Here are 82 books that I Am Ruby Bridges fans have personally recommended if you like
I Am Ruby Bridges.
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I have been writing and illustrating books for fifteen years, and I am passionate about the art of making picture books. I love music and dance too. While making this list, I was amazed by how different visual artists that I admire—and who have very different styles—were able to capture movement, rhythm, and energy. I was also fascinated by how the different authors crafted their stories and yet all of them managed to celebrate Black culture and resilience.
I love Gregory Christie’s artwork. His naïf style illustrations may seem crude and simple at first glance, but I think they are incredibly rhythmic and powerful.
His images pair seamlessly with the book's lyrical text, which depicts the awful hardships that enslaved people in New Orleans endured and the joy they felt on Sundays when they were free to play music, dance, and spend time together in Congo Square.
Winner of a Caldecott Honor and a Coretta Scott King Illustrator Honor A Kirkus Reviews Best Book of 2016 A School Library Journal Best Book of 2016: Nonfiction Starred reviews from School Library Journal, Booklist, Kirkus Reviews, and The Horn Book Magazine A Junior Library Guild Selection
This poetic, nonfiction story about a little-known piece of African American history captures a human's capacity to find hope and joy in difficult circumstances and demonstrates how New Orleans' Congo Square was truly freedom's heart.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I’ve lived in the same place for a long time—a complicated yet beautiful place that I love and love to observe. I’ve seen a lot of change, and a lot of folks come and go in my neighborhood and within the walls of my own house. Looking at a building down the street, I can see it two paint jobs ago, the moods of former owners and friends still imprinted there. I’m becoming a relative old-timer here—while the neighborhood sees repeated turnover, I dig in harder. My long track of settledness has nurtured a tendency to chronicle this humble place, to write one version of its story.
I often wonder about the generations of people who lived in my house before me, but for better or worse, that context is lost to history. Conversely, Sarah M. Broom is privy to 60 years of intimate history of her childhood home in New Orleans East.
Making a home is an act of love; sustaining one hinges on determination, work, and community. It also helps to be treated like you matter by those in power. Broom’s tribute to her tenacious mother and family, who kept their home through times of security and lack thereof, only to lose it to Hurricane Katrina, is stunning. The house still exerts a tumultuous pull on Broom and her family. The crossing threads of love and heartbreak are sewn through this vivid, haunting memoir.
A NEW YORK TIMES BESTSELLER WINNER OF THE NATIONAL BOOK AWARD FOR NONFICTION
'A major book that I suspect will come to be considered among the essential memoirs of this vexing decade' New York Times Book Review
In 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would…
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
Written by accomplished historian Carolyn Morrow Long, A New Orleans Voudou Priestess tells the true story of Voodoo queen Marie Laveau based on extensive archival research.
In telling her readers about this Creole woman of color who was deeply embedded in the culture of New Orleans in the 1800s, we learn the real story of a woman who was often glorified and denigrated by the press and by local authors who wrote many fantastical tales about her life misleading many about her character and her religion.
Legendary for an unusual combination of spiritual power, beauty, charisma, showmanship, intimidation, and shrewd business sense, Marie Leveau also was known for her kindness and charity, nursing yellow fever victims and ministering to condemned prisoners, and her devotion to the Roman Catholic Church. In separating verifiable fact from semi-truths and complete fabrication, Carolyn Morrow Long explores the unique social, political, and legal setting in which the lives of Laveau's African and European ancestors became intertwined in nineteenth-century New Orleans.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I'm a contemporary African American writer born and raised in the South. It was this sense of place that has shaped my artistic sensibilities. I was in my mid-twenties, searching, seeking for answers and direction on my own, when other Black southern writers were instrumental in pointing me in the right direction: Richard Wright, Zora Neale Hurston, Margaret Walker, Ernest J Gaines, Alice Walker, Arna Bontemps, Albert Murray, just to name a handful. Their writings were revelatory. The same issues that they were dealing with a generation earlier were the same ones I was struggling with every day. It opened my eyes, mind, heart and creativity to put into perspective what I was feeling.
