Here are 98 books that Himself fans have personally recommended if you like
Himself.
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Dugan was my grandmother’s maiden name. Her family was from County Wexford, Ireland near Rosslare on the island’s east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked.
Very few writers capture the longings of young men trapped in small towns, struggling to escape to new and better worlds than does Donal Ryan.
I grew up in an Irish-German neighborhood in Pittsburgh, Pennsylvania where few people ever left. I knew those kinds of men.
This book has many of the same elements of Ryan’s past work, yet it brings with it a profound take on Ireland itself. The novel is divided into several sections, each focusing on seemingly unrelated narratives, until the final section when the stories of the men in the novel heartbreakingly come together.
Throughout, Ryan captures the essence of Irish history—the good and the bad—and combines it with the country’s always-present profound and unexpressed emotions, and its beautiful yet curious contradictions.
The refugee. The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways.
I’m no particular expert on anything, but I know what I love in a book, and I’ve read approximately a million books, plus or minus. I’ve written novels with the hope that they will be funny and poignant in about equal measure, I value humor in books more than just about anything, and here I have listed books that I cherish.
Okay, but here’s the thing: It takes about 30 pages for Niall Williams to hit his stride. There’s a lot about weather at first, the whole Irish rain situation. Stick with it. Once Christy comes on the scene in this small Irish town, Faha, and is hoping to have a meeting with a woman he left at the alter 30 years before, and once our young narrator gets involved in his plan—BAM.
The reader is fully in the world of Faha as electricity is introduced into the village, as Noel begins to figure out love and the insanity that is normal around him—well, I did not want it ever to end, even as at the beginning I was waiting for it to begin. Another book to clutch to the heart.
Shortlisted for Best Novel in the Irish Book Awards
Longlisted for the 2020 Walter Scott Prize for Historical Fiction
From the acclaimed author of Man Booker-longlisted History of the Rain
'Lyrical, tender and sumptuously perceptive' Sunday Times
'A love letter to the sleepy, unhurried and delightfully odd Ireland that is all but gone' Irish Independent
After dropping out of the seminary, seventeen-year-old Noel Crowe finds himself back in Faha, a small Irish parish where nothing ever changes, including the ever-falling rain.
But one morning the rain stops and news reaches the parish - the electricity is finally arriving. With it…
Dugan was my grandmother’s maiden name. Her family was from County Wexford, Ireland near Rosslare on the island’s east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked.
What could be more Irish than two old friends meeting in a pub to tell stories?
Thing is, one of the friends has a life-changing secret to tell. He’s left his wife and kids for another woman, a woman they both know from their school days. Throughout the night, in pub after pub, and pint after pint, the story of the friend’s new love is revealed as the conversation delves deeper into each man’s version of the past they have shared—their fathers, their lovers, and even their collective memories of their Irish childhoods.
At times the story is both amusing and genuinely moving.
'A profound examination of friendship, romantic confusion and mortality' John Boyne
One summer's evening, two men meet up in a Dublin restaurant. Old friends, now married and with grown-up children, their lives have taken seemingly similar paths. But Joe has a secret he has to tell Davy, and Davy a grief he wants to keep from Joe. Both are not the men they used to be.
As two pints turns to three, then five, Davy and Joe set out to revisit the haunts of their youth. With the ghosts of Dublin entwining around them - the pubs, the parties, the…
Historians write about dead people and historical fiction authors breathe new life into those people. Reading and writing historical fiction is my passion. I crave well-researched, authentic stories that introduce me to a different time, place, culture, or perspective. I want to witness extraordinary times and events in history through the eyes of ordinary people. This is what I look for in the books I read and what I strive for in the books I write.
When reading, I often mark passages and sentences I find especially evocative, powerful, insightful, or well-written. This novel is riddled with such marks. Freud does an exceptional job of creating a strong sense of time and place with elegant descriptions.
