100 Books Like Australian Cinema After Mabo

This is an old but indispensable book that gives a panoramic overview of the history of Australian cinema, ending with the important cinema of the 1970s Film Revival.

I read this coffee table edition all the way through and loved the cinema stills and fabulous information on every page. One for the history of Australian cinema enthusiasts.

I really enjoyed reading this book on the development of Australian film culture and history from the silent cinema to the talkies. Diane Collins looks at unexamined areas of this history, including audiences, marketing, and distribution, and even has a chapter about how picture palaces used to have live music at every screening.

This is an engagingly written account that provides important context for any consideration of Australian cinema history. 

Two experts in the field provide a great account of Australian film that, at the time, uniquely took a genre approach. There are chapters on comedy, adventure, teen, horror, and art films, to name a few.

In discussing genres, this excellent account foregrounds the films themselves, rather than the history of the Australian film industry. To which genre does your favorite Australian film belong?

Australian women have been involved in the creation of cinema from the beginning.

I loved this book because it was one of the few books around at the time that seriously examined this aspect of women in cinema from a range of different perspectives, including from the filmmakers themselves. Can you name the film referenced on the cover? (A: Looking for Alibrandi–a great school film and so much more!)

Every Australian bookish girl knows Sybylla from My Brilliant Career. She is the original feisty heroine, the unashamed young feminist who rejects the isolation and low expectations of the bush and marriage at the turn of the twentieth century, wanting to strike out on her own as a writer. That her yearnings are so irrelevant to those around her and her ambitions unfulfilled act as a dare to all of us, and to me – to have that brilliant career, to tell your truths and have your independence, whether anyone else likes it or not. Equally as vivid, witty, and socially acute as Twain, if you read only one old and dusty novel about Australia, read this one.

I met the poet Nick Flynn over twenty years ago, not long before the publication of his most famous book, Another Bullshit Night in Suck City, a memoir about his father’s homelessness. Since then, he has become one of my favorite writers. The Reenactments—for my money, his best book—takes us through the surreal experience of Another Bullshit Night being turned into a film. Robert De Niro plays his father and Julianne Moore plays his mother. De Niro meets Flynn’s father, studying him for character traits. In the most heartbreaking sections, Flynn relives his mother’s suicide as it’s filmed. As Flynn writes: “How often are you offered the chance for a complete reenactment of the day of the disaster?”

When I decided to study Taiwan cinema more systematically, I tried to read as much on the subject as possible. I enjoyed this book because it offered me a broad overview of many kinds of questions that can be asked about and through Taiwan cinema.

For example, I realized that it is possible to try and understand Taiwanese domestic & international politics, cross-strait relations, colonial history, and the impact of globalization in a more relatable manner by reading films and documentaries as texts. It is also possible to analyze different festivals, genres, filmmakers, and individual films from the perspectives of the film industry and film artistry.

I was totally energized by the enormous potential the subject of Taiwan cinema can offer because of this book.     

Another fun bit of psychedelic folk horror, combined with a really cool history of the experimental films of Canada.

The narrator is compelling, and the whole time you feel the pull of her obsession to the film she’s looking into, even if it unsettles her and terrifies her at the same time. Love that pull of danger, wanting to look, to see, but knowing that doing so will probably kill you…

It's like horror novel catnip.

Many people will be familiar with Monty Python’s The Life of Brian – the movie. But the screenplay has actually been published as a book!  Available online for less than twenty bucks! So you can have a permanent reference for all your favourite lines!  And if by chance you haven’t heard of it, The Life of Brian has to be on any list about poking fun at religion and gods. To this day, whenever I think of "Always look on the bright side...," I burst into giggles.

Another book focusing on the medium of film, but again the lessons to be learned about good storytelling are universal. Alexander ‘Sandy’ Mackendrick directed such classic Ealing comedies as The Man in the White Suit and The Ladykillers, also the Hollywood masterpiece, Sweet Smell of Success. After retiring from filmmaking in 1969, he spent nearly 25 years as a professor at CalArts in Los Angeles where he helped students to write better stories and communicate them effectively through the craft of filmmaking.

This book is compiled from Mackendrick's legacy of masterly handouts and lectures. One section I found incredibly insightful is his comparison of two versions of a key scene from the script of Sweet Smell of Success (initially written by Ernest Lehman and subsequently rewritten by Clifford Odets), seeing how increased tension between the characters is achieved.