This is where prose and poetry blossom into memoir. James’ account of growing up impoverished with an absentee father and how a small rural Louisiana community became her surrogate family is both moving and insightful. She engages in an exercise of self-examination of the things that made her a writer and the person she has come to be. There is much grace and beauty in these pages as she seeks a path of truth and understanding and mending a broken relationship with her estranged father. This story is both personal and universal and provides understanding of the human condition. There is much poverty, pain, humor, blues, disappointment, and love in this book. Always love.
Table Scraps and Other Essays is for all intents and purposes memoir writing. At the heart of the twenty-two true stories is an African American female who, as a child, along with her siblings, must learn the value of hard work as hired hands. James's young spirit is often at odds with her growing family, especially with a father figure who ignores his duties as husband and provider. She has a strong, loving mother who insists on keeping the family together. James learns to trust and depend on the "guardians" of her small Louisiana community--teachers who are eventually forced to…
I have written widely on themes related to race, slavery, 19th-century politics, the Civil War, and its aftermath. The Reconstruction era has sometimes been called America’s “Second Founding.” It is imperative for us to understand what its architects hoped to accomplish and to show that their enlightened vision encompassed the better nation that we are still striving to shape today. The great faultline of race still roils our country. Our forerunners of the Reconstruction era struggled to bridge that chasm a century and a half ago. What they fought for still matters.
This is a fitting companion to Ball’s earlier book Slaves in the Family, a meticulous account of his paternal ancestors’ slave-owning history and their biracial progeny.
In this book, Ball, a talented and engaging writer, dives deep into the buried story of a maternal forbearer in New Orleans, Constant Lecorgne, a working-class white creole. With novelistic flair, Ball takes us along with Lecorgne in his peregrinations through Louisiana’s violent and chaotic reactionary politics in the 1860s and 1870s. Ball faced a daunting challenge: to humanize Lecorgne without either sugarcoating his reprehensible behavior or forgiving him for it.
Few books I’ve read have so vividly captured the mentality of outspoken white supremacist “foot soldier.” I was often repelled by Lecorgne, but I wanted to keep reading. This is an essential book if we’re to begin to understand why ordinary white men were willing, even eager, to participate in the racist counter-revolution…
"A haunting tapestry of interwoven stories that inform us not just about our past but about the resentment-bred demons that are all too present in our society today . . . The interconnected strands of race and history give Ball’s entrancing stories a Faulknerian resonance." ―Walter Isaacson, The New York Times Book Review
A 2020 NPR staff pick | One of The New York Times' thirteen books to watch for in August | One of The Washington Post's ten books to read in August | A Literary Hub best book of the summer| One of Kirkus Reviews' sixteen best books…
I have been a fan of romantic suspense since I was a teen (many decades ago) and started writing my DAG Team Series in 2016. I adore everything about this genre – the puzzles, the intrigue and how they affect the budding relationship between the main characters. Dating is difficult when you are trying to catch a killer or on the run! Despite the central mystery, the focus is on the romance between the couple. The issues serve to add a layer of non-sexual tension.
The first in the Doucet series and a real nail-biter. A killer has been set free and the couple must team up to catch him. The trail leads them through the bayous of Louisiana and the author does a great job at escalating the tension between them and the environment.
A botched investigation - and a killer walks free...
The death of a beautiful woman ... an arrogant man who claimed to be her suitor but was probably her murderer ... a cop accused of planting evidence ... and a town steeped in secrets and shadows.
Deputy Annie Broussard is still haunted by the case of Pamela Bichon. The killer walked free, and Annie can't forget the sight of Pamela's mutilated body.
But her obsessive search for justice lands her with a dilemma where she must defend or accuse a fellow cop ...
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
I discovered and used The World That Made New Orleans as a source for my book.
Upon opening the book, I was gleefully surprised to discover what an informative, interesting, and fun read it is. Sublette describes the French origins of the city in the early 1700s which involved wild parties, debauchery, tragic exploratory expeditions, and a massive Ponzi scheme that used Louisiana and the fictional gold mines there to defraud most every rich person in France, eventually crashing the entire French economy.
He then took me on a thrilling journey through the Spanish and early American periods to quadroon balls, Congo Square, and so many other fascinating places. I knew the city’s history was interesting, but reading The World That Made New Orleans blew me away.
