100 Books Like High Tide in Tucson

My first memories are of sitting in the garden munching strawberries off the vine as my grandfather picked vegetables. Dad’s days off meant a trip to the nature reserve or sledding the town slopes. Vacations were for jumping in waves and exploring tidepools. Mom collected antique children’s books and instilled a passion for reading. When not exploring the woods across the railroad tracks with friends, I was reading. Childhood and my passion for nature intersect in my writing in two of my other books, A Beach Tail and Circles of Hope. Nowadays, my routine includes writing in my woodland cabin and daily hikes with my flat-coated retriever, Lowani.

I was born in the Bronx, New York City, and my earliest memories involve going to the beach in the Bronx, where crabs ran among my toes, and especially going to City Island to try to see the great yachts that were being built to win the America's Cup. But I think my love of marine biology was really cemented at the age of ten when my father took me to the Paris movie theater in New York City to see The Silent World made by Jacques Cousteau and Louis Malle. 

The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.

The heroes and heroines in the Seven Kingdoms Fairy Tales face challenges inspired by my own fears, like giving a presentation in the front of the class, getting lost in an unfamiliar place, finding my place in a new school, or working out how to be fair to my friends when we disagree about the rules. Fears tell us a boring life is “safe.” They hide our extraordinary life behind their backs. I write books for and about kids attempting things that are absolutely positively “not for them”. Because kids are the bravest people around. That’s why they’re so magical.

It’s not an exaggeration to say that finding a path toward a spiritual belief that accepted me for who I am was a lifelong pursuit for me. As someone who felt pushed out by the Catholic Church for my transness, I wanted to find something that kept some of those traditions but built on them in a way that made sense to me and included me. Italian-American folk magic had room for people like me in a way that organized religion never did. The magical memoirs of contemporary writers inspired me to synthesize what I’d learned into my own grimoire/memoir. 

I’m fascinated by singular women who have found ways to express themselves and to flourish in the face of doubt. My experience of moving country as a child, family breakdown, losing a parent as a teenager, and dropping out has left me intrigued by other women with the drive to survive on their own terms. Of course, the social constraints a woman must overcome will vary according to when she lived, but common characteristics will be bravery and obstinacy. I’ve now written three novels about women who have succeeded against the odds. I hope the books I’ve recommended captivate you as much as they do me.

I’ve always been fascinated by the role of women in war: men may be on the front lines, but women deal with its impact and often struggle to have equal standing. I was inspired by stories told by my mother who was a nurse in World War II and participated in surgery under gunfire and helped liberate a POW camp in Germany. Yet, no one wanted to hear from her because she was “just a nurse.” Fast forward to Vietnam where women were still being marginalized. I wrote The Fourteenth of September to even the playing field by telling a story that was largely based upon my own experience in college during l969-1970.

I write historical fiction about real-life characters, some relatively obscure, some very well known. One of my main goals is to avoid the stereotypes, myths, and misconceptions that have gathered around historical figures. At the same time, I strive to remain true to known historical facts and to the mores of the times in which my characters lived. I use both primary sources—letters, newspapers, diaries, wills, and so forth—and modern historical research to bring my characters to life.

I grew up on a dairy farm on the outskirts of a town with about a hundred residents. I remember walking to town with my sister and two brothers to buy candy and rent a VHS movie from the tiny grocery store. My first job off the farm was doing dishes at the local café, where my father and the other farmers would drink coffee and read the newspaper at table 10. These experiences shaped me as a person and hooked me on small-town living. I believe it’s the people in the smallest of towns that have the biggest of hearts.

I have been passionate about making, reading, and studying comics for my whole life. When I first encountered autobiographical comics, they were all by women who I looked up to for their ability to tackle their lives with both words and images. This is a small list and biased towards the cartoonists I first encountered in the world of female autobiographical comics. There is so much more out there. I love how the flexibility and history of the comic form have allowed for so much blending of genres and styles.