29 Books Like How to Be

This is a series of detailed, magical, emotionally-potent stories from the life and afterlife of Cuthbert, unofficial patron saint of northern England, and Cuddy to his followers. Born in about 634, within 30 years he was known throughout the Scottish Borders and Northumbria as a traveller, preacher and nature-lover. Joining the community at Lindisfarne, Cuddy served there for more than a decade before retreating to offshore islands where he died in 687. A century later the Vikings came and the monks of Lindisfarne fled, taking Cuddy's uncorrupted, sainted corpse with them. In dialogue with Cuddy's spirit, a 200-year vision quest leads the monks to Durham, where they found a magnificent cathedral to house his relics. Every step of the quest, every stone of the building, and every great event around and within Durham Cathedral, offers a way for Myers to tell a story of wonder and subtle redemption. Likewise for… show more.

Snyder explains how each powerful cultural system maintains itself with pervasive stories of why it is inevitable. Values, traditions, technologies and philosophies all support the feeling that it is the only possible beneficial outcome of past events and 'human nature'. In its prime, what Snyder calls the 'politics of inevitability' prevail - the sense that the laws of progress are known, and that there is no alternative. But a failure to renew itself, to deliver utopia, or to protect its people from environmental degradation can undermine the system. Then a new politics arise, in which practitioners exploit fear, manufacture crisis and manipulate emotion. Those who do this most effectively become oligarchs, who specialise in spinning lies that terrify some and reassure others. Snyder observes that "in the 2010s, one such person, Vladimir Putin, escorted another, Donald Trump, from fiction to power.” If the 2020s are not to end the American… show more.

This book hurled me into a compassionate and respectful understanding of puffins, gannets, fulmars, cormorants, and other seabirds, and their varied and extraordinary relationships with the world ocean and its winds and sea cliffs. It left me aware of huge gaps in my perception of these different worlds, of the otherness and perfection of seabirds, and of my own species' abuse of such wonders. It re-set my standard for beautiful writing, and for appreciating the feeling of standing against a gale above the sea while surrounded by creatures who are truly at home there.

The author and her husband are pioneers of one of the best-known rewilding schemes in Britain at their estate at Knepp in West Sussex. They began a quarter century ago, after financial losses from conventional farming of their heavy clay soils, with its reliance on expensive oil-derived inputs, became unsustainable.

She describes rewilding as restoration by letting go, although with the help of grazing animals such as pigs, ponies, and longhorn cattle. The book is a rich evocation of a landscape evolving as a remarkable array of wild species flourish. It is also a valuable record of the debates about rewilding. In 2023, it was made into a documentary film. 

I was riveted by this fascinating and illuminating biography of a visionary German naturalist and polymath—mostly forgotten—brought back to life through vivid narrative and seamless research to interesting detail. Wulf’s storytelling style drew me into this man’s incredible life, a planetologist way ahead of his time, who predicted human-induced climate change, and formulated a radical concept of nature as both a complex and intertwined global entity—long before Lovelock and Margulis came up with the Gaia Hypothesis in the 1960s. 

Humboldt was the first ecologist, practicing the science of ecology for fifty years by the time German scientist Ernst Haeckel created a name for it (ökologie) in 1869. Humboldt embraced Schelling’s Naturphilosophie, which espoused an organic and dynamic worldview as an alternative to the atomist and mechanist outlook that prevailed at the time. He saw nature as a living organism, animated by dynamic forces. True to his holistic vision, Humboldt invented… show more.

First of all, how could anyone not love a book with an author’s name like that?

This book was on display mere inches from me while I was signing books at an exceptionally enchanting indie bookstore called Sudden Fiction in Castle Rock, Colorado. I couldn’t wait for the signing to be over so I could get a copy for myself. And it did not disappoint, the contents being as beguiling as the cover. 

Sheldrake describes not only the incredible and seemingly irrepressible capacity fungi have for survival and thrival (yep, I made that word up), but also encourages us to practice the same spells. I may have to become a mycologist in my next iteration – it’s good to remake oneself every few months, I think.

The question of how to portray a historical atrocity like slavery in a work of fiction is obviously monumental. Toni Morrison, Gayl Jones, Colson Whitehead, and John Keene have approached this with consummate brilliance by writing the experience and subjectivity of enslaved and formerly-enslaved people. Johnson, however, focuses on the perpetrators: the men who engage in and profit from the capture and trafficking of other human beings. As in Mantel’s novel, the choice of the protagonist is key. Rutherford Calhoun is a ne’er-do-well free Black man from New Orleans who runs away on a ship to escape debts and engagement to a woman whose love he hasn’t done much to deserve. It turns out this ship is bound for Africa to collect a cargo of people, members of the Allmuseri tribe, an ethnicity Johnson invented for his fiction. But along with the people, they are also collecting something much more… show more.

The ‘sea-fiction’ literary canon is very male-focused. But in the real world, women put to sea too, and were sometimes at the forefront of exploration. Maria, the heroine of my novel, was the first non-native woman to set foot on the northwest coast of America, when she arrived with Francis Drake during his circumnavigation voyage in the summer of 1579. Five hundred years earlier, on the other side of the continent, another female pioneer, Gudrid Thorbjarnardóttir, explored and settled the Newfoundland coast. 

Gudrid, the ‘Far Travelled’ of Icelandic sagas, is brought to life in this beautifully written and vividly imagined novel. Rich in historical detail and steeped in the mythology and worldview of the Vikings, it’s a thoroughly convincing portrait of an extraordinary woman at the edge of the known world.

Golding will forever be remembered for Lord of the Flies, but I think this is better (and so did he, apparently, a lot better).

It’s the story of people on a seemingly endless voyage from England to Australia in the 19th century, but for me, it’s like a spaceship on a voyage to another planet, like the spaceship in Alien with its own monsters aboard, the social mores, the injustices, the class privileges and prejudices, the sexual hangups, and the guilty secrets they carry with them. Pity poor Australia!

For me, it demonstrates that the sea can be a metaphor for reading (and writing). You embark on a journey, and you want to get to the end, but in a way, you want it to last forever.

In 325 BC, Pytheas of Massalia travelled to northern Britain and beyond, becoming the first writer to chronicle the midnight sun and describe the distant land of Thule (possibly Iceland). His account, On the Ocean, was lost to history and is now known only through references by other writers. But we do have The Walrus Mutterer, a brilliant fictionalization of those travels, to make up for it.

Rian is a young woman from the Scottish region of Assynt who is being trained as a healer when she is enslaved and forced to join Pytheas’s dangerous voyage of discovery. In poetic, lean prose, Haggith details Rian’s trials at sea, her endurance and strength, and the search for the eponymous walrus-hunter, which takes them into the far north.

The writing about the weather and landscape of this lost world is exquisite. The beliefs and practices of this distant way of… show more.