She explores the bonds between mothers and daughters, formed and broken, through three generations of women who all have a penchant for loving deeply flawed men. It’s a largely melancholy story and it stirred in me a wide range of painful emotions—heartache, disappointment, anger, frustration. Yet, the story contains moments of true beauty, as well, and ultimately concludes with a sense of brightness and redemption.
An unforgettable novel of mothers and daughters, wives and muses, secrets and outright lies
'Freud is a modern literary rarity: a born storyteller' THE TIMES
'Such a powerful book' RICHARD CURTIS
'Delivers an emotional punch that left me in tears' RACHEL JOYCE
'Utterly compelling' HANNAH ROTHSCHILD
'I couldn't love it more' POLLY SAMSON
'I loved this book' AMANDA CRAIG
'Completely, inspiringly wonderful' BARBARA TRAPIDO
'Breathtakingly beautiful' JULIET NICOLSON
AN EVENING STANDARD BOOK OF 2021
Rosaleen is still a teenager, in the early Sixties, when she meets the famous sculptor Felix Lichtman. Felix is dangerous, bohemian, everything she dreamed of in…
As a teacher, I spent forty years at the chalkface before finally achieving my ambition to be a published writer. My first novel was about a child migrant to Australia; my second about a little girl on the kinder transport. I wanted to write about strong women in world war two. All three of the mothers in my stories are separated from their children and have to make some tough decisions. I hope my readers will remember them for their courage and tenacity and that they’ll enjoy reading about them as much as I’ve enjoyed creating them.
I’m always intrigued by the stories older people have to tell about their war time experiences. I’m so glad I spoke to my own father about the war before he died, and I try to recognise this in my own novels. Suzanne shows us so well how a seemingly frail and elderly woman can hide a multitude of secrets, and Eva’s story is fascinating and beautifully told.
'Expect a tale of love, courage and being brave in the most dangerous of times' Woman's Way You can pay a terrible price for keeping a promise...
Evelyn Taylor-Clarke sits in her chair at Forest Lawns Care Home in the heart of the English countryside, surrounded by residents with minds not as sharp as hers. It would be easy to dismiss Evelyn as a muddled old woman, but her lipstick is applied perfectly, and her buttons done up correctly. Because Evelyn is a woman with secrets and Evelyn remembers everything. She can never forget the promise she made to the…
I have been teaching English for 25 years, both at the high school and middle school levels. And one thing I have seen in the lives of thousands of teenagers is that our days are filled with the most beautiful, amazing things, as well as the most devastating, tragic things. My own childhood was equal parts unconditional love and chaotic dysfunction. In fact, if life were a book, it would be on this list!
I love everything A.S. King. She is my absolute favorite YA author. Her books are weird and thoughtful, and they stick in my head forever. Her award-winning Please Ignore Very Dietz is no different. Vera’s (former!) best friend Charlie has died. While she’s struggling with family stuff, and drinking stuff, and working at pizza place stuff, she’s being haunted by Charlie’s ghost who insists she tells the police what she knows. The story itself is quirky, and Vera’s narration is clever. And, then, of course, there’s a twist at the end!
Vera’s spent her whole life secretly in love with her best friend, Charlie Kahn. And over the years she’s kept a lot of his secrets. Even after he betrayed her. Even after he ruined everything.
So when Charlie dies in dark circumstances, Vera knows a lot more than anyone—the kids at school, his family, even the police. But will she emerge to clear his name? Does she even want to?
Edgy and gripping, Please Ignore Vera Dietz is an unforgettable novel: smart, funny, dramatic, and always surprising.
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
The Brides of Dracula are a classic overlooked group. Most adaptations treat them like a sexy slideshow of danger, not allowed to do anything other than lust and hunger. They’re a flattened idea of feminine desire, put on Dracula’s leash.
S.T. Gibson breathes them to life (or undeath) by imagining what their long existence is like, constantly under a temperamental abuser’s thumb. Yes, they are angry and hungry, and they yearn, but it’s a deeply human yearning for more than companionship. You root for them to be the ones to plunge knives into the count’s heart.
