arresting fashion, are the ways in which black activists contested and remade those spaces.

The 1960s and 70s were periods of Black Consciousness, both in Africa and the diaspora. At the heart of this was Pan-Africanism, a political ideology built on historical and cultural links between Black people everywhere. At the heart of these ideas was a psychical and physical “return” to Africa, the “motherland”. This short, but powerful play, explore these politics in the marriage of Ato Yawson and Eulalie Rush, a Ghanaian man and an African-American woman who emigrate from the US to Ghana in search of racial and cultural harmony. What occurs is a dramatization of what happens when political ideologies are applied to private lives. What I love about this text is its confrontation of slavery as traumas that cannot be easily erased by political rhetoric and national endeavors to “move on.”

Yusuf is a young boy, an indentured servant to an Arab trader, living in a cloistered environment amidst much he doesn’t understand. On a trading trip from the Swahili coast, through the foothills of Kilimanjaro, and on to Lake Victoria, he has the opportunity to see foreign wonders, learn how the trader negotiates, and see the attitudes of the Swahili traders toward the people from the interior, the relatively new Indian immigrants, and the German colonizers. The trip is brutal; descriptions are straightforward and realistic but the author never sensationalizes events. This is an important piece of the incredible variety in the mosaic of African culture and history. The honesty and authenticity the author provides make it clear what he has to offer the literary world and why he was awarded a Nobel prize. 

In these times of Black Lives Matter, emboldened white-supremicists, and with European dominance descendant, Born into Blackness is a revelatory and blunt dose of historical reality. I was not fully aware of the centrality of the slave economy in Europe’s rise to global dominance. Most importantly, I was ignorant of the level of cultural, political, and economic sophistication of the African nations when the Portuguese first explored the west coast of Africa. I had some understanding of the Haitian revolution and its manifestation of the enlightenment ideals, but this book opened my eyes to the historical ripples of the revolution: the Louisiana purchase, ceding much of present-day Southern US from Napoleon’s France; the sale and forced-march of thousands of slaves into the cotton-growing south, fueling an economic take-off that made the US an imperial power.

It's the first of its kind, the first installment in a line of Year's Best African Speculative Fiction anthologies meant to spotlight the works of African writers and writers of African descent. Year's Best anthologies have been a genre thing for over 5 decades. This is an important installment in the development of African speculative short fiction. It was published by the editor as well in a small press he founded, Jembefola Press. The anthology made him the first African editor to be a Hugo award best editor finalist and a Locus award best editor and best anthology finalist.

The Hand on my Scalpel was interesting and amusing to read. Dr. Thompson gave a first-hand account of his work in Africa as a surgeon. He is an excellent writer who was able to relate his life and challenges in Africa with vivid clarity and descriptions. I was able to envision each scene as if I were there. 

This edited volume studies Black festive traditions in the Americas that are rooted in African interpretations of early-modern Iberian customs. It shows how, from the beginning of the transatlantic slave trade, enslaved and free Africans in the Americas used Catholic brotherhoods as spaces for cultural and religious expression, social organization, and mutual aid. By demonstrating that the syncretic development of certain Black performance traditions in the Americas is a phenomenon that already set in on African soil, it breaks with previous scholarship that (mis)interpreted these festive traditions in the Americas as new, Creole syncretisms. I am convinced that this pioneering book will strongly affect the way future generations of scholars will come to understand Black cultural and religious identity formation in the Americas.