Named one of the Top 10 Books of 2008 by The Times-Picayune. Winner of the 2009 Humanities Book of the Year award from the Louisiana Endowment for the Humanities. Awarded the New Orleans Gulf South Booksellers Association Book of the Year Award for 2008.
New Orleans is the most elusive of American cities. The product of the centuries-long struggle among three mighty empires--France, Spain, and England--and among their respective American colonies and enslaved African peoples, it has always seemed like a foreign port to most Americans, baffled as they are by its complex cultural inheritance.
I was in the fourth grade when JFK was assassinated. I grew up in the late 1960s as conspiracy theories about ‘who killed Kennedy’ flourished. Jack Ruby’s murder of Oswald made me suspect the mafia played a role. After Oliver Stone’s controversial 1991 JFK film, I convinced a publisher to allow me to reexamine the assassination. I did not expect to solve the case. Halfway through my research, however, I realized there was an answer to ‘who killed Kennedy.’ It was not what I had expected. I discovered that the story of how a 24-year-old sociopath armed with a $12 rifle managed to kill the president was a far more fascinating one than I could have ever envisioned.
In a similar vein to False Witness, Litwin not only exposes the shortcomings of the Garrison investigation into the JFK murder but in the process uncovers the fraud and false information that are cited to support some of the currently popular conspiracy theories about the assassination. It is filled with new information from Litwin’s own extensive research.
Fred Litwin exposes the truth about Jim Garrison, the New Orleans District Attorney, who ‘solved’ the JFK assassination in 1967.
On the Trail of Delusion shows how Garrison persecuted an innocent gay man in order to spout his crazy conspiracy theories. There is also a touch of bribery and intimidation, the story of his attempt to charge a dead man with being a grassy knoll assassin, the former Marine he believed was a ‘second Oswald,’ several con men who turned the tables and fooled Garrison, the use of truth serum and hypnosis to recover memories, the ugly story of Oliver…
Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.
Though a seventh-generation Louisianian, I was born and raised in the northern portion of the state. When I decided to write about early New Orleans, I realized deep research would be required. The first book my local librarian recommended was Saxon’s Fabulous New Orleans.
I was enthralled, not least because I discovered he was also not a native of the city, though he lived in the French Quarter for many years and was instrumental in preserving many of its historic buildings from demolition.
With a style that immediately draws you in, this book is filled with pageantry and grandeur, personality, and rich detail, which makes researching the Vieux Carré a pleasure rather than a chore.
This classic reprint evokes a city steeped in the traditions and idiosyncrasies of three cultures--French, Spanish, andAmerican. Known widely as one of Louisiana's great writers, Lyle Saxon documented many of the quirks and mysteries of New Orleans. His narratives include a vivid picture of Mardi Gras as seen through the eyes of a young boy, a brief history of the city, and accounts of strange and remarkable events, including the great Mississippi flood of 1927, the year of the great plague, and a voodoo cult ceremony.
By any standards, New Orleans is a unique city, and Saxon depicts it unadorned,…
I’ve loved jazz ever since I learned to play the clarinet as a child. My two great loves in life have been music and books, so it made sense to combine the two things and write novels with a link to jazz. These books are some of my favourites with a jazz theme. I promise that even if you’re not a jazz fan, these are all excellent novels, to be enjoyed with or without music playing in the background!
A young Louis Armstrong as an amateur detective – if that concept doesn’t draw you in, I’m not sure what will!
The year is 1919 and there’s a terrifying serial killer on the loose in New Orleans. This is the first installment in Celestin’s City Blues Quartet. I love all four books but The Axeman is probably my favourite because of the New Orleans vibe. You get jazz, mafia, Pinkerton detectives, crooked cops, and a taste of the macabre.
"Ray Celestin skillfully depicts the desperate revels of that idiosyncratic city and its bizarre legends in his first novel, THE AXEMAN." - The New York Times Sunday Book Review (Marilyn Stasio, Crime Columnist)
The Axeman stalks the streets of New Orleans...
In a town filled with gangsters, voodoo, and jazz trumpets sounding from the dance halls, a sense of intoxicating mystery often beckons from the back alleys. But when a serial killer roams the sultry nights, even the corrupt cops can't see the clues. That is, until a letter from the Axeman himself is published in the newspaper, proclaiming that…