S.T. Gibson's sensational novel is the darkly seductive tale of Dracula's first bride, Constanta.
This is my last love letter to you, though some would call it a confession. . .
Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things.
Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark…
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
College friends gathering after the suicide of one of their friends. If it sounds like the ‘80s film The Big Chill, you would be right…and wrong.
At first, I wasn’t sure I liked any of the characters. But Rowley digs deep into the lives of a group of far-flung friends in ways that surprised me. Layers are peeled back throughout the book, proving that the characters, like our friends, really are complicated and annoying and precious.
New York Times Bestseller A TODAY Show #ReadWithJenna Book Club Pick
A Big Chill for our times, celebrating decades-long friendships and promises—especially to ourselves—by the bestselling and beloved author of The Guncle.
It’s been a minute—or five years—since Jordan Vargas last saw his college friends, and twenty-eight years since their graduation when their adult lives officially began. Now Jordan, Jordy, Naomi, Craig, and Marielle find themselves at the brink of a new decade, with all the responsibilities of adulthood, yet no closer to having their lives figured out. Though not for a lack of trying. Over the years they’ve reunited…
I’ve long been intrigued by what makes a woman a hero in her own life. My three novels feature characters who are not obvious heroes—they are trying to shed a difficult past, they may run towards risky second chances, and they eventually stand up to their history and heal it and themselves. A lot of my inspiration for my stories comes from my mother, who was a pilot in World War II. I grew up with the legacy of women as heroic; it fostered an intense curiosity about female ambition and morality, women who would risk personal freedom and safety to find something greater than they expected.
What makes a woman a hero? Irish writer John Boyne’s narrator was a last choice for me—the daughter of a top-ranking Nazi war criminal who carries the burden of her past at 90. But I came to love the voice of this narrator, her brutal honesty with herself and her circumstances, and her growing awareness of her culpability, even as a child, for what happened.
Boyne elegantly explores the question of whether terrible acts by fathers make their children responsible or if children are inherently innocent. The story’s ending was a complete surprise, bringing this character to hero status in my eyes, as she chooses honor above safety.
'Beautifully told and gripping from first page to last' Sunday Express 'An incredible feat of storytelling... and an old-fashioned page-turner' Donal Ryan 'Gripping and well-honed...consummately constructed, humming with tension' Guardian 'You can't prepare yourself for the magnitude and emotional impact of this powerful novel' John Irving ________________________________
From the author of the globally bestselling, multi-million-copy classic, The Boy in the Striped Pyjamas, comes its astonishing and powerful sequel.
Gretel Fernsby is a quiet woman leading a quiet life. She doesn't talk about her escape from Germany seventy years ago or the dark post-war years in France with her mother. Most…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
There such an intimate sense of discovery in this novel, narrated by Linda, a teenage girl taken under the wing of a strange family.
Linda guides us through this natural world, the cold woods of Minnesota, both mysterious and beautiful. Her simple descriptions of place always build on a subtle sense of dread in her voice, “The sky between the branches looked like sunburn. It was twenty minutes through the snow and sumac before the dogs heard me and started braying against their chains.”
Linda’s is a vulnerable first-person voice, not in command of her world, but constantly open to its possibilities, for better or worse. As authentic as it gets.
"So delicately calibrated and precisely beautiful that one might not immediately sense the sledgehammer of pain building inside this book. And I mean that in the best way. What powerful tension and depth this provides!" Aimee Bender
Fourteen-year-old Linda lives with her parents in the beautiful, austere woods of northern Minnesota, where their nearly abandoned commune stands as a last vestige of a lost counter-culture world. Isolated at home and an outlander at school, Linda is drawn to the enigmatic, attractive Lily and new history teacher Mr. Grierson. When Mr. Grierson is charged with possessing child pornography, the implications of…
