19 Books Like Impossible Creatures

This might be my favorite book ever, and while it is not about business, career, or personal development, it speaks to me about the power of opening our eyes and seeing a world filled with possibilities.

I believe in our ability to explore, wonder, and imagine what could be possible.

Although I read this book as a child, I only began to appreciate it when reading it again as an adult. The sheer beauty of the English prose makes it, I think, the best-written book ever, if only in terms of the mastery of words.

Some of the underlying themes are rewarding to explore, such as friendship, nature, the importance of home, and forgiveness, and the idea of a threat to a peaceful idyll from the encroachment of modernity now touches a chord, as does the message that people (or animals) with wealth and privilege have a choice over how they behave. 

While you read this story, you step into a world where magic and science intertwine, where armored bears rule the icy north, witches soar through the skies, and every person has a daemon—a living reflection of their soul. The adventure takes us across breathtaking landscapes, from the bustling streets of Oxford to the frozen wastelands of the Arctic, uncovering secrets that shake the very foundation of reality.

Lyra’s journey is thrilling, full of mystery, danger, and a sense of wonder that never fades. Philip Pullman weaves a story so immersive and thought-provoking that it makes us question everything we think we know. It’s a book that sparks curiosity, adventure, and just the right amount of rebellion.

This book is the perfect place to start.

At first glance, it’s a fantasy tale following a tribe of rabbits as they flee the destruction of their old warren to seek a new kingdom.

However, as the journey unfolds, it becomes more of an epic myth like The Odyssey or The Aeneid, both stories with historical roots. Indeed, each chapter starts with an epigraph from myth or history, enhancing the gritty tone.

Beware, Beatrix Potter fans: this is not a children’s tale. There are rabbit-on-rabbit battles. Meditations on rabbit romance. Deaths of beloved characters. Tense escapes. And, in the end, explorations of the meaning of life, both rabbit and human.

Veterinary student BJ Vaughn journeys through the Crossroads to treat amazing creatures such as griffons, centaurs, and unicorns, while dealing with a full course load and all the stresses of being a student. After reading The Magic and the Healing (many, many years ago), I fell in love with supernatural creatures. It made me think, “I want to write something like that!” I’ve never forgotten it.

This was my favourite book as a kid, and I still love it now. Bill Peet is an incredible author and artist, who also did amazing work for Walt Disney. Many of his books are about finding the gift in your uniqueness, where the thing that makes the main character an outcast, the butt of jokes, ends up being the thing that makes them special in the end. 

The Pinkish, Purplish, Bluish Egg does this wonderfully as Zeke, a griffin hatched by a pigeon, finds his heart, courage, and uniqueness to save the very birds who had wanted to exile him.

Don’t be scared off by this 1646 book. It’s essential for anyone who follows mythical beasts through time. One of the best-known parts of Browne’s influential book is Book III: “Of divers popular and received Tenets concerning Animals, which examined, prove either false or dubious.” By discrediting the classical and medieval authorities that perpetuated them, he considers the griffin, basilisk, unicorn, amphisbaena, and phoenix to be “fabulous,” thus separating them from the actual animal kingdom after centuries of general belief.

The now obscure Alexander Ross, “Champion of the Ancients,” refuted Browne’s book virtually point for point in his 1652 Arcana Microcosmi. Ross lost that Battle of the Books between the ancients and the moderns. Mythical animals rarely appeared in eighteenth-century literature, but they rose again a century later.

One of the earliest books of fiction I ever read, Andre Norton’s character Kerovan and his adventures has stuck with me ever since. The way she wrote the tale of a young outcast exploring a fantastical world of magic and myth and discovering who they are in the process was truly engaging. The world came to life through the eyes of the characters themselves. Ever since, I have loved the trope of the young hero who travels the world, exploring and learning. It is something I feature in my own work heavily, as I truly believe that the best way to grow a character is to have them get to know themselves and others.

This first complete English translation of a twelfth-century Latin bestiary has served me well as a partial map for following mythical beasts through time—from when the unicorn, griffin, and other fantastic creatures were considered part of God’s animal kingdom. T.  H. White supplements his translation of the moralized Christian bestiary with his own learned and entertaining footnotes and afterword. His “Family Tree” graph of Western animal studies highlights classical and medieval authors and ends with “Sir Thomas Browne’s Vulgar Errors,” the end of bestiary lore and the beginning of modern biology.

This is a high fantasy adventure that does hilarious things with classic RPG tropes.

A magical kingdom grows fed up with hosting epic fantasy adventures for tourists from the world next door, complete with Wizard Guides, tavern stays, dragons, and epic battles with a Dark Lord.

Wizard Derk is assigned to be this year’s Dark Lord and—while he’s at it—save the world from these destructive tours.

The story romps across countries and continents, includes plenty of action, and doesn’t hold back when it comes to the somewhat messy familial relationships between Derk, his wife, and his children.

This is one of those books that reveals something new every time you read it.