Books like House of Furies — picked by fans

I’ve always loved to be scared! When I was young I turned off the lights to watch movies like Alien and It. When I got older, I played Resident Evil and Silent Hill. And when I got even older, I started writing things that would make me jump if the dog came in too suddenly mid-chapter. I think we are drawn to scary books and movies because they give us a safe way to explore the unknown – and, less philosophically, because sometimes it’s just fun to get sucked into a dark and creepy universe!

As a doctor, writer, and mother of middle schoolers, I was ready to scintillate the sixth-graders when I volunteered for the chicken wing dissection class, demonstrating the exciting connection between muscles, tendons, and bones. I opened and closed the wing, placed it in their hands, and showed them the thin strips of tissue coordinating all the action. Did I see fascination? Excitement? Feigned interest of any sort? Sadly, no. They were much more enthusiastic about a different topic I volunteered for. Mythology. Greek gods. Beasts with multiple heads. They knew everything, and I knew books like Rick Riordan’s The Lightning Thief series were the reason. Books can entertain and educate.

I tell stories for the page and the screen (and sometimes to bribe my kid to brush her teeth). The stories I tell have one thing in common – they transport the reader to another world. For me, building a new world starts with building a new character – a narrator with strong opinions and a complicated past that will shape how the reader experiences their world. We don't experience the real world objectively – no matter how hard we try, our past, our feelings, and even our bodies affect how we experience the world. That's why the worlds I build and the stories I tell are all filtered through the particular truth of a bold narrator.

I’ve always loved to be scared! When I was young I turned off the lights to watch movies like Alien and It. When I got older, I played Resident Evil and Silent Hill. And when I got even older, I started writing things that would make me jump if the dog came in too suddenly mid-chapter. I think we are drawn to scary books and movies because they give us a safe way to explore the unknown – and, less philosophically, because sometimes it’s just fun to get sucked into a dark and creepy universe!

I’ve been fascinated by color since childhood. I am not a very talkative person by nature and have always found that I communicate well through my illustrations. I have worked both as an illustrator and graphic designer. Through combining illustration with design, I learnt that I have the knack for distilling a complex idea into a simple image, or series of images. My illustrations combine visual trickery with simplicity, designed to make you think and smile. When my children were young, I decided to create picture books like this. The books in this list do the same. I hope you enjoy them!

Anyone who’s attended high school knows it’s often survival of the fittest outside class and a sort of shadow-boxing inside of it. At my late-1970s prep school in the suburbs of Los Angeles, some days unfolded like a “Mad Max” meets “Dead Society” cage match. While everything changed when the school went coed in 1980, the scars would last into the next millennia for many. Mine did, and it’d thrust me on a journey not only into classic literature of the young-male archetype, but also historical figures who dared to challenge the Establishment for something bigger than themselves. I couldn’t have written my second novel, Later Days, without living what I wrote or eagerly reading the books below.

As a writer, I strive to create stories that I wish I had found on shelves when I was younger. In that same way, every title on this list not only brings new ways to find adventures through reading, but will hopefully leave young readers with new skills to face the world around them. We often think just cause a story has fantastical elements that it makes them detached from reality, but give any of these a read and you'll find, the farther it is from real life, the brighter the common themes we all share shine through.

Like most, I grew up reading the classic literature assigned to me at school. But what I always found lacking were characters and themes that related to me—a queer, poor, half-Mexican in 80’s rural Texas. I wanted to be a writer at an early age, but took a 15-year detour as an editor at DC Comics, Scholastic, and other big publishing houses. While there, I was proud to find new diverse talent with new perspectives and voices. Stories are magical when they act as windows through which we learn about others, but they can be even more powerful when they act as mirrors in which we can see ourselves. 

In the 1970s and '80s, I lived in New York, made noise in downtown bands, wrote incomprehensible texts. And obsessed about dinosaurs, ancient civilizations, Weimar, and medieval cults. The past became my drug (as I tapered off actual drugs). I couldn’t cope with the present, so I swallowed the red pill and became a historian. Took refuge in archives, libraries and museums (my safe spaces), and the history of anatomy. Because it was about sex, death, and the Body and seemed obscure and irrelevant. Pure escapism. But escape is impossible. Anatomy seems a fact of nature, what we are. But its past—and present—are tangled up in politics, aesthetics, the market, gender, class, race and desire.

I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.