Books like I Spied for France — picked by fans

Talk about a real-life action heroine! I grew up loving stories of intrigue and suspense, and Marthe McKenna’s 1932 memoir is like reading a thriller! As a young woman in German-occupied Belgium during WWI, she worked for the Resistance right under the enemy’s nose. I felt her fear as she witnessed brutality or took outlandish risks, and her exploits were incredibly brave for a woman of her time. I was in awe to read the book’s foreword by Sir Winston Churchill himself, lauding Marthe’s extraordinary courage and ingenuity during her ordeal. She taught me that we can all do more than we ever imagined if it means our survival, and her story inspired the high stakes I created in my novel.

The image of the female spy should have been Marthe McKenna and women spies like her. Instead, because of a nude dancer from The Netherlands, the popular but unfair image of a spy in spy thrillers and Hollywood films is often that of a devious seductress. The nude dancer’s stage name was Mata Hari, who became the mistress to senior French officers and officials during the war. She may have pretended to spy for both sides to earn money, but revealed no significant secrets. Nonetheless in 1917, the French accused her of being a German spy who had used her seductive talents to obtain secrets that sent tens of thousands of French soldiers to their deaths. The evidence at her trial came nowhere close to proving the accusation, but the French needed a scapegoat for the mutiny and collapse of much of their army. She was convicted, executed by firing… show more.

Who believes men alone have redrawn the maps of the world? Gertrude Bell, beautiful adventurer, mountaineer, archaeologist, writer, linguist, and self-taught photographer, championed Arab self-rule, advising the British military in creating the nation of Iraq after World War I. Thwarted in love, this Victorian debutante set forth on a life as colorful as Lawrence of Arabia, with whom she became a close friend. I marveled at her courage, traveling alone in the vast desert of Arabia with a few native guides, dining with Bedouin chiefs who had never deigned to receive a woman before. It’s impossible to describe her life in a few sentences, but it was a revelation to me that a woman of the Victorian era could accomplish what few men had, while remaining a correct English lady.

I’d always imagined the femme fatale, Mata Hari, as the female spy of WWI, but in this well-researched book by Tammy Proctor, I was fascinated to learn there were quite a few women agents in the Great War. Proper ladies, in long dress skirts or nurses’ uniforms, each playing her part in a dangerous game of subterfuge against the enemy to help the Allies win. They knew the risks, yet were willing to sacrifice their lives for what they saw as the greater good; and it was these women who inspired me to create the heroine in my book, Evelyn Marche. Her bravery and daring in the novel are a tribute to them.

One of the very best books in English about France during this time, Hanna mines a treasure trove of letters between a married peasant couple from southwest France to tell an intimate history of the war, of its effects on families, women, villages, men, and the countryside. War stories take place on battlefields, of course, but also in homes and in hearts. Anyone wanting to understand the experience of the Great War at the front, on the home front, and everywhere in between, should start here.

A bit of a cheat, this one. It’s probably my favourite French novel, precisely because it is timeless and seems to ignore everything about French history. I don’t think there’s one mention or symptom of the Revolution, no scar of the First World War, no French over-intellectualizing. It’s just nature and humankind going head-to-head in a brutally realistic, but starkly beautiful, Provençal landscape. By the way, I don’t like the English title – Regain means regrowth, the first signs of recovery. Personally, I’d prefer a title like Signs of Life. And this novel is all about a tiny hamlet in southern France that is on the verge of death. Only one man of working age remains amongst the ruined houses; the fields are fallow; there are no women. Then a tinker comes through, dragging his unwilling, abused femme with him. She catches the lone male peasant’s eye, cosmic chemistry occurs,… show more.

Numerous fascinating first-hand accounts of American “Doughboys” who saw front-line service in World War I. Many of the stories are poignant and personal.

A day-to-day chronicle of a remarkably observant Frenchman who served from the beginning to the end of the war, this fascinating book is full of minute observations, perceptive insights, and the real, gritty texture of military life, service at the front, visits home, and confrontations with civilian life and politics. Barthas recounts all of this with an engaging immediacy and passion that makes the reader sad to part company with him at the war’s end.

A perpetually useful and inspiring book. Shattuck’s study of modern art in France came out in 1955 and remains a lively source for understanding how key artists—Alfred Jarry, Henri Rousseau, Erik Satie, and Guillaume Apollinaire—absorbed and reshaped traditions in writing, painting, and music, and launched the ethos of avant-garde aesthetics in the 20th century. A master storyteller, Shattuck situates his artists in their time, place, and culture with novelistic flair.

With some 1.5 million men dead, and several million more wounded, the story of France and the Great War is in many ways simply the story of grief, and this work captures that beautifully. Through the tragic, true story of a wounded amnesiac veteran whose name and family are unknown, Le Naour tells the crucial story of women, families, and an entire culture in mourning, in many ways hopelessly. Yet the veteran and the people who try to help him or claim him as their own retain their dignity and humanity in this account.