Books like How Things Shape the Mind — picked by fans

Godfrey-Smith is a philosopher, but also an avid diver.

This is an engaging and readable philosophical examination of the mind of a very different kind of creature, an octopus. He grounds his thoughts both in his many diving interactions with octopuses and in what we know of the evolution of life—and mind—on Earth. 

I love this book because it demonstrates the human value of being excellent in personal and professional contexts. Like many musicians, I strive for excellence and in this book Schwartz &  Sharpe draw a picture of excellence that includes “practical wisdom” – knowing how to do the right thing at the right time in the right way for the right reasons. A lovely book that is sure to be a helpful guide for those of us seeking personal fulfillment through any kind of meaningful activity.

This is a moving and profound book about how to reclaim our sense of self through meaningful activities and relationships. Crawford carefully studies how our attention is manipulated in various modern contexts, and what we can do to reclaim our sense of individuality. It is a book that underscores the importance of dealing with the real world—the people we encounter and the objects we use. This is the book that might convince you to take up knitting or the guitar. At the very least, it will help you understand some of what you gain by doing those things.  

When I was a musician encountering theory in cognitive science for the first time, this book really moved me. I was searching for conceptual lenses on cognition in instrumental practice and this book is aimed at grounding the study of cognition in the body. I can still see myself sitting at a huge ugly desk under a tiny window thoroughly absorbed in this thrilling page-turner in the philosophy of mind. The book moved me so profoundly that I cried when I approached the last page, and gently closed the back cover. It is a precious book. It changed my world. 

My archaeological career began in 1971 in the Mimbres region of Southwestern New Mexico. I continued to work in the area, on and off, until 2013. Along the way, I wrote four books and many chapters/articles about Mimbres, and I formed some strong opinions on ancient Mimbres history.

Centered in the Mimbres River valley, the Mimbres built about twenty sizable stone villages at the same time as Chaco Canyon, from 1000 to 1125. Their towns were notably large for the time, fueled by sophisticated canal irrigation (probably adopted from the Hohokam, see above). But Mimbres is most famous for its remarkable black-on-white pottery: artfully-painted bowl interiors show bugs, fish, antelopes, birds, and people – people doing things, tableaus of daily life, esoteric rituals, mythical events. These images appeal strongly to us, today. In ancient times, however, Mimbres bowls and Mimbres art seems to have been limited to the Mimbres region… show more.

Although we often dismiss souvenirs as kitsch, they can be deeply meaningful to people, both today and in antiquity. Taking a phenomenological approach to ancient Roman souvenirs of places, Kimberly Cassibry shows how people would have held, used, and interacted with small objects showing seaside resort towns on the Bay of Naples, the Circus Maximus in Rome, Hadrian’s Wall in Britain, and the western empire’s network of imperial roads. Her book taught me just how large makers and materials loom in how places came to be represented and conceptualized in Roman antiquity. I love that Cassibry forces me to think anew about my own travel souvenirs and how I interact with them to make meaning of places my loved ones or I have visited. 

Hamilakis’s Archaeology and the Senses was one of the first books I read when starting to explore multisensory history, and it totally altered my view of how we study the past.

Focusing on Bronze-Age Crete, Hamilakis examines how archaeology has engaged with the bodily senses thus far and critiques its emphasis on sight and the traditional hierarchy of the five senses in the west.

Moreover, he proposes an innovative and exciting means by which archaeology can move beyond its focus on visual experiences of artefacts, environments, and materials to bring in lost and neglected, yet just as important, bodily senses such as sound, smell, taste, and touch.

Through this approach to archaeology he seeks to evoke a deeper, richer insight into the breadth of human experience in past societies.

I was taken by this book from the moment I read the description. An intrepid archaeologist and fossil hunter trespassing on the lands of a hermit who literally wants her to get off his lawn? What could possibly go wrong! In Effie we have another heroine who is interested in science, knows her own biology, and is quite willing to explore it with the right sort of man. She’s a virgin, but she’s not a wilting young flower. She’s more of a curious pragmatist. In Max we have another damaged hero, and oh my goodness I am a sucker for a hero with terrible events in his past which have left him with physical scars as well as mental ones. I also love a good grumpy sunshine trope.

I have always admired people who can bring the past to life in a visual way and in this book, Victor Ambrose draws and paints the lives of people and places from the past.

The text is provided by Mick Aston, a well-known archaeologist of Time Team fame. Many of the places featured in this book were sites investigated by the Time Team. The book is full to the brim with excellent illustrations of places and perhaps importantly they are then peopled with interesting characters (for fans of Time Team, you may recognize a few faces).

This book makes it easy to travel back in time, to visualize what life may have been like for people way back when which is why I recommend it to any potential time travelers.

PS Look out for the cheeky dog…

This book is one of my absolute favorites for expressing how archaeology really works on a macro level. As a student, I learned that archaeology has often been co-opted to serve political and nationalist purposes.

But the hows and whys of that process weren’t clear until I started doing archaeology. I love how Nadia Abu El Haj makes extremely clear why archaeology as a science lends itself so well to solidifying claims about identity, history, and land. I really admire how Abu El Haj captures what happens between the direct, tangible encounter of a person with an artifact and the abstract, national level of narrative construction and policymaking.