93 Books Like Hostage

I’m a former rock writer turned television critic, but in my teens, I became hooked on Raymond Chandler’s hardboiled Philip Marlowe detective sagas. The plotting was intricate, the writing exquisite and poetic. I also loved the no-nonsense pulp fiction of Mickey Spillane and his Mike Hammer character. So I’m always on the lookout for authors who combine realism and pace with great prose–like James Crumley, whose writing was like Chandler crossed with Hunter S. Thompson. Through journalism and band management, I came into contact with real gangsters and have always aspired to reflect their three-dimensional reality rather than glorifying them as television and Hollywood tend to do.

I love a book that pulls you into the story, one where maybe you see yourself in the characters. As a boy, I loved to read and would lose myself in books. I find I am drawn to many different types and genres, but especially military or crime dramas. My favorites include historical references and in my own writing I often place characters in an actual historical event, but with a fictional outcome. The most important thing to me is creating a character who is interesting enough to make the reader want more. My personal military experiences were used to begin my first novel while the characters came to life.

I love a book that pulls you into the story, one where maybe you see yourself in the characters. As a boy, I loved to read and would lose myself in books. I find I am drawn to many different types and genres, but especially military or crime dramas. My favorites include historical references and in my own writing I often place characters in an actual historical event, but with a fictional outcome. The most important thing to me is creating a character who is interesting enough to make the reader want more. My personal military experiences were used to begin my first novel while the characters came to life.

I love a book that pulls you into the story, one where maybe you see yourself in the characters. As a boy, I loved to read and would lose myself in books. I find I am drawn to many different types and genres, but especially military or crime dramas. My favorites include historical references and in my own writing I often place characters in an actual historical event, but with a fictional outcome. The most important thing to me is creating a character who is interesting enough to make the reader want more. My personal military experiences were used to begin my first novel while the characters came to life.

My debut novel was geared toward Young Adults because I’m fascinated by young people discovering themselves in different environments. Although I enjoy reading and writing other genres, I'm arguably more interested in YA. This is a genre that is in need of good writers because it is like an introduction to youngsters who pick up novels that they deem safe for their ages and consumption. It is a fun and exciting genre. I’m trying to contribute to it and hopefully lessen the bad reviews out there for YA books. 

I have always been fascinated by people and I love stories. All we are is who we are to each other. Our childhoods are such a formative time and they echo into our future. We never really leave them behind. If we have a childhood wound we have to fix it. Childhood trauma and recovering from it is such a fascinating topic. Psychology has always intrigued me. We can suppress memories and then, boom!, they hit us and we have to deal with the fallout. I have read so many books on the topic and I look forward to reading more in the future. 

The anthology form unites diverse voices around a common theme—in the case of Distant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.  

As a Moldovan emigrant growing up in Greece, I believed that Western institutions were centers of excellent knowledge. After studying in the USA and the UK and conducting research with Muslim and Christian communities in Africa, I became aware of colonial, ethnocentric, and universalizing tendencies in gender, religion, and domestic violence studies and their application in non-western contexts. International development had historically followed a secular paradigm congruent with Western societies’ perception of religion and its role in society. My work has since sought to bridge religious beliefs with gender analysis in international development work so that the design of gender-sensitive interventions might respond better to domestic violence in traditional religious societies.

I marvel at the resilience, tenacity, and optimism with which survivors and their advocates confront sexual violence. As a scholar of life writing, I find the “me too” movement to offer a fascinating case study of how survivors broke through default narratives of women’s unreliability and “he said/she said” to be heard by a massive global audience. By telling their own stories as “we said,” they tapped into a new collective credibility. Each of my recommended books helps us to understand “me too” as a powerful episode in a long struggle for survivor justice.

I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.