Books like If I Could Die — picked by fans

I love all of Jacqueline Winspear’s books about Maisie Dobbs and am sorry to see that the author is retiring this character. I liked Maisie from the first, maybe because the 1920s are an era of fascination for me.

Not only was the mystery a good read, but it led me to do further research on the after-effects of World War I and the toll it took on the young soldiers, most of them barely out of their teens. Winspear is a great storyteller with a compelling heroine.

Another of my favorite authors, Erdrich, also has a big social and environmental justice theme throughout her works. There’s a delightful premise—a ghost haunts a bookstore in Minneapolis, and a mystery must be solved!—but it also takes on very serious subjects.

Set in 2019-2020, it covers the race riots, pandemic stress, and social justice issues. One thing I love is a book that has a seriousness of purpose but is still truly joyful and fun to read.  

Going into it, I have to say that the cohort of talking animals was a bit much for a realist like me.

But I kept reading as the animals inhabit the dreams of a young neuroscientist who is dealing with personal issues while trying to complete her graduate studies. I realized that the animals became what people couldn’t be for her at this precise time. Maybe they were figments of her imagination. It doesn’t matter in the end. They enlightened her struggles and got her through.

By the time I finished reading the book, I looked at them the way I look at talking animals in really good children’s books: they do the work, say the things, and be the “people” that human characters couldn’t manage nearly as well. 

This one gets all the way to the end before the mysterious creeps in, where it felt completely natural.

I find Trafford’s novels both engrossing and enlightening—genre-merging legal/psychological thrillers that are also thoughtful and literary. I loved the books prior to this one, but this is the one that first introduces a little supernatural healing that was surprising and then . . . good. Intriguing. He carries it forward into the second book of the Dark River series.

The bridge in this book is an actual bridge over an actual river (the Mississippi) connecting Missouri and Illinois at St. Louis. The story is fiction, involving a body that washed up on the Missouri side of the river, which sets the stage for all that follows.

This book resonated deeply within me because, just like the author, I have always relied upon music to drive my emotions. Music played an integral role in shaping my life, especially during times of tremendous grief. This was especially true during the devastating death of a dear friend during my teenage years who succumbed to his demons and the quiet void left by my father’s passing. Each loss felt like a piece of my soul was gone. Music helped me grapple with my mortality.

Being let go from my corporate job was another brutal grief-ridden separation because it felt as if I had lost a part of my identity. Gen Xers like me often navigate the treacherous waters of untapped, sidelined potential. I was reminded that resilience spawns from pain and suffering. Personal battles forced me to confront my fears as I moved forward into today’s digital age. Like Hanif,… show more.

I once heard a friend of mine describe Last Exit to Brooklyn as “a significant minor novel.” He was wrong. It’s a good deal more than that.

Set in the same Brooklyn in which one will find Herschel Cain, the main character in my own novel, before he becomes professional wrestler Haystacks Kane, yet light years away, Last Exit is a searing portrayal of life in the raw amongst the American underclass, profoundly disturbing and terribly, terribly sad. It shook me to my core when I read it not long after it was published in the mid-1960s, and has remained with me ever since.

In countless ways, Selby’s novel thumbs its nose at traditional novel structure and the customary rules of grammar, spelling, and punctuation in order to present virtually every moment of its bleak and upsetting narrative with a ferocious immediacy rarely found anywhere else.

In truth, it does… show more.

Remember Mia is dark, emotional, and twisty. What I liked most about this book is how much the main character riled me up!

She’s an unsympathetic and unreliable narrator, and it propels the story forward. As this story unravelled, I questioned everything: Is the mother’s postpartum psychosis to blame for the missing child? Why didn’t she report the baby missing? Is there even a missing baby in the first place?

I enjoy when a novel makes me question what I thought I knew.

I’m used to contemporary fantasies where magic is either hidden or open and acknowledged, and this book blew my mind by blowing that dichotomy out of the water.

It retells the Russian folktale of “Vassilisa the Beautiful” but adds a lot of complicated family dynamics that made me like the source narrative even more than I already did. I also loved the utter weirdness of how Baba Yaga and her hut on fowl’s legs neither fits into the ordinary world nor stands apart from it.

It might ruffle some feathers to think of the early aughts era of hipster Williamsburg, NY as a “period piece,” but there’s no other setting for this dynamite novel. Cudmore evokes that perfect blend of cigarette smoke, eggs benedict, and the lingering scent of vinyl records in her mystery novel for those of us who grew up emulating High Fidelity but wish for it with a hidden track of murder. It takes me back to my own college days, when I was reading mystery novels… before it was cool. 😎

This is actually a book about a baseball stadium that was not built—the Brooklyn Dodgers’ proposed new home in that borough’s downtown that fell victim to the shortsightedness of New York City elected officials and that of their master, building czar and power broker Robert Moses. This was the first systematic and objective examination of the emotionally-fraught subject of the team’s 1957 departure for Los Angeles and the promise of a new stadium there (the subject of my City of Dreams), and was instrumental in placing responsibility for the Dodgers’ move squarely on the shoulders of New York pols and the imperious Moses. Also highly recommended is Sullivan’s The Diamond in the Bronx: Yankee Stadium and the Politics of New York.